Silent Watcher Edits Done, Deftones Live, and More Dungeon Crawler Carl | Author Diary, February 20, 2026

Final edits of The Silent Watcher are done and it’s off to the editor. Cover revealed soon on Patreon from March 2. Plus Deftones live in Manchester and more Dungeon Crawler Carl reading.

This week I completed my final edits of The Silent Watcher and have now sent it off for a professional edit.
I’ve also received the cover, and I’m looking forward to starting to post chapters on Patreon from March 2.
Outside of writing, I went to see Deftones in Manchester—an excellent gig with a set leaning more into their shoegaze/epic rock side, which was perfect for me.
On the reading front, I’m now onto the third Dungeon Crawler Carl book and still thoroughly enjoying its wacky, grimdark world.

Finished Three of Swords, Back to Guild of Assassins, and More Dungeon Crawler Carl | Author Diary, February 13, 2026

Finished Three of Swords, made progress on Guild of Assassins Book 4, and started the second Dungeon Crawler Carl. A busy and productive week of writing and reading.

This week, I wrapped up Three of Swords (The Ravenglass Chronicles, Part 24)and moved straight onto writing a few chapters of Guild of Assassins Book 4.

It’s been great shifting gears between projects while keeping the momentum going.

On the reading front, I’ve jumped into the second Dungeon Crawler Carl book, and I’m thoroughly enjoying the ride so far. Safe to say, the series has me hooked.

A productive week all round—on the page and off it.

Three of Swords, Running Blind, and Loving Dungeon Crawler Carl | Author Diary – February 6, 2026

60% through Three of Swords, loving Dungeon Crawler Carl, and starting Couch to 5K with my wife as my sighted guide. Writing progress, reading joy, and a new running challenge.

This week I’ve been making strong progress on Three of Swords (The Ravenglass Chronicles, Part 24), reaching around 60% of the draft.

It’s always a great feeling when a story starts accelerating towards the final stretch.

I’ve also been reading Dungeon Crawler Carl, which I’m enjoying immensely—fast, funny, and brilliantly inventive.

On a personal note, I’ve started the Couch to 5K running programme. As someone who is legally blind, this is a new challenge, but my wife has trained as a sighted guide, so we’re tackling it together. It’s early days, but I’m excited to see where the journey leads.

Finished Two of Swords, Started Three of Swords | Author Diary, January 30, 2026

Finished writing Two of Swords and kicked off Three of Swords. I also share thoughts on Dark Matter by Blake Crouch—well worth a read if you like twisty sci-fi thrillers.

This week I finished writing Two of Swords and started work on Three of Swords, continuing my return to The Ravenglass Chronicles.

I also enjoyed reading Dark Matter by Blake Crouch.

In exciting news, The Ravenglass Throne: Parts 5–8 boxed set is out today on Kindle and paperback.

And if you’ve not started the series yet, Parts 1–4 is free on Kindle until February 1.

Working on Two of Swords and Embracing Smart Tech | Author Diary, January 23, 2026

Nearly finished Two of Swords! This week I talk writing progress and how Meta’s smart glasses are helping me navigate the world as a visually impaired author.

This week I’ve nearly finished Two of Swords, with just three chapters left to draft.

I also share my thoughts on using Meta’s smart glasses and how they’re proving surprisingly useful for someone like me with a visual impairment.

Secret Project Revealed: The Ravenglass Chronicles Returns! | Author Diary, January 16, 2026

The Ravenglass Chronicles is back! This week I reveal my secret project, post Ace of Swords to Patreon, try Meta’s Smart Glasses for vision aid, and talk about finishing Stranger Things.

This week I reveal my long-hinted secret project—I’m back writing The Ravenglass Chronicles!

The first two chapters of Ace of Swords is now live on Patreon, and I’m deep into Two of Swords.

I also tried out Meta’s Smart Glasses, a game-changer for accessibility, and share my thoughts on the Stranger Things finale.

What Is Nobledark Fantasy? (And Why It’s Not Grimdark)

Nobledark fantasy places moral weight at the heart of brutal worlds. Learn how it differs from grimdark and why hope still matters when everything costs.

Nobledark fantasy places moral responsibility at the centre of a harsh world.

It accepts violence, injustice, and suffering without softening them. It insists that individual choices still matter, even when doing the right thing costs everything.

Where grimdark strips meaning from morality, nobledark tests it under pressure.

Grimdark asks whether decency was ever real. Nobledark asks whether decency can survive contact with power.

The Core of Nobledark

Hope has weight in nobledark fantasy. It does not arrive as rescue or reward. Characters choose it, often at personal loss.

The world remains cruel. Systems of power rarely improve. Victories come partial, temporary, or morally compromised.

What persists is the belief that refusing to become worse still matters.

A nobledark protagonist understands the cost of action and inaction. They act anyway.

In The Ravenglass Throne, the three sisters—Irmin, Adelinde, and Elana—each bring different skills to a kingdom rotting from within. Irmin commands wyvern riders and answers threats with steel. Adelinde uncovers dangerous truths buried in ancient texts. Elana navigates a court where every ally might be an enemy. None of them can fix the corruption alone. None of them stop trying.

How Nobledark Differs from Grimdark

Grimdark fiction runs on moral exhaustion. Every ideology collapses into self-interest. Kindness exists only to be punished. Power belongs to those willing to abandon restraint. Survival replaces ethics as the highest good.

Nobledark accepts that darkness. It refuses to accept moral emptiness as the final answer.

Characters in nobledark stories believe lines exist, even when crossing them would be easier. Those lines are personal rather than institutional. Breaking them costs the character something real—not just plot consequences, but identity.

Ragnar Wolfsbane in Ravenglass Legends rises through the ranks of the empire that destroyed his homeland. He earns honours, titles, and influence. The system rewards him. It also demands he become someone his younger self would not recognise. Every step forward narrows his path back.

His sister Maja fights from the other side. She allies with people she cannot trust because survival leaves no better options. She fears what accepting their help might turn her into. Neither sibling escapes the war unchanged.

Why Nobledark Gets Mislabelled

Nobledark is mistaken for grimdark because it offers no comfort.

There are no clean victories. No perfect leaders. Death carries weight. Trauma does not vanish between chapters.

Readers sometimes expect hope to look like triumph. In nobledark, hope looks like refusal.

Refusal to abandon responsibility. Refusal to dehumanise completely. Refusal to let brutality define identity.

Nobledark Versus Noblebright

Noblebright fantasy imagines worlds where goodness is rewarded and institutions function under virtuous leaders. Evil is external and identifiable. Sacrifice leads to renewal.

Nobledark removes that safety net.

Institutions remain flawed even when good people rise within them. Reform is slow, contested, and frequently reversed. Characters are rarely thanked for doing the right thing. They continue anyway because not doing so would cost them who they are.

The sisters of The Ravenglass Throne inherit a kingdom their father held together through force of will. His assassination exposes how fragile that order always was. Irmin, Adelinde, and Elana each discover that the throne they fight to protect may not be worth saving—and that walking away would doom thousands who have no choice but to stay.

Power in Nobledark Fantasy

Power is never neutral in nobledark stories. It demands compromise. Authority isolates. Violence leaves marks that do not fade. Magic carries cost rather than convenience.

Characters gain influence only by risking corruption or loss. The tension comes from how far they go before they stop recognising themselves.

Leadership becomes burden rather than prize.

Moral Weight as Narrative Engine

Nobledark stories run on consequence rather than spectacle.

Every major decision narrows future options. Every survival choice creates debt. Characters remember what they have done. They carry guilt, responsibility, and doubt forward rather than resetting at the next arc.

This continuity of consequence creates gravity. No choice is free.

Maja Wolfsbane learns this when she sparks a rebellion. The fire she starts burns people she never intended to harm. She cannot undo it. She can only decide what she does next.

Examples That Point Towards Nobledark

Classic epic fantasy contains nobledark DNA.

The Lord of the Rings presents a world where victory demands irreversible loss. The Shire survives, but its innocence does not. Frodo’s courage saves others while breaking him. That cost is never undone.

Modern fantasy sharpens this approach. A Song of Ice and Fire examines power and cruelty with grimdark intensity, but nobledark emerges when characters choose loyalty or mercy despite the odds. The Broken Earth grounds its hope in survival, care, and responsibility rather than victory or restoration.

These works show that darkness and moral seriousness are not the same thing.

Why Readers Choose Nobledark

Nobledark resonates because it reflects adult ethical tension.

It mirrors the experience of living in systems that feel unfixable. It acknowledges that good intentions can still cause harm. It refuses simple reassurance.

Readers drawn to nobledark care less about who wins than who remains human. They want stories that respect uncertainty. They want meaning without sentimentality.

Character-First Storytelling

Character always comes before outcome in nobledark fantasy.

Plots exist to test belief rather than reward virtue. Heroes fail without becoming villains. Antagonists may be sincere without being right. Relationships fracture under pressure. Loyalty costs more than betrayal.

The story’s tension comes from whether the character can endure the consequences of their own values.

Irmin of The Ravenglass Throne commands soldiers who trust her with their lives. When she discovers the corruption threatening the kingdom runs deeper than assassination, she must decide how much she is willing to sacrifice—and how much she is willing to ask others to sacrifice—for a throne that may already be lost.

Violence Without Celebration

Violence in nobledark fantasy is never the point.

It is functional, costly, and often regretted. Acts of force close doors rather than opening them. Characters learn that survival achieved through brutality reshapes them.

The absence of celebration creates space for reflection rather than escalation.

Hope That Hurts

Hope in nobledark fantasy is fragile by design.

It exists in small acts rather than grand resolutions. A promise kept when breaking it would be safer. A life spared when killing would simplify matters. A truth spoken that creates danger instead of relief.

These moments rarely change the world. They change the person making the choice.

That change is the point.

Why Nobledark Is Not Cynical

Cynicism assumes moral effort is pointless.

Nobledark rejects that assumption. It accepts that effort may fail. It still argues that effort matters.

The value lies in resistance, not outcome.

This separates nobledark from despair-driven storytelling.

The Future of Nobledark Fantasy

As fantasy matures, nobledark offers a path that avoids both comfort fiction and nihilism.

It allows writers to engage with power, trauma, and injustice without surrendering meaning. It trusts readers to sit with discomfort. It respects complexity without mocking belief.

In a genre pulled between optimism and brutality, nobledark holds the line.

It insists that choosing to care is still an act of courage.

Even when it costs everything.


Start Your Nobledark Journey

If you’re ready to explore nobledark fantasy, the Ravenglass Universe offers multiple entry points:

The Ravenglass Throne — Three sisters fight to hold a fractured kingdom together after their father’s assassination. Political intrigue, wyvern bonds, and impossible choices.

Ravenglass Legends — Siblings torn apart by empire. Ragnar rises through the ranks of the conquerors. Maja sparks rebellion from the shadows. Neither will emerge unchanged.

Claim your free starter library — Three prequel novellas delivered to your inbox.


Frequently Asked Questions About Nobledark Fantasy

What is nobledark fantasy?

Nobledark fantasy is a subgenre where morally grounded characters navigate brutal, unforgiving worlds. The setting offers no guarantees of justice or reward, but characters maintain personal codes and make choices that matter—even when those choices cost them dearly.

What is the difference between grimdark and nobledark?

Grimdark presents worlds where morality is meaningless and self-interest always wins. Nobledark accepts the same harsh conditions but insists that ethical choices still carry weight. In grimdark, hope is naive. In nobledark, hope is earned through sacrifice.

What is the difference between nobledark and noblebright?

Noblebright fantasy features good triumphing over evil in worlds where virtue is rewarded and institutions can be trusted. Nobledark removes those assurances. Good people still exist, but systems remain broken, victories stay partial, and doing the right thing rarely comes with thanks.

What are some examples of nobledark fantasy?

The Lord of the Rings carries nobledark DNA—victory costs Frodo everything. A Song of Ice and Fire contains nobledark moments when characters choose honour despite the consequences. The Broken Earth trilogy grounds hope in survival and care rather than triumph. The Ravenglass Universe by Jon Cronshaw explores nobledark themes across multiple series.

Is nobledark the same as dark fantasy?

Not quite. Dark fantasy is a broad category covering any fantasy with darker themes, horror elements, or morally complex characters. Nobledark is more specific—it requires both a harsh world and protagonists who maintain moral weight despite that harshness.

Why is nobledark fantasy popular?

Readers are drawn to nobledark because it reflects real ethical tensions. It acknowledges that systems are often broken, good intentions can cause harm, and doing the right thing is rarely simple. It offers meaning without false comfort.

Can nobledark fantasy have a happy ending?

Yes, but happiness is earned and often incomplete. Characters may survive, protect what matters, or hold onto their humanity—but rarely without permanent cost. The ending honours what was sacrificed rather than erasing it.

Is Jon Cronshaw deluded enough to think he’s really the King of Nobledark?

Yes.

From Wyverns to Whispers: How J. Cronshaw Moved from Fantasy to Thriller

Fantasy author Jon Cronshaw shares how writing The Nanny’s Secret—his first domestic thriller—reignited his creativity after completing The Ravenglass Chronicles. Discover how his new pen name, J. Cronshaw, opened a new chapter in his storytelling career.

If you’ve been following my work for a while, you probably know me for wyverns, assassins, and dark fantasy worlds.

I’ve been publishing fantasy and speculative fiction since 2016, and I’ve been a full-time author since 2018.

Most of my readers found me through The Ravenglass Chronicles—a long-running epic about magic, destiny, and rebellion that spanned half-a-million words. It was an intense creative journey, and by the time I finished it, I needed to catch my breath.

In 2022, I decided to write something completely different. No magic. No kingdoms. No wyverns. Just people. Ordinary lives under extraordinary pressure. It started as a palate cleanser, a little side project to clear my head before diving into my next fantasy series. That story became The Nanny’s Secret.

At the time, I didn’t think I’d ever publish it. It didn’t fit with my other books. I love reading psychological thrillers, but I saw them as something separate from what I wrote. I wasn’t keen on setting up a new pen name or building a whole second author brand. So I set the manuscript aside and got on with other things.

But the idea of writing thrillers stuck with me.

The stories kept coming—small-town secrets, lies, betrayals, and the dark undercurrents that run beneath everyday life. Before long, I’d written a second thriller, then a third. Now, I’ve written eight and I’m working on my ninth.

When I showed them to a friend who writes thrillers, he told me I was mad not to publish them. I told him I didn’t want to annoy my regular eaders, and I didn’t want the stress of juggling two identities. He gave me a simple solution: drop my first name.

So “Jon Cronshaw” became “J. Cronshaw.”

Same writer. Different shelf.

That small change made everything click.

I’ve since built a new website, newsletter, and social media presence for J. Cronshaw—the domestic thriller author.

I’ll admit, I was reluctant at first. Starting over from scratch after years of building my fantasy world felt strange. But once I began, I rediscovered something I hadn’t felt in a long time: the spark of building something brand new.

These domestic thrillers are grounded in real life. They draw on my years as a court reporter, on real places near where I live—Morecambe, Heysham, Lancaster.

The stories are intimate and claustrophobic, the kind of tension that doesn’t need magic to feel dangerous. And in a way, writing them has made me a better fantasy author too. They’ve sharpened my sense of pacing, dialogue, and emotional realism.

I’m still writing fantasy—always will.

The Ravenglass Legends series is continuing, and there are more stories from that world on the way. But writing thrillers under J. Cronshaw has reminded me how much I love storytelling in all its forms. It’s a different kind of worldbuilding—one built from truth, not myth.

So if you ever fancy reading something a little different from me—something without wyverns, but still full of secrets and twists—you can download your free copy of The Lodger HERE to give you a flavour of what I’ve been doing.

And if you’d like to hear more about what I’m working on—both fantasy and thriller—you can listen to my weekly Author Diary podcast. I’ve been recording every week since 2017 and haven’t missed an episode.

It’s been a strange journey from wyverns to whispers, but I’m glad I took it. Because sometimes, stepping outside your world is the best way to remember why you built it in the first place.

Divided Crown — The Ravenglass Throne, Episode Seven — Out Now

Divided Crown, Episode Seven of The Ravenglass Throne, continues the sweeping saga of three royal sisters fighting to hold a fractured kingdom together. War, betrayal, and forbidden power collide in this dark fantasy of wyvern-riders and royal intrigue.

Three sisters.
One fractured kingdom.
A crown that may not hold.

The princesses of Ostreich have never faced a greater trial.

War brews on every border. Whispered conspiracies erode the heart of their realm. Old loyalties are breaking faster than the throne they swore to protect.

Irmin, Adelinde, and Elana must each walk their own path—through betrayal, battle, and forbidden knowledge.

Each road promises power.
Each choice carries a cost.

But divided strength cannot hold back what’s coming.

The sisters must decide: will they stand together—or let their kingdom fall apart forever?


A Dark, Sweeping Epic Continues

Divided Crown is Part Seven of The Ravenglass Throne, my ongoing epic of wyvern-riders, royal intrigue, and ancient conspiracies.

Across seven instalments, readers have followed the princesses as their father’s assassination plunged the kingdom into chaos. Now, their separate struggles collide in a story of war, betrayal, and impossible choices.

If you’ve been waiting for the next chapter—this is it.

And if you’re new to the series, this is the perfect time to begin your journey through Ostreich.


Why Readers Love The Ravenglass Throne

  • “A masterpiece of fantasy politics and family drama.”
  • “Every chapter leaves me desperate for the next.”
  • “Wyverns, betrayal, and sisterhood—what more could you want?”

Get Your Copy Today

Divided Crown is out now on Kindle and Kindle Unlimited..

Perfect for fans of The Priory of the Orange Tree and A Game of Thrones.

👉 Read Divided Crown Now


Join the Flight

If you’d like early access to upcoming episodes, behind-the-scenes notes, and exclusive Ravenglass short stories, you can join my Patreon.

Become a Patron and step deeper into the world of wyverns, ancient magic, and divided thrones.

🐉 Draft Progress, Kate Bush, and Hoping for Healing | Author Diary – June 13, 2025📚🎶

This week, I’m 60% through The Prince and the Fool, reading about Kate Bush’s Hounds of Love, and watching House of Cards. Still nursing a bad back—hoping to recover in time to see Nine Inch Nails next week!

This week, I’ve hit the 60 percent mark on the draft of The Prince and the Fool (Ravenglass Legends, Book 4).

The story is moving steadily, and I’m excited to see it coming together.

I’ve also been reading the 33 1/3 book on Kate Bush’s Hounds of Love—a fascinating deep dive into one of my all-time favourite albums.

And I’ve finally started watching House of Cards on Netflix—dark, sharp, and brilliantly acted.

I’m still dealing with a bad back, which has been slowing me down. I’m really hoping it improves soon, especially with Nine Inch Nails coming up next week—fingers crossed I’ll be well enough to go!