Midpoint Milestone, Running Progress & Tandemonium! | Author Diary, May 1, 2026

Past the midpoint of Dawn of Assassins Book 4 and revealing its working title. Also got The Prince and the Fool back from my editor, ran 5.8k nonstop, and tried tandem cycling.

This week I passed the midpoint of Dawn of Assassins Book 4 and officially reveal the working title for the project.

It’s been great getting back into this world after such a long break away from the series.

I also received The Prince and the Fool back from my editor, so that’s now moving into the next stage of the publishing process.

Outside of writing, I’ve continued with my running and managed 5.8k without stopping, which felt like a huge milestone.

I also took part in a tandem cycling taster session, which was a lot of fun and something I’d love to do more of.

Silent Watcher Chapter 1 Free – Read Jon Cronshaw’s New Dark Fantasy on Patreon

Read the opening chapter of Silent Watcher for free on Patreon. A dark political fantasy of espionage, conspiracy, and betrayal set in the Ravenglass Universe.

I’ve started posting my new novel Silent Watcher on Patreon—and you can read the opening chapter right now for free.

This one’s a bit different. Darker. More claustrophobic. The kind of story where the truth keeps shifting just out of reach the closer you get to it.

Here’s the setup:

A dead Watcher. A town that won’t speak. A truth someone is desperate to bury.

Anselma Versen arrives in Halborg to investigate a colleague’s death. Officially, it was an accident.

It doesn’t feel like one.

The streets are scrubbed too clean.

The townsfolk speak like they’ve rehearsed it.

And the dead Watcher left behind a journal he was never meant to write.

Then things start to get… stranger.

Records don’t match.

Witnesses remember different versions of the same events.

And Anselma finds her own name—her own signature—on reports she never wrote.

At that point, it’s no longer just an investigation.

It’s a system.

And it’s already accounting for her.

If she follows orders, she survives.

If she keeps digging… she probably doesn’t.

If you like your fantasy with a strong espionage edge—something closer to a spy thriller in tone—this might be your kind of thing. Think conspiracies, institutional power, and a protagonist who refuses to accept the official version of events.

I’ll be posting chapters on Patreon, starting now, and the first one’s free if you want to take a look.

👉 You can read Chapter 1 HERE.

If you give it a try, I hope you enjoy stepping into Halborg. It’s not a friendly place.

Final Flight Launch, Dragon Corps Edits & Dungeon Crawler Carl Book 7 | Author Diary, March 27, 2026

Still ill, so focused on editing RAF Dragon Corps books. Final Flight, the finale of The Ravenglass Throne, is now live on Kindle. Also loved Dungeon Crawler Carl Book 7.

’m still not feeling 100%, so it’s been another editing-focused week.

I’ve now finished editing RAF Dragon Corps Book 1 and moved straight on to Book 2, keeping things ticking along despite the illness.

Big news this week: Final Flight—the finale of The Ravenglass Throne—is now live on Kindle!

A huge milestone bringing the series to its conclusion.

On the reading front, I’ve just finished This Inevitable Ruin (Dungeon Crawler Carl, Book 7), which I thoroughly enjoyed—a brilliant, chaotic end to the arc.

What Is Nobledark Fantasy? (And Why It’s Not Grimdark)

Nobledark fantasy places moral weight at the heart of brutal worlds. Learn how it differs from grimdark and why hope still matters when everything costs.

Nobledark fantasy places moral responsibility at the centre of a harsh world.

It accepts violence, injustice, and suffering without softening them. It insists that individual choices still matter, even when doing the right thing costs everything.

Where grimdark strips meaning from morality, nobledark tests it under pressure.

Grimdark asks whether decency was ever real. Nobledark asks whether decency can survive contact with power.

The Core of Nobledark

Hope has weight in nobledark fantasy. It does not arrive as rescue or reward. Characters choose it, often at personal loss.

The world remains cruel. Systems of power rarely improve. Victories come partial, temporary, or morally compromised.

What persists is the belief that refusing to become worse still matters.

A nobledark protagonist understands the cost of action and inaction. They act anyway.

In The Ravenglass Throne, the three sisters—Irmin, Adelinde, and Elana—each bring different skills to a kingdom rotting from within. Irmin commands wyvern riders and answers threats with steel. Adelinde uncovers dangerous truths buried in ancient texts. Elana navigates a court where every ally might be an enemy. None of them can fix the corruption alone. None of them stop trying.

How Nobledark Differs from Grimdark

Grimdark fiction runs on moral exhaustion. Every ideology collapses into self-interest. Kindness exists only to be punished. Power belongs to those willing to abandon restraint. Survival replaces ethics as the highest good.

Nobledark accepts that darkness. It refuses to accept moral emptiness as the final answer.

Characters in nobledark stories believe lines exist, even when crossing them would be easier. Those lines are personal rather than institutional. Breaking them costs the character something real—not just plot consequences, but identity.

Ragnar Wolfsbane in Ravenglass Legends rises through the ranks of the empire that destroyed his homeland. He earns honours, titles, and influence. The system rewards him. It also demands he become someone his younger self would not recognise. Every step forward narrows his path back.

His sister Maja fights from the other side. She allies with people she cannot trust because survival leaves no better options. She fears what accepting their help might turn her into. Neither sibling escapes the war unchanged.

Why Nobledark Gets Mislabelled

Nobledark is mistaken for grimdark because it offers no comfort.

There are no clean victories. No perfect leaders. Death carries weight. Trauma does not vanish between chapters.

Readers sometimes expect hope to look like triumph. In nobledark, hope looks like refusal.

Refusal to abandon responsibility. Refusal to dehumanise completely. Refusal to let brutality define identity.

Nobledark Versus Noblebright

Noblebright fantasy imagines worlds where goodness is rewarded and institutions function under virtuous leaders. Evil is external and identifiable. Sacrifice leads to renewal.

Nobledark removes that safety net.

Institutions remain flawed even when good people rise within them. Reform is slow, contested, and frequently reversed. Characters are rarely thanked for doing the right thing. They continue anyway because not doing so would cost them who they are.

The sisters of The Ravenglass Throne inherit a kingdom their father held together through force of will. His assassination exposes how fragile that order always was. Irmin, Adelinde, and Elana each discover that the throne they fight to protect may not be worth saving—and that walking away would doom thousands who have no choice but to stay.

Power in Nobledark Fantasy

Power is never neutral in nobledark stories. It demands compromise. Authority isolates. Violence leaves marks that do not fade. Magic carries cost rather than convenience.

Characters gain influence only by risking corruption or loss. The tension comes from how far they go before they stop recognising themselves.

Leadership becomes burden rather than prize.

Moral Weight as Narrative Engine

Nobledark stories run on consequence rather than spectacle.

Every major decision narrows future options. Every survival choice creates debt. Characters remember what they have done. They carry guilt, responsibility, and doubt forward rather than resetting at the next arc.

This continuity of consequence creates gravity. No choice is free.

Maja Wolfsbane learns this when she sparks a rebellion. The fire she starts burns people she never intended to harm. She cannot undo it. She can only decide what she does next.

Examples That Point Towards Nobledark

Classic epic fantasy contains nobledark DNA.

The Lord of the Rings presents a world where victory demands irreversible loss. The Shire survives, but its innocence does not. Frodo’s courage saves others while breaking him. That cost is never undone.

Modern fantasy sharpens this approach. A Song of Ice and Fire examines power and cruelty with grimdark intensity, but nobledark emerges when characters choose loyalty or mercy despite the odds. The Broken Earth grounds its hope in survival, care, and responsibility rather than victory or restoration.

These works show that darkness and moral seriousness are not the same thing.

Why Readers Choose Nobledark

Nobledark resonates because it reflects adult ethical tension.

It mirrors the experience of living in systems that feel unfixable. It acknowledges that good intentions can still cause harm. It refuses simple reassurance.

Readers drawn to nobledark care less about who wins than who remains human. They want stories that respect uncertainty. They want meaning without sentimentality.

Character-First Storytelling

Character always comes before outcome in nobledark fantasy.

Plots exist to test belief rather than reward virtue. Heroes fail without becoming villains. Antagonists may be sincere without being right. Relationships fracture under pressure. Loyalty costs more than betrayal.

The story’s tension comes from whether the character can endure the consequences of their own values.

Irmin of The Ravenglass Throne commands soldiers who trust her with their lives. When she discovers the corruption threatening the kingdom runs deeper than assassination, she must decide how much she is willing to sacrifice—and how much she is willing to ask others to sacrifice—for a throne that may already be lost.

Violence Without Celebration

Violence in nobledark fantasy is never the point.

It is functional, costly, and often regretted. Acts of force close doors rather than opening them. Characters learn that survival achieved through brutality reshapes them.

The absence of celebration creates space for reflection rather than escalation.

Hope That Hurts

Hope in nobledark fantasy is fragile by design.

It exists in small acts rather than grand resolutions. A promise kept when breaking it would be safer. A life spared when killing would simplify matters. A truth spoken that creates danger instead of relief.

These moments rarely change the world. They change the person making the choice.

That change is the point.

Why Nobledark Is Not Cynical

Cynicism assumes moral effort is pointless.

Nobledark rejects that assumption. It accepts that effort may fail. It still argues that effort matters.

The value lies in resistance, not outcome.

This separates nobledark from despair-driven storytelling.

The Future of Nobledark Fantasy

As fantasy matures, nobledark offers a path that avoids both comfort fiction and nihilism.

It allows writers to engage with power, trauma, and injustice without surrendering meaning. It trusts readers to sit with discomfort. It respects complexity without mocking belief.

In a genre pulled between optimism and brutality, nobledark holds the line.

It insists that choosing to care is still an act of courage.

Even when it costs everything.


Start Your Nobledark Journey

If you’re ready to explore nobledark fantasy, the Ravenglass Universe offers multiple entry points:

The Ravenglass Throne — Three sisters fight to hold a fractured kingdom together after their father’s assassination. Political intrigue, wyvern bonds, and impossible choices.

Ravenglass Legends — Siblings torn apart by empire. Ragnar rises through the ranks of the conquerors. Maja sparks rebellion from the shadows. Neither will emerge unchanged.

Claim your free starter library — Three prequel novellas delivered to your inbox.


Frequently Asked Questions About Nobledark Fantasy

What is nobledark fantasy?

Nobledark fantasy is a subgenre where morally grounded characters navigate brutal, unforgiving worlds. The setting offers no guarantees of justice or reward, but characters maintain personal codes and make choices that matter—even when those choices cost them dearly.

What is the difference between grimdark and nobledark?

Grimdark presents worlds where morality is meaningless and self-interest always wins. Nobledark accepts the same harsh conditions but insists that ethical choices still carry weight. In grimdark, hope is naive. In nobledark, hope is earned through sacrifice.

What is the difference between nobledark and noblebright?

Noblebright fantasy features good triumphing over evil in worlds where virtue is rewarded and institutions can be trusted. Nobledark removes those assurances. Good people still exist, but systems remain broken, victories stay partial, and doing the right thing rarely comes with thanks.

What are some examples of nobledark fantasy?

The Lord of the Rings carries nobledark DNA—victory costs Frodo everything. A Song of Ice and Fire contains nobledark moments when characters choose honour despite the consequences. The Broken Earth trilogy grounds hope in survival and care rather than triumph. The Ravenglass Universe by Jon Cronshaw explores nobledark themes across multiple series.

Is nobledark the same as dark fantasy?

Not quite. Dark fantasy is a broad category covering any fantasy with darker themes, horror elements, or morally complex characters. Nobledark is more specific—it requires both a harsh world and protagonists who maintain moral weight despite that harshness.

Why is nobledark fantasy popular?

Readers are drawn to nobledark because it reflects real ethical tensions. It acknowledges that systems are often broken, good intentions can cause harm, and doing the right thing is rarely simple. It offers meaning without false comfort.

Can nobledark fantasy have a happy ending?

Yes, but happiness is earned and often incomplete. Characters may survive, protect what matters, or hold onto their humanity—but rarely without permanent cost. The ending honours what was sacrificed rather than erasing it.

Is Jon Cronshaw deluded enough to think he’s really the King of Nobledark?

Yes.

How Fantasy Explores Empire, Conquest, and Moral Compromise

An exploration of colonial narratives in fantasy fiction, from conquest and ideology to rebellion and moral compromise.

Fantasy has long engaged with themes of conquest and resistance, from The Lord of the Rings and its quiet pastoral defiance of industrial power to modern stories that interrogate empire, occupation, and control.

These stories use invented worlds to ask familiar questions about who benefits from conquest and who pays the price.

As I wrote The Knight and the Rebel, I found myself increasingly focused on the systems that enable conquest and the human consequences of pushing back against them.

What began as a character-driven story grew into an examination of ideology, loyalty, and moral compromise.

The Colonial Narrative in Fantasy

Colonial narratives in fantasy often follow a recognisable pattern.

An advanced civilisation arrives, declares itself more enlightened, and imposes order on people deemed backward or unruly.

The Ostreich Empire operates on this exact logic.

Its leaders sincerely believe they are improving Wiete through law, structure, and stability.

From within the Empire, conquest is framed as duty rather than violence.

Through Ragnar’s perspective, the reader experiences how persuasive this worldview can be.

He is rewarded, honoured, and elevated, which makes the system feel just even as it tightens its grip.

The Empire does not rely on swords alone.

It relies on language, incentives, and the promise of belonging.

Examples of Challenging Colonial Tropes

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Some of the most compelling modern fantasy actively pushes against traditional colonial assumptions.

The Broken Earth trilogy presents oppression as structural and inescapable, forcing characters to survive inside systems designed to crush them.

Power in these books is never neutral, and survival often requires moral sacrifice.

The Priory of the Orange Tree shows how religion and history are shaped to justify domination.

Its ruling powers define civilisation on their own terms, then punish those who fall outside that definition.

These stories, like The Knight and the Rebel, examine how colonisation reshapes both identity and allegiance.

Writing Resistance in Fantasy

Writing resistance carries its own challenges.

It is tempting to present rebellion as noble and clean.

That version rarely feels honest.

Through Maja’s chapters, resistance appears messy, frightening, and fuelled by necessity rather than idealism.

People fight because survival leaves them no alternative.

Hope exists, but it is fragile and often compromised.

The Dandelion Dynasty captures this tension with particular clarity.

Revolution in that series brings freedom alongside loss, distortion, and unintended consequences.

The Moral Challenges of Resistance

One of my central concerns was how resistance movements risk becoming what they oppose.

Maja’s alliance with Asgar is not born of trust.

It is a calculation made under pressure.

She understands that his brutality may achieve results that restraint cannot.

At the same time, she fears what accepting his help might turn her into.

This tension reflects real historical struggles where moral certainty erodes under prolonged conflict.

Survival often demands choices that leave lasting scars.

The Role of Local Elites in Colonial Control

Colonial power rarely functions without cooperation from within.

Empires depend on local figures who benefit from alignment.

Ragnar’s knighthood serves this purpose.

His elevation signals legitimacy to the conquered population.

It suggests that the Empire rewards loyalty and recognises merit.

In reality, it binds Ragnar more tightly to Imperial goals.

This dynamic mirrors historical strategies where colonial authorities ruled through layered systems of favour and obligation.

Fantasy as a Lens for Colonialism

Fantasy provides distance that makes these themes easier to confront.

Worldbuilding allows writers to examine domination without recreating specific historical trauma.

In The Knight and the Rebel, mental influence and psychological control operate as metaphors for ideological pressure.

Power works by reshaping belief as much as behaviour.

Those under its influence often feel they are acting freely.

Showing Both Sides of Colonialism

Some readers have asked why the story follows both Ragnar and Maja rather than focusing solely on resistance.

Colonialism cannot be understood from one angle alone.

Ragnar shows how ordinary people justify participation in harmful systems.

Maja shows the cost of those justifications on real lives.

Placing these perspectives side by side exposes the gap between intention and consequence.

Modern Fantasy and Colonial Themes

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Contemporary fantasy increasingly addresses conquest beyond the battlefield.

Culture, language, and belief now sit at the centre of many narratives.

The Poppy War confronts imperial violence and the personal toll of weaponised ideology.

The Daevabad Trilogy examines how power survives through tradition, faith, and selective memory.

These stories treat colonisation as a lived condition rather than a backdrop for adventure.

Fantasy’s Tools for Examining Power

Fantasy offers tools that realism often cannot.

Magic can represent technological dominance or cultural authority.

Invented species allow difference to be examined without direct analogy.

Created religions show how belief systems become instruments of control.

These elements make abstract systems visible at a human scale.

The Impact of Colonialism in The Knight and the Rebel

In The Knight and the Rebel, colonialism touches every character.

There are collaborators who believe they are doing good.

There are resistors who accept moral damage to survive.

No one emerges untouched.

There are no simple heroes and no clean victories.

If fantasy helps us recognise these patterns in safer forms, it may also sharpen how we see them in our own world.

Share Your Thoughts

Which fantasy stories have shaped how you think about empire and resistance?

Where do you feel the genre succeeds or falls short when handling these themes?

I would love to hear your thoughts in the comments below.

How to Borrow Jon Cronshaw’s Books Through Your Local Library

Find out how to access Jon Cronshaw’s thrillers and fantasy novels for free through your local library using digital services such as OverDrive, BorrowBox and cloudLibrary. Includes guidance on how to request titles that aren’t yet in your library’s catalogue.

You don’t always need to purchase my books to read them, as many of my titles can be borrowed through library ebook services.

Public libraries use digital platforms like OverDrive, BorrowBox and cloudLibrary to offer online lending, and if your local service is signed up to one of these, you can usually borrow my ebooks on your phone, tablet or e-reader with a valid library card.

If a title isn’t listed straight away, your library can normally order it on request.

My ebooks are supplied to a range of library systems, which means different authorities may carry them in different apps.

Some rely entirely on OverDrive and Libby, others prefer BorrowBox or cloudLibrary, and quite a few use more than one service.

Once a librarian selects a title for their digital shelves, it becomes available for readers in that area.

Using OverDrive and Libby

OverDrive is one of the largest library ebook services in the world, and Libby is their main reading app.

Here’s how to try to borrow one of my books through OverDrive or Libby.

Sign up for a library card with your local public library if you don’t already have one.

Download the Libby app to your device, or go to your library’s OverDrive website.

Open Libby or the OverDrive site and search for your library by name.

Log in with your library card number and PIN.

Use the search box to look for “Jon Cronshaw” or the title you want.

If the book is available, tap or click Borrow and it will be added to your loans.

If the book is not listed, look for an option such as “Recommend”, “Notify Me”, or “Tag as wish list”.

Some libraries use these lists to decide what to buy next.

If you still can’t see a way to request it in-app, you can usually send a purchase suggestion through your library’s website or ask staff at the desk.

Using BorrowBox

BorrowBox is widely used by libraries in the UK, Ireland, Australia and New Zealand.

To try to borrow my books through BorrowBox, follow these steps.

Join your local public library and make sure your card is active.

Install the free BorrowBox app from your device’s app store, or visit the BorrowBox website your library links to.

Open the app, choose your library service from the list, and log in with your card number and PIN.

Use the search bar to look for “Jon Cronshaw” or a specific title.

If the book is in the collection and currently available, select Borrow and confirm the loan.

If all copies are on loan, you can usually place a reservation so you get a notification when it’s free.

If the book doesn’t appear at all, ask your library if they can order it through BorrowBox.

Because the books are already in BorrowBox’s catalogue, librarians should be able to add them if budgets allow.

Using cloudLibrary (Bibliotheca)

cloudLibrary is another major platform that lets libraries lend ebooks and audiobooks.

To use cloudLibrary, get a valid library card from a service that offers cloudLibrary.

Download the cloudLibrary app from your app store or visit your library’s cloudLibrary page.

Open the app, pick your country, then your library, and log in with your card number and PIN.

Search for “Jon Cronshaw” or a title.

If your library has already bought the book, you can borrow it with a tap.

If it hasn’t, cloudLibrary often lets you “Include books not in library” and add them to a wish list.

That wish list is visible to library staff and helps them decide what to order.

If you can’t see that option, you can still request the book by using your library’s online recommendation form or speaking to staff.

What about Tolino?

Tolino itself is a network of ebook shops and devices used mainly in German-speaking countries.

It is more of a retail and hardware brand than a library service.

However, some Tolino eReaders can work with library platforms such as OverDrive if your library supports them, so you may be able to read borrowed titles on a Tolino device.

If you use a Tolino, your best bet is to check which library app your local service uses.

Borrow the ebook through that app.

Then follow their instructions for reading on a compatible eReader.

If you can’t find the book in your library

Even if a platform lists my books in its master catalogue, your local library still has to decide to buy them.

If you search and nothing comes up, check that you are spelling “Jon Cronshaw” correctly.

Try searching by title instead of author.

Look for “show all titles” or “include books not in library” toggles.

If that fails, go to your library’s website and look for a page called something like “Suggest a purchase”, “Recommend a title” or “Request a book”.

Put in the book title, my name, and that it is available to libraries through OverDrive / BorrowBox / cloudLibrary.

You can also walk into your branch and ask a librarian.

Staff can usually check the supplier catalogue and order copies if they have the budget.

Quick checklist

Here’s a simple checklist you can follow.

  • Get a valid library card.
  • Find out which ebook app your library uses.
  • Install the app and log in with your card number and PIN.
  • Search for “Jon Cronshaw” or the title you want.
  • If the book shows up, borrow or reserve it.
  • If it doesn’t, use the app’s wish-list or recommendation feature, or ask your librarian to order it.

That way you support both your local library and my writing, all while reading for free.

From Wyverns to Whispers: How J. Cronshaw Moved from Fantasy to Thriller

Fantasy author Jon Cronshaw shares how writing The Nanny’s Secret—his first domestic thriller—reignited his creativity after completing The Ravenglass Chronicles. Discover how his new pen name, J. Cronshaw, opened a new chapter in his storytelling career.

If you’ve been following my work for a while, you probably know me for wyverns, assassins, and dark fantasy worlds.

I’ve been publishing fantasy and speculative fiction since 2016, and I’ve been a full-time author since 2018.

Most of my readers found me through The Ravenglass Chronicles—a long-running epic about magic, destiny, and rebellion that spanned half-a-million words. It was an intense creative journey, and by the time I finished it, I needed to catch my breath.

In 2022, I decided to write something completely different. No magic. No kingdoms. No wyverns. Just people. Ordinary lives under extraordinary pressure. It started as a palate cleanser, a little side project to clear my head before diving into my next fantasy series. That story became The Nanny’s Secret.

At the time, I didn’t think I’d ever publish it. It didn’t fit with my other books. I love reading psychological thrillers, but I saw them as something separate from what I wrote. I wasn’t keen on setting up a new pen name or building a whole second author brand. So I set the manuscript aside and got on with other things.

But the idea of writing thrillers stuck with me.

The stories kept coming—small-town secrets, lies, betrayals, and the dark undercurrents that run beneath everyday life. Before long, I’d written a second thriller, then a third. Now, I’ve written eight and I’m working on my ninth.

When I showed them to a friend who writes thrillers, he told me I was mad not to publish them. I told him I didn’t want to annoy my regular eaders, and I didn’t want the stress of juggling two identities. He gave me a simple solution: drop my first name.

So “Jon Cronshaw” became “J. Cronshaw.”

Same writer. Different shelf.

That small change made everything click.

I’ve since built a new website, newsletter, and social media presence for J. Cronshaw—the domestic thriller author.

I’ll admit, I was reluctant at first. Starting over from scratch after years of building my fantasy world felt strange. But once I began, I rediscovered something I hadn’t felt in a long time: the spark of building something brand new.

These domestic thrillers are grounded in real life. They draw on my years as a court reporter, on real places near where I live—Morecambe, Heysham, Lancaster.

The stories are intimate and claustrophobic, the kind of tension that doesn’t need magic to feel dangerous. And in a way, writing them has made me a better fantasy author too. They’ve sharpened my sense of pacing, dialogue, and emotional realism.

I’m still writing fantasy—always will.

The Ravenglass Legends series is continuing, and there are more stories from that world on the way. But writing thrillers under J. Cronshaw has reminded me how much I love storytelling in all its forms. It’s a different kind of worldbuilding—one built from truth, not myth.

So if you ever fancy reading something a little different from me—something without wyverns, but still full of secrets and twists—you can download your free copy of The Lodger HERE to give you a flavour of what I’ve been doing.

And if you’d like to hear more about what I’m working on—both fantasy and thriller—you can listen to my weekly Author Diary podcast. I’ve been recording every week since 2017 and haven’t missed an episode.

It’s been a strange journey from wyverns to whispers, but I’m glad I took it. Because sometimes, stepping outside your world is the best way to remember why you built it in the first place.

📦 Boxed Set Launch, Audiobooks & Q&A | Author Diary – September 19, 2025 🎧📚

This week, I launched The Ravenglass Throne boxed set, released Punks Versus Zombies and Trial of Thieves on audiobook, and answered questions about my writing process and worldbuilding.

This week’s been packed with releases and reader questions!

I launched The Ravenglass Throne: Parts 1–4 as a boxed set, available now in ebook and paperback formats.

The Punks Versus Zombies audiobook is now live, as is the Trial of Thieves audiobook (Dawn of Assassins, Book 2)—great news if you’re an audio listener!

I also took time to answer questions from readers about my writing process and worldbuilding techniques.

How I Write So Much (Even With Only 5% Vision)

One of the questions I get asked most often is: how do you manage to write so much?

I’ve been a full-time indie author since 2017, and this is my only source of income. That means I have to keep producing new work—but I also have to do it in a way that works for my circumstances.

I’m legally blind, with only about 5% vision in my good eye. Some days my sight holds up well. Other days it’s not so cooperative. I have to work with what my eyes will allow me to do. If my vision is giving me trouble, I rely entirely on dictation.

My mornings are sacred. I spend the first three hours writing—no email, no news, no notifications. I dictate my first drafts during this time, and that usually means 3,000 to 5,000 new words before lunch. Afternoons are for editing, marketing, and business tasks.

One reason I stay productive is that I don’t force myself to work on a single project from start to finish. I follow whatever excites me most at the time. Sometimes that means a project comes together in a few weeks, sometimes it takes years. By moving between projects, I never get stuck or blocked—and over time, I produce more than if I just powered through one manuscript.

I think of it like Brandon Sanderson’s “crop rotation” method. I might spend a spell drafting new fiction, then move on to editing, then tackle marketing or admin. If my energy dips, I’ll switch to something smaller—a short story, a blog post, or some worldbuilding.

Right now, that means I’m:

  • Editing book 4 of Ravenglass Legends (and posting chapters on Patreon).
  • Editing book 7 of The Ravenglass Throne (also posting on Patreon).
  • Rewriting Hunters from a space Western into a nautical fantasy (yep—also on Patreon).
  • Going through alpha reader feedback for The Silent Watcher standalone.
  • Getting ready for the August 31 launch of Punks Versus Zombies.

I’m also lucky to have a big advantage with editing—my wife is a professional editor. She fits me in between her clients, which means I don’t have to wrestle with Word’s track changes or navigate endless comments. She can literally turn to me and say, “Hey, Jon, what did you mean by this?” and I can answer straight away. It’s faster, smoother, and far more efficient than any editing process I’ve had before.

Because I work this way, my projects finish at different times and in different stages of readiness. Some are with my editor while I’m still drafting others. That’s why there’s often a gap between when I finish a book and when it reaches shops.

For readers who don’t want to wait, I post my pre-edited final drafts on Patreon as soon as they’re done—sometimes months, or even years, before they’re available anywhere else. You’ll also find short stories, lore documents, and other bonus content there, so you can follow along with my process in real time.

If you’d like to read my work early and see how it all comes together, you can join me here: patreon.com/joncronshawauthor.

Even as a free member, there’s plenty to enjoy.

Thanks for being part of the journey,
Jon

How to Survive a Zombie Apocalypse Without Losing Your Humanity

Learn how to survive a zombie apocalypse without losing your humanity. Inspired by Punks Versus Zombies, this guide mixes survival tips with loyalty, punk rock grit, and moral choices.

When the zombie apocalypse hits, it’s not just the undead you need to worry about.

It’s the choices you make.

The lines you cross.

The parts of yourself you risk losing in the fight to survive.

In Punks Versus Zombies, Tommy and his bandmates learn fast that survival isn’t just about barricades and baseball bats.

You can hole up, ration supplies, and keep the zombies out—but if you’ve turned into something unrecognisable in the process, what’s the point?

The end of the world strips away everyday life.

No one cares about your job, your clean clothes, or your Wi-Fi. But if you’re not careful,

it can strip away your empathy too. Here’s how to make it through a zombie apocalypse without losing your humanity.


Remember who you’re doing it for

Tommy’s mission is clear: get back to Niamh and their son, Sean.

That’s what keeps him grounded, even when every street is swarming with zombies. You need your own anchor—family, friends, or the people who’ve had your back since your first gig in a dive bar.


Set your moral boundaries early

In Punks Versus Zombies, the group faces a brutal choice when someone gets bitten.

Some want to leave her. Others want to try to save her.

If you wait until the moment of crisis to decide your principles, panic will decide for you. Know your lines before you’re forced to cross them.


Don’t mistake cruelty for strength

There’s always a survivor who thinks being ruthless is the only way to lead.

They’ll call it “practical” or “necessary.”

But Tommy’s band stays alive because they protect each other, even when it’s messy, even when it’s inconvenient.

That’s real strength—and it’s how you survive with your soul intact.


4Keep something that makes you human

For Tommy and Laila, it’s music.

Even when the amps are silent, a battered guitar or a bassline in your head can remind you of life before the outbreak.

For you, it might be a sketchpad, a dog-eared paperback, or a notebook of half-finished songs. These things keep you more than just a survivor.


Choose your people wisely

In the apocalypse, the wrong company can get you killed.

Tommy knows Micky has his demons, but he also knows the guy’s worth saving. Surround yourself with people who are flawed but loyal.

They’ll be the reason you make it through the night—and the reason you don’t lose yourself along the way.


Surviving a zombie apocalypse is more than keeping your heart beating.

It’s about making it to the other side and still recognising the person in the mirror.

If you want zombie fiction with grit, loyalty, and a killer punk rock soundtrack, grab your copy of Punks Versus Zombies today.