Silent Watcher Is Out Now in Kindle, Paperback and Audiobook

Silent Watcher by Jon Cronshaw is out now in Kindle, paperback and audiobook, narrated by Claire Aston. Discover this standalone fantasy spy thriller.

Silent Watcher is officially out now in all three formats: Kindle, paperback and audiobook.

This is the first novel in my new Ravenglass Guardians series, and although it takes place in the same world as my other Ravenglass books, Silent Watcher has been designed to work completely as a standalone.

So, if you’ve never read one of my fantasy novels before, you can start here.

And if you’re already familiar with the Ravenglass Universe, this book takes you somewhere rather different.

A century has passed since the events of Ravenglass Legends.

The Guardians have become an established institution. They were founded to watch without shaping, protect without ruling, and preserve the truth.

But institutions change.

And sometimes the people tasked with protecting the truth become very good at controlling it.

Composite promotional image for Silent Watcher by Jon Cronshaw, showing the fantasy novel as both a Kindle edition and paperback. The cover features a cloaked woman in a dark medieval street beneath a full moon, with a wyvern flying overhead and warm torchlight glowing from nearby buildings.

A Fantasy Spy Thriller

Silent Watcher follows Anselma Versen, a Watcher sent to the isolated town of Halborg under a false name.

Her mission appears straightforward.

A fellow Guardian is dead.

The official report says it was an accident.

Anselma quickly becomes convinced it was murder.

But Halborg is a town where everything feels slightly wrong.

The streets have been scrubbed clean. Witnesses give suspiciously similar answers. Records disappear. People seem to know more than they are willing to say.

Then Anselma discovers reports carrying her own signature.

Reports authorising operations she never witnessed.

Some are dated to days she cannot remember.

Someone knew she was coming.

Someone has already decided what she is supposed to discover.

And the last Watcher who asked these questions is already dead.

Espionage in a Fantasy World

With Silent Watcher, I wanted to write something that felt closer to an espionage novel than a traditional quest fantasy.

There are no armies marching across continents here. No chosen one setting out to defeat an ancient evil.

Instead, the danger lies in reports, testimony, missing documents and carefully constructed lies.

Anselma is trained to observe.

Her job is to establish what happened and report the truth.

The problem is that she works for an organisation that may have its own definition of what the truth is allowed to be.

That made Silent Watcher a chance for me to focus on questions of institutional loyalty, secrecy, surveillance and the ways organisations protect themselves.

What happens when the system you trust tells you that the evidence in front of you cannot possibly be true?

And what do you do when telling the truth could make you the next problem the institution needs to remove?

The Beginning of Ravenglass Guardians

Silent Watcher is also the first book in Ravenglass Guardians.

The series will consist of seven standalone novels, each following a different branch of the Guardian Order during a growing internal schism.

Each book will tell its own complete story with its own protagonist, setting and central conflict.

At the same time, the novels will gradually reveal a much larger struggle over what the Guardians are supposed to be.

Protectors.

Observers.

Judges.

Or rulers.

Silent Watcher approaches that conflict through espionage and psychological suspense. Other books in the series will take on very different styles, including military fantasy, ethical and medical dilemmas, legal conflict and other corners of the Ravenglass world.

You won’t need to read every book to understand an individual novel, but readers who follow the whole series will see the larger crisis developing from several different perspectives.

The Audiobook, Narrated by Claire Aston

I’m especially pleased that the audiobook edition is launching alongside the Kindle and paperback editions.

Silent Watcher is narrated by Claire Aston, who has done a fantastic job bringing Anselma and the inhabitants of Halborg to life.

This is a story built around suspicion, uncertainty and the things people leave unsaid, so the performance matters enormously.

Claire captured that atmosphere beautifully.

If you prefer to experience your fantasy through audio, the complete audiobook is available now.

What to Expect from Silent Watcher

If you pick up Silent Watcher, expect a slow-burning mystery built around secrets, deception and institutional betrayal.

At its heart, it’s a fantasy spy thriller.

It’s about a professional investigator entering a place where everyone appears to be lying, only to realise that the conspiracy may extend far beyond the town she was sent to investigate.

If you enjoy the political and institutional tension of Seth Dickinson, the espionage of John le Carré, or the morally complicated fantasy of K. J. Parker, Silent Watcher should be right up your street.

A Dead Agent. A Silent Town. A Conspiracy Written in Her Own Hand.

Watcher Anselma Versen arrives in Halborg under a false name to investigate a colleague’s death.

The official report calls it an accident.

The evidence says murder.

The streets have been scrubbed clean. Witnesses repeat the same rehearsed answers. Records vanish overnight. Then Anselma finds reports bearing her signature, authorising operations she never witnessed and dated to days she cannot remember.

Someone knew she was coming.

Someone has already decided what she will find.

The last Watcher who asked these questions is already dead.

As Anselma pulls at the threads, she uncovers a truth buried at the heart of the Guardian Order itself. The rebellion she was sent to document may never have been real.

And if her role in the conspiracy was written before she arrived, she may not be meant to leave Halborg alive.

Silent Watcher is available now in Kindle, paperback and audiobook.

I hope you enjoy your visit to Halborg.

Just don’t believe everything you’re told.

40% Into The Hammer and the Crown & Returning to Wyvern Academy | Author Diary, September 4, 2026

Jon Cronshaw reaches 40% of The Hammer and the Crown, returns to Wyvern Academy, and shares his thoughts on finishing Will Wight’s Cradle series.

This week, I’m around 40% of the way through my draft of The Hammer and the Crown, book five in my Ravenglass Legends series.

The story is gathering momentum, and I talk about how the draft is progressing as I move deeper into Ragnar and Maja’s next adventure.

I’ve also returned to an older project, Wyvern Academy, a follow-up to my Wyvern Rider novella for Patreon.

On the reading side, I’m nearing the end of Will Wight’s Cradle series. I’m now on the final book and have been hugely impressed by how the series has developed.

Wight has done a fantastic job of building the characters, escalating the stakes and improving his craft across twelve books while keeping the story compulsively readable.

Six of Swords Finished & 25K Into The Hammer and the Crown | Author Diary, August 26, 2026

Jon Cronshaw finishes Six of Swords, reaches 25,000 words on Ravenglass Legends book five, and discusses Will Wight’s Cradle series.

This week, I’ve finished Six of Swords and sent it off for editing, bringing another Ravenglass Chronicles novella to the next stage of production.

I’ve also made good progress on The Hammer and the Crown, book five in the Ravenglass Legends series. I’m now around 25,000 words into the draft as Ragnar and Maja’s story continues.

I also talk about my ongoing readthrough of Will Wight’s Cradle series. I’m currently on book eight, Bloodline, and thoroughly enjoying it.

One of the things that has stood out is how much Wight’s craft develops as the series progresses, particularly in terms of pacing, character work and handling an increasingly large story without losing momentum.

Six of Swords & Exploring Arthurian Britain | August 21, 2026

This week I reach 17 chapters of Six of Swords, work on Arthurian prequel The Last Eagle, and visit Lammerside Castle and Pendragon Castle for inspiration.

This week I’ve continued making progress on Six of Swords and now have 17 chapters drafted. The book is moving along well, and I’m getting close to the final stretch.

I’ve also been working on The Last Eagle, a prequel novella for a potential new Arthurian Britain series. The idea is to take the legends of Arthur and place them in a grittier, more grounded post-Roman Britain, while still keeping the heroic and mythic elements that make the stories so enduring.

That project also tied in nicely with a couple of recent visits to Lammerside Castle and Pendragon Castle. Both places have plenty of history and atmosphere, and Pendragon in particular comes with its own Arthurian associations.

So this week’s diary is a mix of Ravenglass progress, new Arthurian ideas, and a bit of real-world historical inspiration.

Halfway Through Six of Swords, Revisiting Old Stories & a Cradle Craft Lesson | Author Diary, August 14, 2026

This week: halfway through Six of Swords, revisiting The Hammer and the Crown, publishing Blind Sight, returning to Black Death and reading Ghostwater by Will Wight.

This week I’ve been making good progress on Six of Swords.

I’m 12 chapters into the draft, which probably puts me somewhere around the halfway point.

I’ve also been going back over what I’ve written so far for The Hammer and the Crown, continuing work on the next Ravenglass Legends novel.

One of the more satisfying things this week has been returning to older projects. I revisited Blind Sight, a prequel novella to Blind Gambit that I originally abandoned back in 2018. I’ve finally finished it and published it on Patreon.

I’ve also been working through another story from my open projects folder, this time set in the Black Death world, which should hopefully be ready next week.

On the reading front, I’m continuing with Will Wight’s Cradle series and have now reached Book Five, Ghostwater. I’m really enjoying the series, and I’ve also finally worked out why I struggled to follow parts of the second book, Soulsmith. It turned out to be a useful lesson in storytelling craft.

No Writing This Week: Adventure Week in the Lake District | Author Diary, August 8, 2026

This week I swap writing for an Adventure Week in the Lake District with Galloway’s, trying canoeing, fell climbing and sailing, including a brilliant session on a Dart catamaran.

This week’s Author Diary is a little different because I did absolutely no writing.

Instead, I spent the week at Coniston in the Lake District on an Adventure Week organised by Galloway’s, a charity supporting blind and visually impaired people.

It was a brilliant week packed with canoeing, sailing, fell climbing and plenty of other activities.

One of the best parts was getting to meet other blind and visually impaired people, hearing how they approach different challenges, and picking up ideas about ways of doing things that I hadn’t considered before.

The highlight for me was definitely the sailing. I especially loved getting out on a Dart catamaran, which was enormous fun. It’s something I’d really like to do more of, so I’m now looking into what sailing opportunities might be available locally.

No word count this week, then, but plenty of new experiences, new people and perhaps the start of a new hobby.

Preparing RAF Dragon Corps Book 3, Starting The Hammer and the Crown & Taking a Break | Author Diary, July 31, 2026

This week I prepare RAF Dragon Corps Book 3 for my editor, begin drafting The Hammer and the Crown, share my thoughts on Soulsmith and decide to take a much-needed break.

This week I’ve been getting RAF Dragon Corps Book 3 ready to send to my editor.

After finishing the draft, I’ve been working through the manuscript one last time, checking that everything is in place before handing it over.

I’ve also started drafting The Hammer and the Crown, the fourth book in my Ravenglass Legends series. It feels good to be back with Ragnar and Maja and moving forward with the next stage of the story.

On the reading front, I’m halfway through Soulsmith by Will Wight. I really enjoyed Unsouled, but I’ve found parts of the second book harder to follow. I’m going to keep reading for now, as so many readers love the Cradle series, and I’m hoping the story finds its footing again.

I also talk about feeling increasingly tired. I haven’t had a proper break since our trip to Rome in May, so I’ve decided to take next week off and give myself some time to recharge.

Finished RAF Dragon Corps Book 3, Back to Ravenglass Legends & Clearing the Backlog | July 23, 2026

This week: I finished RAF Dragon Corps Book 3, began The Hammer and the Crown, completed two long-abandoned stories, and enjoyed Unsouled by Will Wight.

This week I wrapped up my draft of RAF Dragon Corps Book 3.

I’ll be letting it rest for a while before coming back with fresh eyes, but it’s always a great feeling to reach the end of another novel.

With that finished, I’ve started outlining—and even written the first chapter of—The Hammer and the Crown, the fifth book in my Ravenglass Legends series. It feels good to be returning to Ragnar and Maja.

I also decided to tackle a couple of older projects as part of my ongoing audit of unfinished work.

I completed Family of the Wasteland, a novella I originally drafted back in 2017. It’s now available exclusively on my Patreon, where even free members can download and read it.

I also finished Threads of Wolfsbane, a Ravenglass Legends prequel starring Maja. That story will be landing on Patreon this weekend, and I’m pleased to finally cross another long-standing project off the list.

On the reading front, I’ve been reading Unsouled by Will Wight and thoroughly enjoyed it.

It’s my first real taste of progression fantasy. I’m still not entirely sure where the genre boundaries lie, but the focus on steadily developing the protagonist’s abilities gave it an almost anime-like feel.

A really entertaining read, and I’m looking forward to continuing the series.

Five of Swords Complete, Audiobook Progress & A Decade of Unfinished Stories, July 17, 2026

This week: Five of Swords goes to my editor, I proof-listen to The Ravenglass Throne audiobook, and audit more than 15 unfinished novels from the past decade.

This week I finished Five of Swords and sent the manuscript off to my editor, marking another milestone in The Ravenglass Chronicles.

I also completed a proof-listen of The Ravenglass Throne: Parts 5–8 audiobook, and once again Emmy Coates has done an outstanding job bringing the story to life. I can’t wait for listeners to hear it.

One of the more interesting things I did this week was a full audit of all my open writing projects. The results surprised even me: more than 15 novels, around 10 novellas, and several short stories in various stages of completion—including ideas dating back more than a decade.

Some of them still excite me and will definitely get finished. Others have probably had their day. It was a fascinating exercise in taking stock and deciding which stories are still worth telling.

Finished Five of Swords & A Return to the Black Death World | Author Diary, July 10, 2026

This week: I finished the draft of Five of Swords, outlined Six of Swords, and planned a new Black Death apocalyptic thriller set in the UK.

This week I’ve been focused on bringing Five of Swords to the finish line.

The third draft is now complete! Before it heads off to my editor, I’ll do one final read-through to catch any lingering issues and make sure everything hangs together.

Looking ahead, I’ve also finished outlining Six of Swords, so I’m ready to keep the momentum going with The Ravenglass Chronicles.

One unexpected development came from looking through some of my old, unused book covers. That sparked an idea to return to the world of Black Death.

I’ve now outlined a second novel—an apocalyptic thriller set in the UK—and I’m excited by the possibilities.

It’s still early days, but it reminded me how ideas can come from the most unexpected places.