If you’ve been following my work for a while, you probably know me for wyverns, assassins, and dark fantasy worlds.

I’ve been publishing fantasy and speculative fiction since 2016, and I’ve been a full-time author since 2018.

Most of my readers found me through The Ravenglass Chronicles—a long-running epic about magic, destiny, and rebellion that spanned half-a-million words. It was an intense creative journey, and by the time I finished it, I needed to catch my breath.

In 2022, I decided to write something completely different. No magic. No kingdoms. No wyverns. Just people. Ordinary lives under extraordinary pressure. It started as a palate cleanser, a little side project to clear my head before diving into my next fantasy series. That story became The Nanny’s Secret.

At the time, I didn’t think I’d ever publish it. It didn’t fit with my other books. I love reading psychological thrillers, but I saw them as something separate from what I wrote. I wasn’t keen on setting up a new pen name or building a whole second author brand. So I set the manuscript aside and got on with other things.

But the idea of writing thrillers stuck with me.

The stories kept coming—small-town secrets, lies, betrayals, and the dark undercurrents that run beneath everyday life. Before long, I’d written a second thriller, then a third. Now, I’ve written eight and I’m working on my ninth.

When I showed them to a friend who writes thrillers, he told me I was mad not to publish them. I told him I didn’t want to annoy my regular eaders, and I didn’t want the stress of juggling two identities. He gave me a simple solution: drop my first name.

So “Jon Cronshaw” became “J. Cronshaw.”

Same writer. Different shelf.

That small change made everything click.

I’ve since built a new website, newsletter, and social media presence for J. Cronshaw—the domestic thriller author.

I’ll admit, I was reluctant at first. Starting over from scratch after years of building my fantasy world felt strange. But once I began, I rediscovered something I hadn’t felt in a long time: the spark of building something brand new.

These domestic thrillers are grounded in real life. They draw on my years as a court reporter, on real places near where I live—Morecambe, Heysham, Lancaster.

The stories are intimate and claustrophobic, the kind of tension that doesn’t need magic to feel dangerous. And in a way, writing them has made me a better fantasy author too. They’ve sharpened my sense of pacing, dialogue, and emotional realism.

I’m still writing fantasy—always will.

The Ravenglass Legends series is continuing, and there are more stories from that world on the way. But writing thrillers under J. Cronshaw has reminded me how much I love storytelling in all its forms. It’s a different kind of worldbuilding—one built from truth, not myth.

So if you ever fancy reading something a little different from me—something without wyverns, but still full of secrets and twists—you can download your free copy of The Lodger HERE to give you a flavour of what I’ve been doing.

And if you’d like to hear more about what I’m working on—both fantasy and thriller—you can listen to my weekly Author Diary podcast. I’ve been recording every week since 2017 and haven’t missed an episode.

It’s been a strange journey from wyverns to whispers, but I’m glad I took it. Because sometimes, stepping outside your world is the best way to remember why you built it in the first place.