More Than Magic: The Power of Friendship in Fantasy Tales

Explore the enduring themes of friendship and loyalty in fantasy stories. From inseparable duos to unlikely alliances, discover how these bonds elevate the tale.

Friendship and loyalty—two themes so recurrent in fantasy stories that you might think you’ve stumbled into a daycare rather than a realm fraught with peril, dragons, and morally ambiguous sorcerers.

In a genre that often pivots around quests, battles, and someone’s desperate need to stick a sword into a stone (or another person), the power of friendship is an oddly comforting constant.

Let’s explore, shall we?

The Inseparable Duo: Two Peas in a Deadly Pod

Every hero needs a sidekick, just as every fish needs a bicycle—no, wait, that’s not right. Scratch that.

Whether it’s a warrior and their comedic relief or two mages that complete each other’s spells, the dynamics are tried and tested.

They may bicker like an old married couple, but when push comes to shove (usually off a cliff), they’ve got each other’s backs.

The Unlikely Alliance: Frenemies till the End

Ah, nothing says ‘epic tale’ like an alliance forged out of sheer necessity rather than affection.

You know the type: the honour-bound knight and the rogue thief, the elf and the dwarf, the vegan and the carnivore.

Their loyalty is begrudging at first but give them a couple of near-death experiences, and voilà, best buds—or at least allies who won’t stab each other in the back.

The Brotherhood/Sisterhood: All for One and One for Death

Oh, the sweetness of voluntary kinship!

These groups go beyond the usual duos or trios and evolve into miniature armies of friendship.

Whether it’s a fellowship entrusted with a perilous quest or a band of rebels trying to overthrow a tyrant, their loyalty to the cause—and each other—is the glue that holds the narrative together.

It’s like a group project, but with more danger and fewer PowerPoint slides.

The Pet Companion: Because Who Needs Humans?

Why limit friendships to two-legged creatures?

In fantasy, loyalty often comes on four legs, or wings, or fins, or…you get the point.

These loyal pets and mythical creatures offer unconditional love and a convenient mode of transport.

Not to mention, they usually get the best action scenes.

A toast to the unsung heroes of fantasy lore!

Bonds Forged in Adversity: Trial by Fire, Literally

Nothing solidifies friendship like staring into the eyes of a fire-breathing dragon and deciding, collectively, that today is not a good day to die.

Shared life-threatening experiences have a funny way of deepening bonds.

In fantasy, loyalty is often earned through trials that range from combat to riddles to the always-popular test of eating something utterly disgusting.

Betrayal: The Dark Side of Loyalty

Because what is loyalty without the inevitable stab in the back for dramatic effect?

Betrayal serves as the crucible that tests friendships and, more often than not, makes them stronger.

Unless, of course, you’re the one being betrayed; then you’re probably dead.

But for those who survive, it’s a life lesson gift-wrapped in treachery.

The Best Friendships in Fantasy: A Hall of Fame for the Loyal and the Brave

No fantasy fan’s experience is complete without delving into these iconic partnerships.

They make us laugh, they make us cry, and sometimes, they make us wish for a magical pet. Without further ado, let’s get to it.

Locke and Jean (The Gentlemen Bastard Series)

What do you get when you pair a silver-tongued conman with a hulking bruiser?

The answer is Locke Lamora and Jean Tannen, two inseparable thieves whose friendship survives heists, betrayal, and far too many life-threatening situations.

It’s a bromance for the ages, complete with witty banter, heartfelt moments, and the occasional punch in the face—for old time’s sake.

FitzChivalry and Nighteyes (The Farseer Trilogy)

No list would be complete without the mind-linked duo of FitzChivalry and Nighteyes.

A man and his wolf, sharing not just thoughts but an unbreakable bond that challenges our understanding of friendship itself.

Nighteyes offers a brutal, yet honest, perspective that often saves Fitz from himself.

It’s more than a pet and owner relationship; it’s a soul-deep connection.

Hadrian and Royce (The Riyria Revelations)

Swords and stealth come together in the formidable partnership of Hadrian Blackwater and Royce Melborn.

One’s an optimist with a strong moral code; the other’s a cynical rogue with a penchant for sarcasm.

Together, they form Riyria, a mercenary duo that could either save the world or rob it blind—depending on who hires them first.

Legolas and Gimli (The Lord of the Rings)

Elves and dwarves are supposed to be enemies, but Legolas and Gimli didn’t get that memo.

Their friendship evolves from mutual distrust to counting coup in battle.

They’re the quintessential example of an unlikely friendship that breaks all the racial stereotypes of Middle-earth.

Geralt and Dandelion (The Witcher Series)

A monster-hunter and a bard walk into a bar… and the result is an enduring friendship that survives monsters, political intrigue, and Dandelion’s incessant need to turn everything into a ballad.

A poignant reminder that even the most hardened warriors need a laugh sometimes.

Kvothe and Willem (The Kingkiller Chronicle)

The brilliant but impulsive Kvothe finds a steadying presence in his university friend Willem.

Despite the dangers and darkness that follow Kvothe like a shadow, Willem remains a beacon of loyalty.

Their friendship offers a respite from the chaos, even if it’s only momentary.

Jezal and Logen (The First Law Trilogy)

From disdain to a grudging respect, the friendship between Captain Jezal dan Luthar and Logen Ninefingers is as complex as they come.

They may come from different worlds—one a self-absorbed noble and the other a battle-scarred barbarian—but when their backs are against the wall, they find common ground.

TThese partnerships remind us that even in worlds filled with magic, mythical beasts, and malevolent forces, it’s the human (or wolfish, or elven, or dwarven) connections that truly make a story unforgettable.

The Power of Grimdark: How Dark Fantasy is Reshaping the Landscape of Epic Fantasy

Explore the transformative power of grimdark fantasy in reshaping epic fantasy. Discover the darker tone, morally ambiguous characters, and realistic worlds that have redefined the genre’s landscape.

The world of epic fantasy has undergone a significant transformation in recent years, with the rise of dark fantasy playing a major role in its development.

Grimdark,is a subgenre of fantasy that features a darker, grittier, and more morally ambiguous world than traditional epic fantasy.

This new trend has not only attracted new readers to the fantasy genre, but it has also influenced the way in which epic fantasy is written and perceived.

What are the differences between epic fantasy and dark fantasy?

One of the key differences between dark fantasy and traditional epic fantasy is the tone.

Dark fantasy often explores the darker aspects of humanity and the world, such as death, murder, evil, and corruption—a stark contrast to the more optimistic and hopeful themes found in traditional epic fantasy, where good and evil are often clearly defined and the hero is often destined to triumph.

Where did dark fantasy become popular?

The rise of dark fantasy can be traced back to the early 1960s. However, the success of George R.R. Martin’s “A Song of Ice and Fire” series, more commonly known as “Game of Thrones,” brought grimdark fantasy to the mainstream. Its popularity has inspired a new wave of grimdark writers.

How has grimdark fantasy influenced epic fantasy?

The influence of grimdark fantasy on epic fantasy can be seen in the way that stories are structured, the themes authors are choosing to explore, and the types of characters who take a central role.

In grimdark fantasy, characters are often morally grey and their motivations are not always clear-cut. This has led to a shift in the way epic fantasy is written, with more complex and morally ambiguous characters being introduced into the genre.

The world in grimdark fantasy is often darker, grittier, and less magical. This has led to a trend in epic fantasy of creating worlds that are more realistic and less fantastical with fewer mythical creatures and low magic.

The influence of grimdark fantasy has had a significant impact on the epic fantasy genre. Its darker tone has challenged the traditional themes and structures of epic fantasy, leading to a shift towards more complex and realistic stories.

If you love grimdark fantasy, you can get my novel Birth of Assassins for free as part of the Ravenglass Universe starter library.

Unlocking the Magic: Exploring the World of Coming-of-Age Fantasy

Embark on a captivating journey through the enchanting world of coming-of-age fantasy. Explore themes, top books, and claim your free starter library. Let the adventure begin!

Welcome to the enchanting world of coming-of-age fantasy!

In this post, you’ll discover the heart of this genre, exploring why readers are so drawn to these tales, and highlighting the top books and authors that have defined it.

And as a special treat, don’t miss the chance to claim your free Ravenglass Universe starter library when you join our newsletter today.

What is Coming-of-Age Fantasy?

Coming-of-age fantasy is a subgenre of fantasy literature that focuses on the growth and development of a young protagonist.

The stories often centrr around themes of self-discovery, responsibility, and the transition from childhood to adulthood.

With the backdrop of a magical world, these narratives resonate with readers as they follow the protagonist’s journey, both physical and emotional.

Themes and Subjects of Coming-of-Age Fantasy

Coming-of-age fantasy stories are rich in themes that explore the human experience. Common themes include:

Self-Discovery: As the protagonist navigates their world, they often discover hidden talents, powers, or abilities that define their identity and influence their destiny.

Friendship: The bonds formed with companions on the journey are integral to the protagonist’s growth, teaching them about trust, loyalty, and sacrifice.

Responsibility: As they mature, the protagonist learns to shoulder the weight of their newfound powers and the expectations placed upon them.

Conflict: Coming-of-age fantasy tales often involve battles against external forces, such as evil sorcerers or malevolent creatures, as well as internal struggles within the protagonist’s own heart and mind.

Good vs. Evil: The protagonist discovers moral ambiguity and navigates the complexities of right and wrong, light and dark.

Love: The protagonist experiences various forms of love—familial, romantic, platonic—that shape their character and choices.

Choice: At critical junctures, the protagonist must make difficult decisions that determine their fate and the fate of others.

Identity: The protagonist undertakes a journey of self-discovery to determine who they are and who they want to become.

Independence: The protagonist gains freedom from authority figures or home environments, allowing them to think and act for themselves.

Courage: Finding bravery in the face of fear and danger is central to the protagonist’s triumph over adversity.

Top Coming-of-Age Fantasy Books

Some of the most celebrated books and authors in coming-of-age fantasy include:

The Hobbit by J.R.R. Tolkien:

This classic novel follows the journey of Bilbo Baggins, a young hobbit who discovers his own courage and resourcefulness as he embarks on a perilous quest.

Harry Potter series by J.K. Rowling:

This beloved series chronicles the life of young wizard Harry Potter as he navigates the magical world of Hogwarts, learning about friendship, love, and the power of courage.

His Dark Materials trilogy by Philip Pullman:

A thought-provoking series that explores themes of self-discovery, morality, and the nature of consciousness, as young Lyra Belacqua sets out on an epic journey through parallel worlds.

The Name of the Wind by Patrick Rothfuss:

This captivating novel follows the life of Kvothe, a legendary figure who recounts his rise from a lowly orphan to a renowned magician and adventurer.

A Wrinkle in Time by Madeleine L’Engle:

A moving story of Meg Murry, an awkward teen girl who embarks on an adventure across dimensions to find her missing father.

Sabriel by Garth Nix:

Sabriel, a young necromancer, must venture into the perilous Old Kingdom to rescue her father from the Land of the Dead.

The Belgariad by David Eddings:

Garion, an orphaned farm boy, discovers his destiny in a quest to retrieve a powerful orb and fulfill an ancient prophecy.

A Wizard of Earthsea by Ursula K. Le Guin:

The story of Ged, a sorcerer who must journey far from home to escape the darkness he unleashed into the world.

The Rithmatist by Brandon Sanderson:

Joel, a non-magical student at a school for Rithmatists–those who can animate chalk drawings and use them for defense–gets caught up in a dangerous mystery.

Assassin’s Apprentice by Robin Hobb:

This novel follows the life of FitzChivalry Farseer, a royal bastard who is apprenticed to become an assassin in the Six Duchies. As Fitz navigates court intrigue and the skills of his grim trade, he also struggles to find his place in a world that does not always welcome him.

Now that you’ve been introduced to the captivating world of coming-of-age fantasy, it’s time to embark on your own adventure.

Join my newsletter today and receive a free Ravenglass Universe starter library, filled with spellbinding tales that will transport you to a world of magic, mystery, and wonder.

Don’t miss this exclusive offer—claim your free books now and let the adventure begin!

Decoding the Moral Ambiguity in Robin Hobb’s Farseer Series

Explore the moral ambiguity and complex relationships in Robin Hobb’s Farseer series. Delve into themes of loyalty, power, and personal morality in a world of political intrigue and dangerous power dynamics.

Robin Hobb’s Farseer series has captured the hearts and minds of avid fantasy readers for years and inspired me to become a fantasy writer.

At the centre of the series is FitzChivalry Farseer, a complex and morally ambiguous character who navigates a world of political intrigue, magical powers, and deep emotional bonds.

In this blog post, you’ll discover some of the key themes, events, and relationships that form the core of FitzChivalry’s story, with a particular focus on Molly, Chade, Nighteyes, The Fool, and Burrich.

The Assassin’s Burden: Moral Implications of Serving the Royal Family

One of the central aspects of FitzChivalry’s life is his role as an assassin in service to the Farseer family.

This duty, which he takes on at a young age, brings with it a heavy burden of moral implications that impact his relationships and personal growth throughout the series.

As an assassin, FitzChivalry is often called upon to carry out orders that require him to take the lives of others.

This raises the question of whether assassination can ever be morally justified.

FitzChivalry struggles with this dilemma, as he is forced to weigh the potential benefits of his actions against the inherent immorality of taking a life.

One argument in favour of assassination in this context is that it serves the greater good.

By eliminating threats to the Farseer family and the stability of the Six Duchies, FitzChivalry’s actions can be seen as a necessary evil to maintain peace and order.

However, this utilitarian perspective is complicated by the fact that FitzChivalry is often asked to kill individuals whose guilt or danger may not be entirely clear.

The Impact on Personal Morality

The act of taking a life can have profound effects on an individual’s sense of self and moral compass.

FitzChivalry’s role as an assassin often leads him to question his own morality and the person he is becoming as a result of his actions.

FitzChivalry’s struggle is further compounded by the fact that he is not only an assassin but also a member of the royal family (albeit as a royal bastard)..

This dual identity forces him to navigate the complicated dynamics of power, loyalty, and responsibility, as he is both a protector and an enforcer of the Farseer family’s interests.

The Role of Deception and Secrecy

Of course, the role of an assassin also involves deception and secrecy.

FitzChivalry must maintain a hidden aspect of his identity, even from those closest to him, which can create emotional distance and strain his relationships.

This secrecy also leads to a larger question of trust and the ethics of deception. As an assassin,

FitzChivalry must often deceive others—even his loved ones—to fulfill his duties.

This deception raises questions about the moral implications of lying to protect oneself or one’s family, and the toll it can take on personal relationships.

The Virtue of Loyalty

Loyalty is a central theme in the Farseer series, and FitzChivalry’s unwavering devotion to the royal family is one of his defining characteristics.

However, this loyalty also brings with it a moral dilemma: at what point does loyalty to one’s family or ruler supersede one’s own sense of right and wrong?

FitzChivalry’s role as an assassin forces him to confront this question repeatedly, as he must choose between his duty to the Farseer family and his personal moral convictions.

This struggle highlights the complexity of loyalty as a virtue and the potential moral pitfalls of blind devotion.

A Labyrinth of Loyalties: FitzChivalry’s Relationships

Molly

Molly is FitzChivalry’s first love, and their relationship is a central theme throughout the series.

She represents a sense of normalcy and stability that FitzChivalry yearns for, but their love is ultimately a tragic one.

The demands of FitzChivalry’s loyalty to the Farseer throne and his dangerous missions often put his relationship with Molly at risk.

This tension forces FitzChivalry to confront the question of whether he can have both a life of duty and a fulfilling personal life.

Chade

Chade, FitzChivalry’s mentor and fellow assassin, represents the darker side of FitzChivalry’s life. Their relationship is built on trust and loyalty, but also secrecy and deception.

Chade’s influence on FitzChivalry often pushes him to make morally ambiguous decisions, even when it comes at a great personal cost.

The bond between Chade and FitzChivalry highlights the struggle between duty and morality that lies at the core of the series.

Nighteyes

Nighteyes, FitzChivalry’s wolf companion, is arguably one of the most important relationships in the series (and, it must be said, a personal favourite)..

Their bond, formed through the magical Wit, transcends the human-animal divide and allows them to share thoughts and emotions.

 Nighteyes provides FitzChivalry with a sense of belonging and companionship that he often lacks in his human relationships.

Moreover, Nighteyes’ animal nature forces FitzChivalry to confront his own instincts and desires, blurring the line between human and animal, and raising questions about the nature of morality and identity.

The Fool

The Fool is an enigmatic figure who accompanies FitzChivalry throughout the series, acting as a friend, advisor, and at times, a catalyst for change.

The Fool’s prophetic abilities and connection to a larger cosmic narrative force FitzChivalry to question the significance of his actions and the impact they may have on the world.

Their relationship is marked by affection and trust, but also a sense of uncertainty and mystery.

The Fool’s presence in FitzChivalry’s life serves as a constant reminder of the complexity and ambiguity of the world he inhabits.

Burrich

Burrich is FitzChivalry’s father figure and early mentor, who provides him with a strict moral compass.

The relationship between FitzChivalry and Burrich is fraught with tension and mutual respect.

Burrich’s unwavering loyalty to the Farseer family and his disapproval of FitzChivalry’s use of the Wit create a rift between them that deepens over time.

This conflict forces FitzChivalry to confront the difficult question of whether his loyalty to his family should supersede his own moral beliefs.

The Moral Maze: Themes and Dilemmas

FitzChivalry’s relationships and the events that unfold throughout the series force him to grapple with several key moral dilemmas.

These include:

  • The tension between loyalty to family and duty versus personal desires and morality.
  • The nature of identity and the extent to which one’s actions define who they are.
  • The consequences of power and the moral responsibility that comes with wielding it.

Through these dilemmas, Robin Hobb’s Farseer series presents a rich tapestry of moral ambiguity that challenges both FitzChivalry and the reader to navigate a complex world of love, loyalty, and sacrifice.

Robin Hobb’s Farseer series presents a compelling exploration of the moral implications of serving as an assassin for the royal family.

Through FitzChivalry Farseer’s experiences and relationships, the series delves into the complex moral dilemmas faced by an individual tasked with balancing duty, loyalty, and personal morality in a world of political intrigue, deception, and dangerous power dynamics.

By doing so, the series challenges readers to consider the moral boundaries of loyalty and the true cost of serving a higher power.

Exploring the Goblin Realms: An Interview with Jaq D. Hawkins

Discover the captivating fantasy world of author Jaq D Hawkins. Explore her unique characters and immersive world-building in this exclusive interview. Get a sneak peek into her fantastical works and be inspired by her creative process.

Interview with Jaq D Hawkins

Author Jaq D Hawkins has made a name for herself in the world of fantasy fiction with her captivating world-building and unique characters.

In this exclusive interview, we delve into her creative process, inspirations, and what she has in store for readers.

Join us as we learn more about this incredible author and get a sneak peek into the fantastical worlds she has created.

What inspired you to start writing in the fantasy genre?

My love of reading fantasy made me always want to create my own world. Then one day, the goblins kidnapped me and showed me theirs.

How do you approach world-building in your stories?

It tends to flow organically with me. A need to explain how something works extracts that information from the secret compartment in my brain where the Akashic records for that reality are held.

Can you walk us through your writing process?

It varies, but basically an idea will spawn characters who then take over and drag me into their world.

For example, I threw some magicians into my goblin world just because magic is my thing and the blighters took over, formed a government and based it on their LARP games.

I never got a look in!

Would you survive in your own fantasy world?

Probably. I’m pretty down to earth and sensible. I know better than to go mucking around in the wrong caverns.

What themes do you explore in your work?

Prejudice is a big one. Preconceptions. The tendency of most people to accept what they are taught when young and not ask questions.

Asking myself why goblins should be at odds with humans was a big part of the early stages of forming that world.

Generally what we perceive as evil isn’t just mindless malice (serial killers excepted). There’s a reason why peoples would be enemies.

What do you consider to be your biggest influences as a writer?

A whole lot of sci-fi and fantasy from age twelve, after a childhood of enjoying stories with magic. Interesting worlds especially.

What’s the strangest thing you’ve had to research for your stories?

Not related to my goblin series, but finding what metal the cutlery used in Victorian workhouses was took me down a rather extensive rabbit hole. Obviously they wouldn’t use silver.

Another one is the varying theories on magnetic pole shifts of the Earth and the possible consequences if the planet reversed position.

What do you hope readers take away from your stories?

A bittersweet longing to be part of the goblin world. It’s actually rather a stress-free sort of life. Most of the time anyway.

Would you rather have a pet dragon or a unicorn, why?

Dragon! As long as it could talk. I’ve always had a fascination with reptilian creatures. Unicorns are cool too though.

If you were stuck on a deserted island with one of your characters, who would it be and why?

Haghuf, definitely. He would probably know a way off the island, perhaps through a deep cavern under the ocean. If not he’s still the most practical goblin I know.

What would you name your pet dragon?

Khadri (see my story, A Wizard’s Quandary).

Where is the best place to start reading your work?

That depends if you like exposition or quick action. Dance of the Goblins for the former, Demoniac Dance for quick action. It can stand alone.

Of course, if you prefer flying with airship pirates, The Wake of the Dragon is a steampunk adventure written for adult readers.

Jaq D Hawkins is the author of The Goblin Trilogy, which includes Dance of the Goblins, Demoniac Dance and Power of the Dance. She has also written the Airship Mechanoids Steampunk series which begins with The Wake of the Dragon and a science fantasy romp, The Chase For Choronzon.

Find Jaq online:

Website: jaqdhawkins.com

Facebook: facebook.com/GoblinSeries

Goodreads: goodreads.com/author/show/218599.Jaq_D_Hawkins

Twitter: @jaqdhawkins

Pinterest: uk.pinterest.com/jaqdhawkins

Unleashing the Magic: An Interview with Fantasy Author Clayton Wood

Discover the captivating fantasy worlds crafted by Clayton Wood, the mastermind behind the Runic, Fate of Legends, and Magic of Havenwood series. Join us as we delve into his writing journey, inspiration, and insights into the realm of fantasy fiction.

Fantasy Author Clayton Wood

Clayton Wood is the mastermind behind several popular fantasy series, including the Runic series, Fate of Legends series, and Magic of Havenwood series.

In this interview, we will delve into Clayton’s journey as a writer, his inspiration, and his thoughts on fantasy writing.

So without further ado, let’s get started!

What inspired you to start writing in the fantasy genre?

Fantasy books were my go-when I was a kid, and I devoured series by Piers Anthony, R.A. Salvatore, Raymond E. Feist, Terry Brooks, Robert Jordan, and many more. Why fantasy appeals to me, I cannot honestly say. All I know is that my muse constantly conjures new ideas for me to work with, and she’ll make my life a living hell if I let her down by not using them!

How do you approach world-building in your stories?

For me, world-building usually grows from the main theme or themes I’m exploring in a series. For example, The Magic Collector was about art and creativity as magical forces, and so I incorporated works of art quite literally into the world. Books about castles made castles, and books about giants made giants. In contrast, Elazar the Magician was in part about dogma and ways of knowing, and thus a scientific and technologically more advanced society clashed with a religious one. Both were slaves to their own dogma, and the truly enlightened were magicians. Magicians who gained their powers through magic mushrooms, which inspired mushroom-shaped symbolism in the world-building process.

Can you walk us through your writing process?

Normally an idea for a new series comes out of the blue for me (see note on my abusive muse above), and I let it grow and mutate in my brain for a year or so. I know it’s ready for writing when it stops changing, solidifying into a world, narrative, and a couple of characters. I have an idea of the beginning, middle, and end, and when I write, I let the characters fill in the rest. Mostly because if I try to get in their way, they’ll stage a mutiny.

As for how I structure my time, I usually order book covers from my cover designer 6 months in advance. 2 for the Spring, 2 for the Fall. Nothing is written yet when I order them, but they gotta be done by the time the covers are due to be made. That way I keep a pace of around 4 books published a year.

Would you survive in your own fantasy world?

My wife says no, ’cause I’m soft. But she’s totally wrong.

What themes do you explore in your work?

For the Runic series, it was the role of various father figures in growth and self-actualization…how negative father figures can create conflict that forces growth through adversity, and how positive father figures can do so with mentoring and nurturing.

For the Fate of Legends series, I explored group identity vs. individual identity, and the magnetic-field-like forces that force those with weaker wills to align with stronger wills. Also, the ways in which failing to identify as part of the greater world can lead to calamity.

For the Magic of Havenwood series, I explored the creative process itself, making art magical. Writers wrote books that created entire lands and monsters, while sculptures came to life. Musicians could manipulate emotions and time itself, while Actors could literally transform into who they played. And Painters could take objects and living creatures they’d painted out of their canvases, bringing them to life. It was a fun way to explore my own creative process, teaching the reader some things that I’d learned. It was also a way to explore secondary themes of the dark and light parts of the human soul, and the somewhat lost idea of redemption.

For Inappropriate Magic, I explored the themes pertinent to the mid-life crisis, where one realizes they’re going to die, the life they’ve lived is one they fell into and no longer want, and that they need to find meaning and purpose in their life.

What do you consider to be your biggest influences as a writer?

Most authors I liked made me want to write a book like theirs. Piers Anthony made me want to be as creative as possible in my writing, instead of just parroting books I’ve read.

What’s the strangest thing you’ve had to research for your stories?

Coral reef reproduction as it pertains to a character from the battle over Alexandria during the rein of King Ptolemy VIII.

What do you hope readers take away from your stories?

First and foremost that they enjoy themselves. Secondly that each book makes them think a little bit. And third, that someone – even one person – is inspired to write their own book after reading mine. That’s what fantasy authors did for me, and if I can do that for someone else, that would be amazing.

Would you rather have a pet dragon or a unicorn, why?

Dragon. They’re badass. Although I’ve had both in my books. A rude, sarcastic skeletal dragon called Nemesis, and a…gifted unicorn named Peter.

If you could have any magical ability, what would it be?

Healing people. I’m a physician, so I naturally want to make people better!

If you were stuck on a deserted island with one of your characters, who would it be and why?

Vi. I feel like her survival skills would keep me alive…if she didn’t kill me for my lame Dad jokes, that is. My wife has considered it, but she’s waiting for my life insurance application to be processed.

What would you name your pet dragon?

Unicorn. Now I get to have both!

Where is the best place to start reading your work?

*It depends on your tastes. If you like classic coming-of-age fantasy, Runic Awakening.

If you prefer to have your heartstrings pulled at, The Magic Collector. If you like gritty medieval fantasy, Hunter of Legends.

If magic mushroom-based magic in a steampunk world is your thing, Elazar the Magician.

And if you enjoy inappropriate humor, Inappropriate Magic!

About the author.

Clayton Wood is the author of the Runic series, the Fate of Legends series, the Magic of Havenwood series, the Magic of Magic series, and the Masks of Eternity series. He’s been a computer programmer, graphics designer, martial-arts instructor, and now works in the medical field. He has a wife and three wonderful children.

Writing was always Clayton’s passion, but it wasn’t until the birth of his first son that he found the inspiration necessary to finish his first book. Five years later, he published Runic Awakening, the first entry in the Runic Series.

Find Clayton online:

Website: havenwoodpublishing.com

Facebook: facebook.com/claytontaylorwood

Instagram: instagram.com/claytontaylorwood

Introducing C.B. Matson: A Master of Historical Fantasy

Discover the captivating world of C.B. Matson, an author who weaves historical fantasy with rich world-building and character-driven stories. Uncover his writing process, influences, and the enchanting Tapestry series, starting with “Half Sword.” Immerse yourself in a realm where history meets imagination. Available on Amazon.

Today, we have the pleasure of diving into the mind of this seasoned writer C.B. Matson and exploring his unique approach to storytelling in the fantasy genre.

From his adventurous background to his literary influences, Matson’s creative journey is as captivating as the worlds he builds within his novels.

Matson’s life has been a tapestry of diverse experiences, with roles ranging from mining geologist to strategic planning consultant. His wanderlust has taken him across continents, immersing him in different cultures and histories.

So, grab yourself a cuppa and join us as we explore C.B. Matson’s magical realm.

How do you approach world-building in your stories?

Okay, color me lazy…writing Historical Fantasy means the world has already been built. Well, at least as it was perceived in the 12th Century. That gives me a lot of latitude. Manticores yet dwell in the high passes, old deities wander the forests. Magic still works. I love to dig into the historical details of cities and peoples…Nubian traders bring gold and ivory from the Mali Empire. Mongol tribes amass at the Gates of Alexander, soon to throw them down and overwhelm the nations of Europe. Truly more interesting than any world I could devise.

Can you walk us through your writing process?

So let’s talk about writing, yeah! [fist pump, victory dance, muscle cramp] Every writer eventually becomes this Nosferatu vampire-person for story ideas. Neighbor dies… hmmm? Virulent disease… hmmm? You get the picture. It’s the teasing out of stories worth telling that’s the art and perhaps is the toughest part of writing.

Twyla Tharp, in her book “The Creative Habit” recommends collecting and maintaining Idea Boxes of possible projects. That’s one way to sort out the phials of blood and vital humors that you’ve collected. Most writers have some kind of Idea Box, a spawning ground for new stories. Grubby little idea-larvae wriggling about…never mind. To sort this stuff out, I ask myself three questions: 1. Do I want to write this story? 2. Am I capable of writing this story? 3. If I wrote it, would anyone want to read it? By question 3., most of the larvae have died.

Turning an idea into a project and then a story means writing, and herein lies the rub: whether to “pants” and endure the slings and antics of outrageous protagonists, or “plot” and endure, well, whatever it is that plotters endure. That is, write by the seat of your pants and let the story just take whatever path it takes, or plot it all out with outlines and character descriptions, so things converge where you want them to converge, when you want them to converge. In my experience, pantsing is much more fun for the author, but plotting makes a much better product for the reader.

Would you survive in your own fantasy world?

It would be tough, the archaic language and all. Medieval toilet habits too…sheesh (scene from Monty Python and the Holy Grail comes to mind). Aside from that, yeah, ‘cause like the stuff I know, engineering, health care, and well…I know what’s gonna happen. “Run, fools, the Mongols are coming!!”

What themes do you explore in your work?

Three words that would describe my writing would be: Experiential—I try to immerse the reader in the story setting; Focused—I like to get right down into the soul of my characters; and Complex—theme, plot, and action all have wheels-within-wheels, subtext, and conflicting motives.

My themes are simple and I usually establish them at the beginning of the writing process. “Half Sword,” the first of my Tapestry series, is centered about Self Discovery. Not only my protagonist, but my supporting characters must discover their own fears, strengths, limitations, and courage before they can overcome the barriers and adversaries they encounter.

Next (as yet untitled) book in the Tapestry series is all about Belonging…finding a people, a purpose, and ultimately, love in a world torn by war and dislocation. After that, Becoming. My protagonists must become who they were meant to be, who they must be in order to survive. Did I mention that my stories are character driven?

What do you consider to be your biggest influences as a writer?

As an author (and a reader), my Holy Trinity is Bradbury-Steinbeck-Eco (all dead, yes…I know). Ray Bradbury for his evocative story lines. His narrative is almost poetic, and his plot drivers hover between sci-fi, fantasy, and magical realism. “Something Wicked This Way Comes” is perhaps my fav.

Unarguably John Steinbeck is one of the greatest 20th Century American authors. I only wish I could write dialog and create characters like he did. His stories do not build high tension, or include much action, but still, reading them is like eating a warm scone with clotted cream on a lazy Sunday morning (yes I have. And for that, and for Benny Hill, I forgive the British their somewhat irrational spelling).

Umberto Eco was a phenomenon all unto himself. Professor of Italian Medieval Philosophy and Semiotics, among a gazillion other topics. He wrote faster than I can talk (which isn’t that fast…but) and his first novel, “Name of the Rose” went best-seller/movie-deal right off the presses. Eco was a Renaissance man, a true genius of words, symbols, and ideas. For the quintessential Historical Fantasy, I can strongly recommend “Baudolino.” Never could quite get into his “Kant and the Platypus,” however. But hey…he’s the genius, not me.

What’s the strangest thing you’ve had to research for your stories?

Ho boy! Do I get into some weird stuff researching the Byzantine world. Perhaps the strangest is the “Apocalypse of Methodius” that foretells the barbarian invasion of the late Roman empire. Right up there would be, “The Travels of Sir John de Mandeville.” I have a 1915 translation that describes (among many other weird things) blemmyes, gryphons, and monopods, all found east of Eden in the land of Nod (where good Sir John claimed to have visited).

What do you hope readers take away from your stories?

A sense of wonder…isn’t that what fantasy is all about? Wonder, and perhaps a sense of joy…when the story wraps, the characters reach their goals and their destinies, and you can’t wait for the next tale to unfold.

Would you rather have a pet dragon or a unicorn, why?

What—WHAT? A dragon, really? Like in my backyard? Maybe a little one that would light the charcoal in my grill and growl at the Amazon drivers. But I’ve got a dog that does that (no, she doesn’t light the grill, but she enjoys it when I do).

Of course a unicorn would be quite decorative and would just graze gently in the yard. I’m afraid riding it would be tough. My luck, the neighbor would choose a dragon, a big one, and it would eat my unicorn. That, and it would leave huge steaming mounds of dragon poop all over the yard. Maybe I’ll take a pass on the whole deal.

If you could have any magical ability, what would it be?

I’d want the power to create magical ancient worlds and people them with fascinating characters having amazing adventures…Wait, I already do that. Never mind.

If you were stuck on a deserted island with one of your characters, who would it be and why?

Eponia, the horse. ‘Cause I’d get hungry on a deserted island and I could always eat the horse…okay, never mind that one either.

Where is the best place to start reading your work?

The only place to start reading my Historical Fantasy is “Half Sword” on Amazon mybook.to/Half_Sword.

Author bio:

Let’s see… [ponders stuff to definitely leave out] I grew up on the California coast and ran away to sea when I was eighteen. Still got the Coastguard Mariners Certificate to prove it.

Since then, my rather checkered career included mining geologist, commercial fisherman, civil engineer, mess-hall cook, surveyor, and strategic planning consultant. My work has taken me to Africa, Latin America, Europe, the former Soviet Union, Middle East, India, and the Pacific Islands. These days, when I’m not writing, I enjoy hiking, tinkering, and “… simply messing about in boats.”

What inspired you to start writing in the fantasy genre?

Years ago, I started writing Science-Fiction/Fantasy because that was my primary read. It was all a pile of dreadful trash, written for my own enjoyment. Then I picked up “Name of the Rose” by Umberto Eco and found my Holy Grail, Historical Fantasy.

Not saying my stuff was happy Pulitzer ever after, or even worth reading, but I upped the action and developed my own approach to the genre. When Neil Stephenson put his Foreworld series out on Kindle Worlds, I jumped in and contributed three rather large Historical Fantasies.

Find C.B. Matson online

Website: https://www.cbmatson.com

Amazon Author page: https://amzn.to/3qEfQ65

Facebook: https://tinyurl.com/2h6fx4xe

Exploring the Connection Between Fantasy and Heavy Metal

Explore the enduring connection between fantasy fiction and heavy metal music, discovering the shared themes, influences, and epic storytelling that unite these two powerful art forms.

Fantasy fiction and heavy metal music have a strong and lasting connection, with fantasy providing artists with a rich source of inspiration for their lyrics and music.

Both forms of art often deal with similar themes such as darkness, otherworldliness, and rebellion, making them a natural fit for each other. Fantasy fiction has been around for centuries and is inspired for many artists, including heavy metal bands and musicians.

The worlds created in fantasy often feature mythical creatures, magic, and battles between good and evil—themes and motifs found in many metal songs.

Tolkien’s influence.

Iron Maiden has been creating music for over 40 years and has been heavily influenced by J.R.R. Tolkien’s “The Lord of the Rings” trilogy and has written several songs inspired by the world of Middle-Earth, including “Hallowed Be Thy Name,” “The Trooper,” and “Fear of the Dark.”

German metal band Blind Guardian also draws influence from J.R.R. Tolkien’s works, as well as other works in the fantasy genre. The band’s music often features complex and intricate storytelling inspired by the rich worlds of fantasy fiction. Blind Guardian’s music is characterized by its sweeping epicness and powerful vocals, making them a must-listen for fans of both heavy metal and fantasy fiction.

Rhapsody of Fire is an Italian metal band inspired by classic fantasy such as “The Lord of the Rings” and “The Chronicles of Narnia.” Their music often features grandiose orchestral arrangements, which are inspired by epic battles and fantastical worlds. Rhapsody of Fire’s music is a testament to the power of fantasy fiction to inspire heavy metal music.

Austrian black metal band Summoning produce dark and atmospheric soundscapes, which are inspired by the dark and foreboding world of Middle-Earth.

Nightwish is a Finnish symphonic metal band that has drawn heavy influence from several fantasy novels, including works by J.R.R. Tolkien, Neil Gaiman, and H.P. Lovecraft. The band’s music often features grandiose orchestrations, soaring vocals, and epic storytelling, which are inspired by the fantastical worlds of classic fantasy novels. Nightwish’s music is a testament to the power of fantasy fiction to inspire music.

Fantasy and metal have a long and intertwined history. As both forms of art continue to evolve, it is likely that this relationship will only grow stronger. Whether you are a fan of fantasy or metal, it is impossible to ignore the impact that each has had on the other.

Would you like a free Ravenglass Universe starter library?

You will get the novel Birth of Assassins, the novellas The Fool and Blades of Wolfsbane, plus you’ll be first to know about the latest updates in the Ravenglass Universe.

Magic, Mythology, and More: A Conversation with E C Greaves

Discover the world of fantasy adventure with E C Greaves. Explore captivating tales, unique world-building, and the author’s creative process.

Author E C Greaves interview

Welcome to this exciting interview with E C Greaves, an author and illustrator who has made a name for himself in the world of fantasy adventure stories.

Born in Solihull, UK, Ed now resides in Christchurch, New Zealand, where he continues to create unique and interesting tales that have a mildly Slavic tinge to them.

When he’s not weaving tales of magic and adventure, Ed can be found pursuing a variety of passions. He restores old vehicles, codes video games, and teaches history to high school kids. It’s hard to believe that he manages to fit all of this into his schedule, but perhaps his secret lies in the fact that he seems to be completely immune to the effects of aging—despite being far too old to explain the lack of grey hair!

As we delve deeper into this interview, we’ll learn more about Ed’s creative process and how he approaches his work as an author. So sit back, relax, and join us as we explore the fascinating world of E C Greaves…

What inspired you to start writing in the fantasy genre?

In short; long and exceptionally boring train rides to a long (and by some eldritch curse) even more boring job in finance—believe it or not, but I wrote the entire first novel on my phone!

And, I suppose since I grew up with a total nerd for a dad (playing D&D, and various fantasy games on the Atari STE with him, as a kid) fantasy was really the only genre I’d ever read, so it was all I thought to write.

How do you approach world-building in your stories?

Whilst I do have a general idea of what the world looks like—tech level, magic or whatever, types of creatures and peoples, regions, etc.—I pretty much just write stories that take my characters wherever they need to go. From there, I sorta make it up as I go along, and flesh out whatever I need to.

I take this, and jot it down in one of about 35,000 google docs (on my phone, of course), and forget about it until I catch a contradiction once a book is already pretty much finished!

Can you walk us through your writing process?

During the day, I procrastinate a whole lot. Then, in the evening, I reread some existing stuff. Finally, at around midnight, once I can no longer escape it, I start writing. It takes me through til perhaps 2 or 3 am. Which is when I try desperately to get enough sleep to survive the following day!

I usually begin with a conversation, description, or situation that sorta comes to me from the ether—more often than not, something I thought of when I was driving. And then I build on that.

My characters tend to take the story where they want it to go, and I’m most definitely not a “plan every chapter” kind of author.

As such, I let them guide me, and I then go through and tie the stuff I wrote back to the general idea I had for an overarching plot, or I try to work in stuff that references earlier things—you know, to make it seem like I actually DID plan that sweet twist!

The entire time, because I have ADHD and it’s one of the best ways I’ve found I can focus, I drink a billion litres of caffeine—coffee, cola, energy drinks—and I usually chain smoke home-grown tobacco.

Would you survive in your own fantasy world?

You know what? I think I just might.

It’s not all that much more dangerous than our own history was. I grew up on a small farm, and I am fairly handy.

Oh, and I know how to make blackpowder. Anyone with that knowledge would do just fine in a pseudo-medieval (low magic) fantasy world, I think.

What themes do you explore in your work?

Identity and belonging, motherhood, legacy, freedom vs responsibility/authority, and what exactly constitutes “right.”

What do you consider to be your biggest influences as a writer?

In all honesty—and this really isn’t something I’ve seen another author admit,—but…

I don’t actually read many books.

As such, I am more influenced and informed by general conversation and discussion on politics and philosophy, by life and the real world (particularly ancient and medieval history), and by childhood influences—earlier fantasy works (usually films) like Conan, Dungeons and Dragons sessions I played when I was like 7, hours spent poring over the pictures in Dragon magazines, countless video games (from Drakkhen and Hero’s Quest, to Ultima 7 and Baldur’s Gate).

What’s the strangest thing you’ve had to research for your stories?

The stages of pregnancy, and then what happens AFTER you’ve had a baby—how long before milk dries up, and under what conditions? how long before periods come back? what happens to your body? Etc etc

Needless to say, the algorithms started targeting me with a lot of maternity stuff on devices where I’d forgotten to block ads!

What do you hope readers take away from your stories?

I don’t aim to convince readers of anything, and I try very hard to separate my own views from those of my characters. For me, my writing serves as entertainment first and foremost.

That said, I do hope they consider their own views on some of the thematic stuff, and some of the more “thorny” or “weighty” topics discussed within.

Would you rather have a pet dragon or a unicorn, why?

A unicorn. When I was a kid, I had this beautifully illustrated book about woodland critters who hung out with these industrious little gnomes.

In one of the books, they meet these total dick elves, who at one point, steal a unicorn egg or something. I honestly can’t recall much more than a few pictures (of a stripy guy transforming into a fish, and of a telescope putting ink around another guy’s eye).

What I remember clearly, however, is this beautiful picture of a unicorn/pegasus hatched out of an egg. It was really cute and pure, and for a weird little kid who liked goblins and mud, and who was picked on quite a bit, that little white horse creature seemed to represent an innocence and goodness that I think I sorely wished was more prevalent in the world.

Weird, I know.

Wish I knew what those books were!

If you could have any magical ability, what would it be?

Teleportation.

It is, by far, the most powerful/useful ability besides perhaps just straight-up omnipotence. 9-out-of-10 dentists agree.

If not that, cos it’s cheating, then the ability to live happily and healthily without doing harm to any other living being. Photosynthesis or something!

I would also like to be able to communicate with any other living being too (maybe even some dead ones… Just to spice it up!)

If you were stuck on a deserted island with one of your characters, who would it be and why?

I’d want to pick one of the Vulkari, but they’d all probably just eat me.

And whilst Zyntael could perhaps use her weird necromancy to convince the Spirits to help us, I think Phobos Lend would know of some way off the island. Either that, or he’d have a stash of rum and pipe leaf.

What would you name your pet dragon?

Wait, you mean that I didn’t get the Unicorn after all? And I poured my heart out for that question!

Fine.

“Little Stinker.”

It is my go-to pet name in anything where you can have a pet.

Where is the best place to start reading your work?

It’s available on Amazon here:

But, you know what? I really appreciate you humouring me.

So here, have the first book in the trilogy for free!

https://BookHip.com/BDZBZTW

Find out more.

Website: ecgreaves.com

Facebook: facebook.com/ECGreaves.Author

Twitter: twitter.com/GreavesEc

Journey into the Unknown: How Tarot Cards Can Help Fantasy Readers Discover New Realms

Discover the magical connection between tarot cards and fantasy literature. Unlock hidden realms, explore characters, and enhance storytelling. Dive into the world of tarot for self-reflection, personal growth, and connecting with fellow fantasy readers.

Tarot cards have long been associated with divination and prediction, but they can also be a valuable tool for fantasy readers looking to deepen their understanding of the characters and themes in their favourite books.

Here you’ll find seven reasons why fantasy readers should learn to read tarot cards, including how they can help with self-reflection, personal growth, and storytelling.

So, let’s dive in and discover the magic of tarot cards for fantasy readers:

1. Tarot cards offer a unique way to connect with fantasy literature. By learning to read tarot cards, you can gain a deeper understanding of the archetypes and themes in your favourite fantasy books.

2. Tarot cards can help you to explore the different aspects of your own personality and character. This can be especially valuable for readers who are trying to connect with their favourite characters.

3. Tarot cards can be a powerful tool for self-reflection and personal growth. They can help you to identify patterns in your own life and to gain a better understanding of yourself.

4. Learning to read tarot cards can be a fun and rewarding hobby. It’s a great way to explore your creative side and to learn more about yourself and the world around you.

5. Tarot cards can be used to explore different worlds and dimensions. This can be especially valuable for fantasy readers and writers who are looking to expand their understanding of different spiritual realms.

6. Tarot cards are a great tool for storytelling. They can help you develop your own plots and characters, and to create your own fantasy stories. (I used them to write my series, The Ravenglass Chronicles).

7. Finally, learning to read tarot cards can be a great way to connect with other fantasy readers. You can share your knowledge and experiences with others, and learn from others as well.

Learning to read tarot cards can be a valuable tool for fantasy readers and writers alike. It can help you to gain a deeper understanding of the characters and themes in your favourite stories, to explore the different aspects of your own personality and character, and be a powerful tool for storytelling.

fantasy books inspired by the tarott