The Children Who Didn’t Log Off – A Free Halloween Short Story by Jon Cronshaw

Celebrate Halloween with a chilling new short story from Jon Cronshaw. The Children Who Didn’t Log Off is a dark speculative tale about technology, control, and what happens when the system won’t let go. Read it free on Patreon.

Happy Halloween!

I’ve just released a brand-new short story called The Children Who Didn’t Log Off, and you can read it right now — completely free — on my Patreon.

It’s a dark speculative tale set in a near future where education has gone entirely digital… and one mother realises something isn’t right when her son doesn’t return from his online classroom.

I won’t spoil anything, but if you enjoy stories that blend technology, bureaucracy, and quiet horror, this one’s for you.

You can read the full story here:
👉 Read The Children Who Didn’t Log Off on Patreon

It’s a public post, so you don’t need to be a member to enjoy it. Feel free to leave a comment, share it around, or just settle in with a warm drink and let the story unsettle you a little.

Stay safe, keep your devices charged, and have a very happy Halloween.

Best wishes,
Jon

The Pumpkin in the Window – A Free Halloween Short Story by Jon Cronshaw

Get into the Halloween spirit with The Pumpkin in the Window, a free psychological horror short story by Jon Cronshaw. Read it now on Patreon — the first of two free Halloween tales from the author of The Ravenglass Chronicles.

The spooky season has arrived — and I’ve got something special to share.

My new short story, The Pumpkin in the Window, is now live to read for free on my Patreon:
👉 patreon.com/joncronshawauthor

It’s the first of two free Halloween stories I’ll be releasing this year — the next one will arrive on Halloween itself.

This first tale brings a darker, more psychological edge to the season… something to curl up with on a grey autumn night while the wind rattles the windows and the trick-or-treaters pass by.

You don’t need to be a member to read it — it’s a public post, open to everyone. Feel free to comment, share, and enjoy.

I hope it gets you perfectly in the mood for the spooky days ahead.

Best wishes,
Jon

From Wyverns to Whispers: How J. Cronshaw Moved from Fantasy to Thriller

Fantasy author Jon Cronshaw shares how writing The Nanny’s Secret—his first domestic thriller—reignited his creativity after completing The Ravenglass Chronicles. Discover how his new pen name, J. Cronshaw, opened a new chapter in his storytelling career.

If you’ve been following my work for a while, you probably know me for wyverns, assassins, and dark fantasy worlds.

I’ve been publishing fantasy and speculative fiction since 2016, and I’ve been a full-time author since 2018.

Most of my readers found me through The Ravenglass Chronicles—a long-running epic about magic, destiny, and rebellion that spanned half-a-million words. It was an intense creative journey, and by the time I finished it, I needed to catch my breath.

In 2022, I decided to write something completely different. No magic. No kingdoms. No wyverns. Just people. Ordinary lives under extraordinary pressure. It started as a palate cleanser, a little side project to clear my head before diving into my next fantasy series. That story became The Nanny’s Secret.

At the time, I didn’t think I’d ever publish it. It didn’t fit with my other books. I love reading psychological thrillers, but I saw them as something separate from what I wrote. I wasn’t keen on setting up a new pen name or building a whole second author brand. So I set the manuscript aside and got on with other things.

But the idea of writing thrillers stuck with me.

The stories kept coming—small-town secrets, lies, betrayals, and the dark undercurrents that run beneath everyday life. Before long, I’d written a second thriller, then a third. Now, I’ve written eight and I’m working on my ninth.

When I showed them to a friend who writes thrillers, he told me I was mad not to publish them. I told him I didn’t want to annoy my regular eaders, and I didn’t want the stress of juggling two identities. He gave me a simple solution: drop my first name.

So “Jon Cronshaw” became “J. Cronshaw.”

Same writer. Different shelf.

That small change made everything click.

I’ve since built a new website, newsletter, and social media presence for J. Cronshaw—the domestic thriller author.

I’ll admit, I was reluctant at first. Starting over from scratch after years of building my fantasy world felt strange. But once I began, I rediscovered something I hadn’t felt in a long time: the spark of building something brand new.

These domestic thrillers are grounded in real life. They draw on my years as a court reporter, on real places near where I live—Morecambe, Heysham, Lancaster.

The stories are intimate and claustrophobic, the kind of tension that doesn’t need magic to feel dangerous. And in a way, writing them has made me a better fantasy author too. They’ve sharpened my sense of pacing, dialogue, and emotional realism.

I’m still writing fantasy—always will.

The Ravenglass Legends series is continuing, and there are more stories from that world on the way. But writing thrillers under J. Cronshaw has reminded me how much I love storytelling in all its forms. It’s a different kind of worldbuilding—one built from truth, not myth.

So if you ever fancy reading something a little different from me—something without wyverns, but still full of secrets and twists—you can download your free copy of The Lodger HERE to give you a flavour of what I’ve been doing.

And if you’d like to hear more about what I’m working on—both fantasy and thriller—you can listen to my weekly Author Diary podcast. I’ve been recording every week since 2017 and haven’t missed an episode.

It’s been a strange journey from wyverns to whispers, but I’m glad I took it. Because sometimes, stepping outside your world is the best way to remember why you built it in the first place.

Author Spotlight: Jan Foster and Her Historical Fantasy Worlds

Dive into the magical worlds of Jan Foster, British historical fantasy author, as she discusses her inspirations, writing process, and magical creatures in her stories.

Dive into the magical worlds of Jan Foster, British historical fantasy author, as she discusses her inspirations, writing process, and magical creatures in her stories.

Today we are joined by British historical fantasy author Jan Foster.

With a passion for history, Jan has created a world filled with magic and intrigue.

In this interview, we’ll dive into the inspiration behind her world, her writing process, and what readers can expect from her books.

So grab yourself a cuppa and join us on this journey into the world of historical fantasy.

What inspired you to start writing in the fantasy genre?

I write historical fantasy and history, although written often by the victors, could be read as absolute. Fantasy allows me to ask the ‘What if’ questions – like, what if I had to live with wings but pass as a human, what if the world as fae knew it was ruled by an immortal woman, and what if a bastard son was made vampire and took over the English throne. It’s fun to explore these ideas and play with them in a parallel world.

How do you approach world-building in your stories?

I have a world within the human world, whose society structure is based on nature’s creatures. The beings who inhabit this hidden world have to, at times, interact with the human world though but because they are more ancient, it’s accepted that they shouldn’t interfere too much and change the course of human history. Because its a parallel world, there is crossover though, and I tried to imagine the view which an ancient observer would have on the human world with the benefit of their long life and experience. Naturae itself is on a real (geographically speaking) island, so I had to incorporate the topography into the design of it!

Can you walk us through your writing process?

My stories are quite character driven (as in, I want the character to start at one point in their journey, face their challenge and then, grow from it – thus making up their arc), but I always start the plotting with the history. I look for years where there was a lot happening in the society – preferably a seismic shift because of change in ruler/religion/discovery and imagine how that might effect a character’s aims in their story arc. Once I’ve noted down those events and plotted out the character’s arc within the context, the storyline is virtually broken down into chunks for me to write. It takes a lot of research and pondering to see how the jigsaw of multiple POV’s is going to fit together so its a long process. Recently, I thought it would be quicker to write against a beat sheet, for a romantic fantasy, but it actually took me longer because I was so worried about keeping to the desired structure and at times, it just didn’t ‘feel’ right to move ahead with the plotline then. I think, when all is said and done, I’m a plantster through and through – I have a rough idea of where things are heading and when in the story, but let it evolve a bit more naturally than sticking to a word count for an intended end number of words!

Would you survive in your own fantasy world?

Absolutely – but not if I was still a human. I’d quite like to be a witch though.

What themes do you explore in your work?

Belief, right to rule, female empowerment (in a time when women were definitely second class citizens)

What do you consider to be your biggest influences as a writer?

I read widely, especially historical/historical fantasy, but I also LOVE thrillers. I’d like to think some of my influences are those who write in these genres, but I also highly rate authors / specialists who talk about story structure like John Truby and Lisa Cron.

What’s the strangest thing you’ve had to research for your stories?

Blacksmithing and medieval spycraft!

What do you hope readers take away from your stories?

I’d love it if they could see the parallels I infer with modern life from the history I cover, but perhaps that’s a wish too far. Mostly, I just want to tell a good story to escape into!

Would you rather have a pet dragon or a unicorn, why?

Dragon – I grew up with probably every Anne McCaffrey book she ever wrote so it had to be really!

If you could have any magical ability, what would it be?

I’m easy to please – I just want to be able to fly. Telekinesis would be cool though, or am I just too lazy to reach for my brew when I’m reading?

If you were stuck on a deserted island with one of your characters, who would it be and why?

Spenser – my Fae Ambassador to Europe. He’s a bit of a fop, a dandy, highly entertaining and well travelled, but would have so many tales to tell I’d never get bored. Plus he’s kinda hunky for a fae.

What would you name your pet dragon?

Clawsome

Where is the best place to start reading your work?

Sign up to my newsletter and receive a free novel – the prequel set in Viking era, Risking Destiny. You can sign up on my website and find out more about the Naturae series there as well.

Visit: escapeintoatale.com

About the Author.

By day, Jan juggles consultancy work with her family, but by night she sneaks off, into the past. Her penchant for sprinkling history with magic is fueled by coffee and Cadburys. When not writing, Jan takes her dogs and small monsters into the countryside, especially if there is a castle or historic building there with a cosy coffee shop in which to escape the rain of Manchester, England

Find Jan online:

Facebook: facebook.com/janfosterauthor

Amazon Author Page: amazon.com/~/e/B084LF154S

Blog: escapeintoatale.com/short-stories-and-articles/

Twitter: twitter.com/escapeintoatale

Goodreads: goodreads.com/author/show/20093349.Jan_Foster

Instagram: instagram.com/jan.foster.author

Tiktok: tiktok.com/@janfosterauthor

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