A Beginner’s Guide to Fantasy Literature: Recommended Books and Series for New Readers

Discover the world of fantasy literature with our beginner’s guide! Explore recommended books and series for new readers, including The Lord of the Rings, A Song of Ice and Fire, Harry Potter, and more. Start your epic adventure today!

Fantasy literature is a beloved genre that has captured the hearts of readers for centuries.

From epic adventures to intricate world-building, fantasy stories offer something for everyone. But with so many books and series to choose from, it can be overwhelming for new readers to know where to start.

In this beginner’s guide to fantasy literature, you’ll find some recommended books and series for those just starting to explore this fantastic genre.

The Lord of the Rings

One of the most popular fantasy series of all time is J.R.R. Tolkien’s “The Lord of the Rings.” This classic series, which follows hobbit Frodo Baggins on his quest to destroy the One Ring, is considered the foundation of modern fantasy literature.

The series is known for its intricate world-building, memorable characters, and epic battles. If you’re new to fantasy, “The Lord of the Rings” is a great place to start.

A Song of Ice and Fire

George R.R. Martin’s “A Song of Ice and Fire” series, which was adapted into the hit TV show “Game of Thrones,” has grown in popularity in recent years. This series, set in the medieval-inspired world of Westeros, is known for its complex political intrigue, rich world-building, and morally-grey characters.

If you’re a fan of the TV show, be sure to check out the books as well.

The Wheel of Time

Another adapted for a high-budget TV show is “The Wheel of Time” series by Robert Jordan. This series, which follows a group of friends as they struggle to save the world from an ancient evil, is known for its expansive world-building, richly-detailed magic system, and huge cast of characters.

Kingkiller Chronicle

For readers looking for something a little different, the “Kingkiller Chronicle” series by Patrick Rothfuss is a great option. This series, which follows the journey of a young musician who is also a powerful magician, is known for its unique magic system and character-driven story.

Harry Potter

For those looking for a fantasy set in our world, the “Harry Potter” series by J.K. Rowling is a must-read. These books, which follow the adventures of a young wizard and his friends at a magical school, are known for their charming characters, inventive world-building, and exciting plot.

Gentlemen Bastard

Finally, for readers looking for something a little more out of the box, the “Gentleman Bastard” series by Scott Lynch is a great option. This series, set in a fantasy world with a unique magic system, gritty world-building, and one of the best anti-hero pairings in fantasy..

How many have you read?

These are just a few of the many fantasy series and books available for new readers to explore. Whether you’re looking for epic adventures, intricate world-building, or memorable characters, fantasy literature has something for everyone.

So, grab a book and start exploring the fantastic world of fantasy today!

Click HERE to claim your free Ravenglass Universe starter library.

Assassins and Anti-Heroes: Exploring Complex Morality in Fantasy Literature

Delve into the morally complex world of assassin fantasy in this captivating blog post. Explore conflicted protagonists, ethical dilemmas, and the allure of anti-heroes. From Robin Hobb’s FitzChivalry to Mark Lawrence’s Jorg Ancrath, discover the captivating tales that blur the lines between right and wrong.

Ah, assassins and anti-heroes—the delightful darlings of fantasy literature.

What could be more enjoyable than reading about a protagonist who not only has a penchant for ending lives, but also carries the weight of complex moral dilemmas on their shoulders? (Well, perhaps a cup of Earl Grey, but I digress.)

In this post, we’ll plunge into the murky waters of assassin fantasy and ruminate on the deliciously twisted moral landscapes presented therein.

A Stroll Down Murderer’s Row

Let’s be honest, an assassin that’s just a killer who has no qualms about murder will probably make for a boring character.

Which is why they’re often portrayed as conflicted individuals, torn between their duty to kill and their desire for redemption.

They are frequently driven by a tragic past, haunted by the ghosts of their slain victims, or struggling to cling to the last vestiges of their humanity.

Take, for example, our dear friend FitzChivalry Farseer from Robin Hobb’s Assassin’s Apprentice. (Yes, I’m well away I’ve already made set out my Robin Hobb fan-boy credentials before). (And, yet, there’s a reason why this is still one of my all-time favourite series).

Fitz is a royal bastard who finds himself neck-deep in court intrigue and trained as an assassin for his king.

Despite being a killer, he yearns for a simple life with his loved ones, away from the bloodshed and politics.

His struggle to reconcile his role as a loyal assassin with his longing for a normal life creates a fascinating moral conflict that’s heartbreaking and frustrating in equal measures.

The Ethics of Killing: A Line in the Sand, Perhaps?

Assassin fantasy often presents its protagonists with moral quandaries that would stump even the most pragmatic philosophers.

Is it acceptable to kill an evil tyrant if it saves countless lives?

Does one have a responsibility to spare the innocent, even if it means compromising the mission?

These are the questions that plague the minds of our knife-wielding anti-heroes.

One of the more notable examples is Joe Abercrombie’s First Law Trilogy, which features several morally ambiguous characters, including the infamous Logen Ninefingers.

A feared barbarian warrior with a penchant for violence, Logen embarks on a journey to find a new life while battling his darker instincts.

His struggle to balance his capacity for violence with his desire for redemption makes for a binge-worthy read.

A Dance with Darkness: The Lure of the Anti-Hero

The appeal of assassin fantasy lies in its exploration of the grey areas of morality.

We are drawn to anti-heroes because they challenge our preconceived notions of right and wrong, of good and evil.

They force us to confront the darker aspects of human nature, all while providing a jolly good tale of intrigue and adventure. (Bonus points if there’s banter and swashbuckling thrown in too. Oh, and dragons. And magic…)

Mark Lawrence‘s Prince of Thorns introduces us to the young and ruthless Jorg Ancrath, who embarks on a blood-soaked quest for vengeance.

Jorg’s brutal actions and callous attitude make him difficult to root for, yet there’s a perverse pleasure in following his journey as he grapples with his own moral compass.

A Toast to the Complexities of Life

So, there you have it, a glimpse into the morally murky realm of assassin fantasy.

As we sip our tea and ponder the complexities of life, let us raise a toast to the anti-heroes and assassins who remind us that morality is rarely black and white, and that even the most hardened killers can teach us a thing or two about the human condition.

Now, if you’ll excuse me, I have a date with a cup of tea and a well-thumbed copy of The Lies of Locke Lamora. Cheers!

Jon Cronshaw starter library

If you enjoy assassin fantasy, you can get my novel Birth of Assassins for free as part of the Ravenglass Universe starter library.

When you join my newsletter, you’ll also receive the books Blades of Wolfsbane and The Fool.

Blades of Wolfsbane: Read the Full Serial on Substack for Free

Discover “Blades of Wolfsbane,” an epic fantasy serialized story set in the richly imagined Ravenglass universe. Follow Ragnar’s journey of self-discovery, honour, and friendship. Subscribe to the newsletter for weekly chapters of thrilling swordplay and intrigue.

Blades of Wolfsbane ny Jon Cronshaw

Hello from Sunny Morecambe!

I recently launched a Substack newsletter devoted to sharing the stories and worlds I’ve created, and my first serialized story is now available! It’s called Blades of Wolfsbane, and it’s set in my Ravenglass fantasy universe.

Blades of Wolfsbane follows Ragnar, the son of a chieftain who is eager to prove himself but struggles to carve out his own path.

In secret, Ragnar practices his fighting skills with the help of his best friend using a revolutionary new technique.

As they train covertly at night, the boys must ensure their clan and enemies remain unaware of their burgeoning abilities.

With a pivotal warriors’ tournament on the horizon, Ragnar faces an impossible decision. Should he reveal his exceptional skill and risk dishonouring his family? Or should he suppress his prowess and confront a menacing adversary?

As Ragnar grapples with his destiny, a mysterious wyvern emerges from the shadows. But is this enigmatic creature an ally or an enemy?

If you enjoy sweeping fantasy epics filled with honour, friendship, swordplay, and intrigue, you’ll love Blades of Wolfsbane.

Immerse yourself in the first instalment of this serialized story by subscribing to my Substack newsletter.

Don’t miss your chance to follow Ragnar’s journey of self-discovery.

Subscribe now to be swept away by this thrilling tale of valour set in a richly imagined world. The adventure awaits!

Visit: joncronshawauthor.substack.com/p/blades-of-wolfsbane-episode-one

Assassin Fantasy Subgenres: From Humour to Grimdark

Explore the captivating world of assassin fantasy subgenres, from gritty grimdark to political intrigue and romantic encounters. Uncover thrilling narratives, morally ambiguous characters, and tales of subterfuge and deception in this exhilarating blog post.

If, like me, you’re a lover of cloak-and-dagger escapades, shadowy encounters, and protagonists not to be trifled with, then you’ve come to the right place.

Today, we shall embark on a perilous journey through the shadowy realms of assassin fantasy subgenres.

We’ll wade through the treacherous waters of grimdark, delve into the twisted machinations of political intrigue, and perhaps even encounter a few rogue witticisms along the way.

Sharpen your blades, check your poison vials, and don your darkest cloak, for we’re about to dive into the murkiest depths of literary subterfuge.

Grimdark Fantasy: For When You Like Your Assassins Grim…and Dark

Ah, grimdark. The subgenre for those who relish in tales of morally ambiguous characters, brutal violence, and a general air of doom and gloom.

In these shadowy lands, assassins are the very embodiment of survival and cunning, scraping a living in worlds where everything is out to kill them, including their own employers.

Recommended Read: The First Law Trilogy by Joe Abercrombie

In this gritty, visceral series, our assassin protagonist is a tortured soul who has made a career out of spilling blood.

Abercrombie doesn’t shy away from the brutal reality of life as an assassin, and you’ll find yourself questioning your own morals as you root for the anti-hero.

Political Intrigue: Where Assassins Tread Lightly and Deception Reigns

If you prefer your assassins to be more cerebral and less overtly violent, there’s a subgenre just for you.

In the realm of political intrigue, assassins are master manipulators, blending seamlessly into the highest echelons of society.

Here, a sharp tongue and a quick wit are as deadly as any blade.

Recommended Read: The Lies of Locke Lamora by Scott Lynch

This novel introduces us to Locke Lamora, a master thief and consummate liar who finds himself embroiled in a deadly game of politics.

With a cast of colourful characters and an intricate plot, this book will have you on the edge of your seat, wondering how our wily protagonist will talk his way out of the next deadly predicament.

The Assassin’s Guild: Where Death Is a Business, and Business Is Good

For those who like their assassins with a side of structure and camaraderie, the assassin’s guild subgenre delivers in spades.

In these tales, assassins are members of powerful organisations that control the world from the shadows.

Loyalty, secrecy, and a strict code of ethics are the hallmarks of these deadly professionals.

Recommended Read: The Night Angel Trilogy by Brent Weeks

In this thrilling series, we follow the journey of a young street rat who becomes an apprentice to the most feared assassin in the realm.

As he learns the deadly trade, he uncovers the dark secrets of his guild and faces the terrible cost of power.

Light Assassin Fantasy: When Humour Meets the Dark Trade

For those of you who enjoy a good laugh with your tales of dark deeds, light assassin fantasy is just the ticket.

This subgenre dances between comedy and deadly serious action, lightening the somber mood of a grim task with wit and charm.

Recommended Read: Hogfather by Terry Pratchett

A cornerstone of the Discworld series, Hogfather takes us on a ride with Death’s daughter Susan, as she is forced to take on her father’s duties for the evening.

Although Susan isn’t a professional assassin, the cloak-and-dagger shenanigans are in full force, making it a delightfully lighthearted romp in the typically dark genre of assassins.

High Fantasy Assassin: When Assassins Venture Into Epic Worlds

For those craving grand tales woven in a realm of magic and mythical creatures, high fantasy assassin tales will satiate your appetite.

These narratives often take place in intricate worlds filled with rich lore and history, where assassins are more than mere killers – they’re essential cogs in the grand wheel of destiny.

Recommended Read: Assassin’s Apprentice by Robin Hobb

Robin Hobb’s Farseer Trilogy begins with Assassin’s Apprentice, where we follow the journey of Fitz, a royal bastard trained to become a royal assassin.

The narrative is a perfect blend of character development, political machinations, and magical realism, serving as a fantastic example of high fantasy assassin stories.

Reluctant Assassin: Duty and Morality in a World of Shadows

The reluctant assassin subgenre introduces us to characters who are caught in the deadly profession against their will or better judgement. Often fraught with internal conflict and questions of morality, these narratives strike a delicate balance between doing what’s necessary and striving for what’s right.

Recommended Read: Age of Assassins by RJ Barker

RJ Barker’s Age of Assassins is a fascinating tale of a young, disabled boy, Girton Club-Foot, who is trained as an assassin by his master and caretaker.

The character’s reluctance to embrace his bloody trade, coupled with the murder mystery that needs solving, makes for a thrilling read.

Revenge: When Assassins Seek Justice (Or at Least, Their Version of It)

For those who find satisfaction in tales of vengeance, where wrongs of the past become the motivation for the protagonist’s deadly actions, the revenge subgenre of assassin fantasy is for you.

These stories often involve intricate plots, deep-seated hatred, and a burning desire for justice that drives the assassin forward against all odds.

Recommended Read: The Nevernight Chronicle by Jay Kristoff

In this darkly brilliant trilogy, we’re introduced to Mia Corvere, a girl orphaned by the treachery of powerful men, who then dedicates her life to becoming an instrument of retribution.

The narrative revolves around Mia’s journey through the Red Church, a school for assassins where she hones her skills to take revenge on those who destroyed her family.

Kristoff weaves a thrilling and unflinching tale of vengeance in the Nevernight Chronicle, making it a compelling read in the revenge assassin subgenre.

The Romantic Assassin: Because Even Cold-Blooded Killers Need Love

And finally, for those who like their assassins with a touch of romance, there is a subgenre where hearts are stolen as deftly as lives. In these tales, the line between love and death is blurred, and the dance of seduction can be as deadly as it is passionate.

Recommended Read: Assassin’s Heart by Sarah Ahiers

In a world where families of assassins are bound by oaths to their gods, our protagonist Lea must navigate a treacherous path between love and duty. When she falls for the son of her family’s greatest enemy, she must choose between her heart and her blade.

Whether you crave the blood-soaked grit of grimdark or the delicate dance of political intrigue, there is a tale of shadows and subterfuge waiting just for you.

Now, if you’ll excuse me, I must slip back into the shadows from whence I came and pour me a nice cup of tea.

If you enjoy assassin fantasy tales, you can read Birth of Assassins for free when you claim your Ravenglass Universe starter library.

When you join my newsletter, you’ll receive your free novel, plus Blades of Wolfsbane and The Fool.

Wizard of the Wasteland – chapter one (excerpt)

Experience the gripping post-apocalyptic world of Jon Cronshaw’s “Wizard of the Wasteland” in the first chapter reveal. Join Abel as he fights for survival, battles addiction, and encounters enslaved children. Discover a world of hope and despair in this thrilling sci-fi novel.

Wizard of the Wasteland by Jon Cronshaw

The stranger rolled into town at dawn, his cart rumbling through the gap in Trinity’s towering fence.

Abel squinted at the sun’s orange glare as it rose over the rooftops. “Come on, Pip.” He patted his thigh as a brindle-furred dog looked up at him and ran in a tight circle, her tail wagging. He passed huddled shacks as people gravitated towards the arrival.

Abel followed the gently sloping dirt track towards the entrance as Pip trotted at his side. Trinity wasn’t his home, but they always gave him a bed and meal when he came to trade.

Chickens darted in haphazard zigzags, confined by a line of wire mesh to his right, shedding feathers as they avoided the dog. The looming crucifix beyond the fence spread shadows across the rooftops. Children ducked past him, laughing as they chased each other.

A brown and grey mule lumbered forward, its head bowed as its rider brought the cart to a halt. The cart rocked on four rubber tyres. Garish daubs of blue and gold paint stretched along its sides.

Engulfed by dusty blue robes, the man dropped from the cart, reached behind his seat, and pulled on a pointy blue hat. He turned to the residents. “Ladies and gentlemen. I am the Great Alfonso, Wizard of the Wasteland.”

Abel joined the edge of the crowd as Pip sniffed around behind him, unconcerned by the wizard. Pip had been with him since he got off plez. She was the best reason he had to stay clean.

People stepped aside for Trinity’s priestess, Sal, as she moved through the crowd to speak to the wizard, her dreadlocks hanging loose from her hooded robe.

The wizard offered her a grin. “My good lady, am I correct in assuming that you are the Sal these good people have been talking about?”

“That’s right.” She folded her arms. “And you are…?”

The wizard removed his hat with a flourish and bowed his head. His skin was darker than Sal’s, his hair an explosion of twisted curls, streaked in black and grey. He raised his yellow-tinged eyes to meet Sal’s gaze. “Madam, if you please, I am sure my reputation precedes me. I am the Wizard of the Wasteland.” He lifted his chin, offering her a toothy smile as he spread his arms wide. “I am the magnificent, the splendiferous, the incomparable, Great Alfonso.”

Sal shook her head, letting the silence hang in the air for a long, awkward moment. “Sorry, I’ve never heard of you.” She examined his cart, running a finger along the whorls of paint. “Are you a trader?”

“Yes, yes.” The wizard raised his voice and a finger. “But more.” He smiled again and swept his gaze across the gathered faces. “What I offer is the wonder of the Great Alfonso’s magical extravaganza.” He threw out his arms.

Abel smirked as a few titters spread behind him. What was this guy trying to pull? He’d seen his fair share of chancers and conmen, but this was something else.

“Magical what?” Sal tilted her head.

“What I have for you today, ladies and gentlemen, is the culmination of many years of tireless research into the arcane arts of magic and alchemy, a glimpse into our once great past, now long lost to dust.” The wizard grabbed a handful of soil and let it fall between his fingers.

“I still don’t understand.”

“My good lady, you strike me as an intelligent woman, which is why I will ask you to be my first volunteer.”

She looked around and shrugged. “Okay.”

The wizard shuffled around the side of his cart, unbolting a series of locks. An oak panel swung down on a pair of hinges, bouncing for a moment against its supporting ropes.

The onlookers moved in closer as the wizard arranged apparent junk along a series of shelves—an ancient television set with a curved grey screen and wood panel casing, a fish tank, and a hand generator in black and brass.

Abel raised his eyebrows at the objects, wondering where the wizard acquired them. The electrical items would be useless, but some of those things were worth a lot in trade.

The wizard lifted a toy car from the shelf, its red paint faded to a cloudy pink along its edges. He retrieved a key and made a show of pushing it into the car’s rear. “With this ancient and magical key, I can bring power to this otherwise inanimate object.” He placed the car flat on the panel and turned the key, the mechanism clicking and crunching. The wizard muttered an incantation, closed his eyes, and wriggled his fingers over the toy. He let go. The car shot forward and hurtled over the edge, landing in a clump of soft grass.

A few people applauded.

“Thank you, thank you. You are all most gracious.” He lowered his head and returned the car to its shelf. “What you’ve seen here is just a mere hint, a mere glimmer of the extent of my magical powers.”

He took something else down, turned to the crowd, and raised a pair of binoculars above his head. “Behold! These magical eye lenses allow their user to see objects that are far away as though they are right in front of their very eyes.” He handed the binoculars to Sal and showed her how to look through them, gesturing for her to point them towards the spherical form at the top of the water tower.

A hush dropped over the crowd as she looked through the lenses. “These are wonderful. Where did you find them?”

“That, madam, is a secret.” The wizard tapped his nose with a forefinger. “Please, pass those round. Let the other members of your wonderful community experience this glimpse into the possibilities of alchemy and magic. But, please, do be careful.”

People took turns looking through the lenses. Abel smiled at the gasps of awe and the occasional burst of laughter. When they reached him, he focused on the wizard rifling around one of the shelves. He looked down at a tug to his elbow.

A kid jumped up and down with eager excitement, clapping his hands and staring at the binoculars. He handed them to the boy, took a moment to show him how to use them, and turned his attention back to the wizard.

The wizard held up a light bulb. “As you will observe, this is a simple globe of glass. I would offer to hand this round so you can witness for yourself my ingenious design. But, because the magic is so powerful and so very dangerous, I will instead ask that you all take a few paces back to give me room to perform this most incredible and delicate of feats.”

He placed the light bulb on the panel and checked the wires were connected to the hand generator. He stepped over to the dynamo and muttered an incantation with a raised chin and half-closed eyes.

Smiling to the crowd, he wound the handle.

A low hum and sharp crackle of electricity emanated from the generator as he turned the handle.

A scattering of gasps spread around the wizard as the light bulb glowed a brownish-yellow.

“As you can see, with this ancient magic, I have created fire within this glass. I’m sure you will agree that this might be the most marvellous, magnificent, magical accomplishment you have ever had the good fortune to witness.”

He stopped abruptly, sweeping his gaze across the crowd, now rapt. He raised his right forefinger with a sudden jerk. “Oh, but there is more.” He made a dramatic turn, his robes billowing in an expanse of dusty blue.

The crowd moved forward with hesitant steps as they strained to get a closer look.

The wizard disconnected the wires from the light bulb, placed it in a pot filled with cloths on the middle shelf, and connected the wires to the television. He turned back to the crowd, spreading his arms wide. “I must ask again that you take a few steps back. This is very ancient and powerful magic. What I am about to show you is the most amazing sight. Where are the magical lenses?” He waited a few moments for the binoculars to return to him. He looked through them, smiled again, and placed them on a shelf. “With those lenses, you were able to make objects far away seem as though they were close enough to touch. Using the same principles, I have devised and constructed a magical box that allows you to see over great distances to lands to the west, beyond the lawless zone.”

He reached for the hand generator and cranked the handle again.

The belt hummed, crackling and sparking as the smell of burning rubber filled the air.

He leaned over to the television set, muttered a spell, pushed a button, and kept turning the handle.

White noise hissed from the television’s speaker as the screen came to life in a random array of white, black, and grey—a dead signal. “As you could see, ladies and gentlemen, what we are witnessing is a window into another land, another land shrouded in—what is it?” He tilted his head and rubbed his chin. “A dust storm, perhaps?” He dropped the handle and turned to the audience with a dramatic shrug.

The white noise fell to silence, the screen fading to black. The gathered crowd applauded as the wizard made a deep bow. “Thank you, thank you. You are all too kind.”

“What I am about to show you now may be my greatest miracle, the pinnacle of my magical achievements.” His expression turned grim. “I warn you all that this is ancient and powerful magic and urge you again to stand back.” He reached up to the fish tank on the top shelf and took it down, placing it carefully on the flat panel.

He pulled out a green frog, holding it up by one leg for the audience to see, its body squirming as its free leg flailed wildly.

Stepping over to Sal, he dangled the frog before her. “Madam, please do me the honour of telling the members of your wonderful community what you see before you.”

She glanced over her shoulder and shrugged. “It’s just a frog.”

“It’s just a frog! Never has a truer phrase been uttered. So you will agree that this is a living, breathing frog? You agree there is no trickery, no shenanigans? It is, as you say, ‘just a frog’?”

She nodded. “As I say, it’s just a frog.”

Without ceremony, the wizard swung the frog against the panel. He waited with his back to the crowd for several seconds and raised the lifeless body for all to see. “As you will observe, the life of this frog has been taken.”

He turned his attention back to Sal. “Madam, would you like to take a moment to examine this frog, to assure the ladies and gentlemen gathered that this is the same frog?”

“You killed one of God’s creatures. I wouldn’t call that magic.”

“And you would be correct in that most astute of observations.” He offered her a slight bow. “There is no magic in killing a frog, but as much as it pains me to do it, as much as it pains me to take the life of an innocent creature, it was unfortunately a necessary component of the Great Alfonso’s most important magical discovery.”

The crowd looked on in silence as the wizard laid the frog flat. He took the wires from the television, attached the crocodile clips to the frog’s torso, and muttered the words of a magic spell, making complex shapes and symbols in the air with his fingers.

He turned to the crowd, made a solemn expression, removed his hat, and bowed. “Observe.” His voice dropped to little more than a whisper.

He stepped over to the generator and turned the handle, building up a rhythm until the belt hummed again.

The frog’s right leg twitched. The wizard wound the handle faster, smiling when the frog convulsed, its arms and legs quivering spasmodically.

Dropping the handle, he placed his hat back on his head and turned to the audience. “As you have seen, ladies and gentlemen, the Great Alfonso has brought this frog back from the dead.”

He turned back to the frog, now limp, and dropped it into the fish tank. He faced the crowd, taking in the applause. “Thank you.”

A few men shook their heads and walked away.

Children ran over to the wizard, jumping up and down as they asked him questions.

The wizard closed his cart.

Abel smiled at the wizard and weaved through the crowd, making his way over to Sal. “What did you make of that?”

She sniffed. “He’s clearly a charlatan.”

“Yep. But he certainly knows how to put on a show.”

“It’s just technology from before the end times. There’s no magic to it.” Her eyes grew narrow as a few residents led the wizard’s mule away to be fed and watered.

“I know.” Abel rubbed his beard, trying to understand her hostility. “But you have to admit, it’s pretty fascinating stuff.”

A frown spread across her face. “You’re not seduced by this fraudster, are you?”

“No.” His protest came out more defensive than he would have liked. “I’m intrigued. It’s been a long time since I’ve seen anything with real electricity.”

Sal nodded. “Perhaps.”

A tall man with pale skin and dark hair wandered over.

Abel forced a smile. “Jacob.”

“You look healthy. I take it you’re still keeping clean?”

“Yep.” He bristled at the implication in Jacob’s tone. He’d been clean for over a year, but it was the same question every time he returned to Trinity. They were good people, and the settlement was the best place to trade this side of the Grid. “I’m just going about my business as usual. No plez for me.” He knelt next to Pip and rubbed the fur behind her neck. At least she never judged him.

“Good to hear. God willing, let’s hope you can stay that way.” One corner of his mouth twitched as he turned to Sal. “What’s the plan with our wizard friend?”

Sal shook her head and sighed. “I don’t know. The residents are clearly taken with him. Might cause friction if we ask him to leave.”

Jacob cast a cursory glance towards the wizard. “What do you say? We treat him like any other trader and hope he goes by the morning.”

“I don’t trust him.”

“Come on, Sal.” Abel gestured towards the fence. “It’s hard out there. He’s surviving. It’s different, I’ll grant you, but he’s not raiding, or dealing. He looks like he’s probably clean.”

She raised her hands. “You could be right. But, I still don’t like it. This promotion of magic and mysticism doesn’t sit well with me.”

Abel smirked. “Just a different kind of magic to what you’re used to. You’ve got God, this guy’s got…” His voice trailed off at Sal’s glare.

She turned to Jacob. “He can stay for breakfast, but then I want him gone.”

High Fantasy vs. Low Fantasy: Exploring the Key Differences

Discover the distinctions between high fantasy and low fantasy in this engaging blog post. Explore magical worlds, epic quests, and subtle supernatural elements that make these subgenres unique. From Tolkien’s epic tales to Rowling’s Wizarding World, find your preferred cup of fantasy.


Fancy a bit of fantasy, do ya? Well, pull up a chair by the hearth, pour yourself a steaming cup of tea, and prepare to be transported to lands of wonder and magic.

But first, a spot of clarification for you fantasy aficionados—are you in the mood for high fantasy or low fantasy?

Either way, adventure await.! Now, how do you take your tea again? Milk and two sugars? Right then, off we go…

High Fantasy: A Leap into Imaginary Worlds

High fantasy is the literary equivalent of a full English breakfast—hearty, brimming with flavour, and (if you’re anything like me) potentially consumed with a side of HP sauce.

High fantasy takes you on a grand adventure, transporting you to a completely new and often intricately detailed world.

These stories tend to feature grandiose themes, such as the battle between good and evil, or the quest to save the world from impending doom.

J.R.R. Tolkien’s The Lord of the Rings is the quintessential example of high fantasy, complete with hobbits, elves, and a certain ring that causes quite a bit of bother.

Magical Elements Galore

In high fantasy, magic is often common. You’ll encounter powerful wizards, enchanted artifacts, and creatures that defy the laws of nature.

Magic is typically a core element of the story, and the characters’ abilities can have a profound impact on the plot.

A Matter of Tone

High fantasy often leans towards the epic and the grand. Expect sweeping narratives, a cast of diverse and well-developed characters, and a generous helping of world-building.

In essence, high fantasy is like a gourmet meal at a posh restaurant – it’s rich, satisfying, and leaves you feeling like you’ve just experienced something truly special.

Low Fantasy: When Magic Meets the Mundane

Now, let’s turn our attention to low fantasy, the cheeky younger sibling of high fantasy.

If high fantasy is a full English breakfast, then low fantasy is more like a bacon sandwich—still delicious, but a bit more down-to-earth. (This is why I shouldn’t attempt blog posts before breakfast.)

Low fantasy stories often take place in our very own world, or at least a world that closely resembles our own.

Magic and supernatural elements are still present, but they’re more subtle, lurking in the shadows instead of taking centre stage.

A Sprinkling of Magic

In low fantasy, magic is like that one eccentric uncle at a family gathering (not the one who’ll corner you to complain about immigrants, the other one)—it’s there, but it doesn’t dominate the conversation.

The supernatural elements might be limited to a few characters or specific circumstances, and may even be largely unknown or distrusted by the general population.

A More Grounded Tone

The tone of low fantasy leans more towards the personal and the intimate.

Characters’ day-to-day struggles take precedence over grand battles and world-saving quests.

Think of low fantasy as a cosy pub lunch—it’s familiar, comforting, and hits just the right spot. (Note to self: must go for a pub meal).

A prime example of low fantasy is J.K. Rowling’s Harry Potter series. While magic abounds in the Wizarding World, the story takes place in a world much like our own, and young witches and wizards navigate their magical education while dealing with common adolescent challenges.

So, Which One Tickles Your Fancy?

Ultimately, choosing between high fantasy and low fantasy comes down to personal preference.

If you crave sweeping epics, intricate world-building, and a generous helping of magic, high fantasy might be your cup of Earl Grey.

If you prefer more grounded stories with a touch of the supernatural, low fantasy could be your perfectly brewed cuppa.

Whatever your preference, there’s a fantastical world out there waiting for you to explore.

So, dust off your wand, saddle up your dragon, or simply grab a pint down at the local pub—adventure awaits!

If you enjoy high fantasy, you can get my Ravenglass Universe starter library for free when you join my newsletter!

Announcing: Guild of Assassins – A New Project on Substack!

I am thrilled to announce a new project that I will be sharing exclusively with you on my Substack page: Guild of Assassins.

Hello from sunny Morecambe!

I am thrilled to announce a new project that I will be sharing exclusively with you on my Substack page: Guild of Assassins.

This is your chance to dive into a world of intrigue, danger, and dark epic fantasy as you follow the tale of Soren, a young sculptor’s apprentice on his path to becoming a member of the Assassins’ Guild.

Set in the Ravenglass Universe, Guild of Assassins is both a standalone story and a prequel to my novel, Dawn of Assassins. Whether you’re already a fan of this series or just discovering it, this adventure promises to captivate you from the very beginning.

By subscribing to my Substack, you’ll gain a rare glimpse into my writing process. You’ll be able to read chapters of the novel-in-progress, and I encourage you to share your thoughts, comments, and support as we embark on this journey together.

Please keep in mind that the chapters posted may not appear in the final novel, as I often make cuts and revisions during the final draft. This means you’ll be experiencing an exclusive, behind-the-scenes look at the raw, unfiltered story as it unfolds.

Be the first to explore the shadowy corners of the Ravenglass Universe and uncover the secrets of the Assassins’ Guild.

Follow Soren’s journey from humble beginnings to his ultimate destiny and immerse yourself in a tale that will leave you on the edge of your seat.

So, are you ready to join the adventure?

Don’t wait—subscribe to my Substack now and begin your exclusive journey into the world of Guild of Assassins. Together, let’s explore and discover what lies within.

Join me now by subscribing to my Substack page: joncronshawauthor.substack.com.

See you on the other side!

Jon

How to Choose the Best Fantasy Genre for Your Mood

Discover the distinctions between high fantasy and low fantasy in this engaging blog post. Explore magical worlds, epic quests, and subtle supernatural elements that make these subgenres unique. From Tolkien’s epic tales to Rowling’s Wizarding World, find your preferred cup of fantasy.

Fantasy novels offer a colourful escape from the dreariness of reality into worlds of magic, adventure, and whimsical absurdity.

But within the fantasy genre, there are several subgenres offering vastly different vibes and moods, from the delightfully whimsical to the intolerably gloomy.

So how does one choose which particular brand of fantasy matches your current disposition?

Here are four major types of fantasy fiction and the moods they are best suited to remedy.

High Fantasy

High fantasy features sprawling worlds and epics, often involving the struggle between good and evil. The stakes are always high and magic as abundant as rain in Manchester.

If you’re in the mood for an sweeping tale full of magic, mythology and adventure to distract you from the emptiness of existence, high fantasy is ideal. The sheer enormity in scope and scale make it perfect for when you want to lose yourself entirely in a different world to avoid the one you find yourself in.

Examples include J.R.R. Tolkien’s The Lord of the Rings and Robery Jordan’s The Wheel of Time.

Light Fantasy

Light fantasy novels have a lighter tone than high fantasy. They often feature humour and themes which don’t plunge you into a deep despair. Examples include Terry Pratchett’s Disworld series and Stardust by Neil Gaiman, authors who demonstrate that fantasy needn’t take itself too seriously.

Light fantasy suits a mood that requires charm, wit, and heart to remedy it rather than dark tones and grittiness which usually only make things worse. The largely optimistic tone of light fantasy makes it ideal for when you want a cheerful escape into fantasy to avoid dwelling on the misery of the latest headlines.

Urban Fantasy

Urban fantasy takes the usual fantasy tropes and plonks them into modern, urban settings, proving that magic can exist even in familiar environments. Jim Butcher’s The Dresden Files series demonstrate this, with wizard and warewolves happily coexisting with cars and pubs.

If you’re in the mood for contemporary fantasy with magic and mystery set in familiar urban environments, this subgenre caters to those craving escapist fantasy in more believable settings.

Dark Fantasy

Dark fantasy leans heavily into grim, Gothic and horror themes for those who find the world quite jolly enough already, thank you very much, and would like some fictional misery to plunge themselves into. Sagas like A Game of Thrones and Prince of Thorns provide strong doses of darkness and despair.

When in a mood which requires grim, disturbing fantasy to reflect your own malaise, dark fantasy satisfies perfectly. The moral bleakness, violent themes and dreary settings mirror the darker recesses of our foulest moods and dispositions.

If you want to try some new fantasy books, you can claim your free Ravenglass Universe starter library, featuring high and dark fantasy tales.

Cover reveal: The Fall of Wolfsbane – Ravenglass Legends book one

Discover the epic tale of Ragnar and Maja in “The Fall of Wolfsbane,” a prequel set in the intricate world of the Ravenglass Chronicles. Immerse yourself in a rich fantasy realm!

If you’ve been following my Author Diary podcast, you’ll be aware that I’ve added a second point-of-view character to The Fall of Wolfsbane, and the story is so much stronger because of it.

Now, you can expect a full-length epic fantasy novel (it’s the longest novel I’ve written to date) that tells the story of Ragnar and his sister Maja as they are taken as hostages by the Ostreich Empire.

Ragnar is forced to live in Welttor under the mentorship of Prince Gregor, while Maja is sent to the Imperial Palace in Reichsherz to become a pet project of Princess Saranka.

It’s set several hundred years before The Ravenglass Chronicles at the time when the Empire first invades Wiete.

There will be some familiar places and even a familiar character!

As with Dawn of Assassins, you don’t need to have read The Ravenglass Chronicles to enjoy the story, but as I write more stories in this world, hopefully you’ll enjoy the little Easter eggs and how the world is different at various points in the timeline.

If you’ve not read the prequel Blades of Wolfsbane yet, you can get it for free as part of the Ravenglass Universe starter library.

If you’re a member of the Ravenglass Universe Facebook group, you’ll have already seen the cover for The Fall of Wolfsbane.

I love what Christian has done with this. It fits in nicely next to my Dawn of Assassins and Ravenglass Chronicles series.

As an author, getting a new cover is as close to the feeling I used to have opening presents on Christmas morning.

The designer gets the brief, you wait…and wait. And then something magical happens and the vague notes you made about the concept and colours come to life in front of you.

Of course, I still need to finish writing my redrafts, but having a cover definitely energises me to a book finished.

Here it is…

Introducing C.B. Matson: A Master of Historical Fantasy

Discover the captivating world of C.B. Matson, an author who weaves historical fantasy with rich world-building and character-driven stories. Uncover his writing process, influences, and the enchanting Tapestry series, starting with “Half Sword.” Immerse yourself in a realm where history meets imagination. Available on Amazon.

Today, we have the pleasure of diving into the mind of this seasoned writer C.B. Matson and exploring his unique approach to storytelling in the fantasy genre.

From his adventurous background to his literary influences, Matson’s creative journey is as captivating as the worlds he builds within his novels.

Matson’s life has been a tapestry of diverse experiences, with roles ranging from mining geologist to strategic planning consultant. His wanderlust has taken him across continents, immersing him in different cultures and histories.

So, grab yourself a cuppa and join us as we explore C.B. Matson’s magical realm.

How do you approach world-building in your stories?

Okay, color me lazy…writing Historical Fantasy means the world has already been built. Well, at least as it was perceived in the 12th Century. That gives me a lot of latitude. Manticores yet dwell in the high passes, old deities wander the forests. Magic still works. I love to dig into the historical details of cities and peoples…Nubian traders bring gold and ivory from the Mali Empire. Mongol tribes amass at the Gates of Alexander, soon to throw them down and overwhelm the nations of Europe. Truly more interesting than any world I could devise.

Can you walk us through your writing process?

So let’s talk about writing, yeah! [fist pump, victory dance, muscle cramp] Every writer eventually becomes this Nosferatu vampire-person for story ideas. Neighbor dies… hmmm? Virulent disease… hmmm? You get the picture. It’s the teasing out of stories worth telling that’s the art and perhaps is the toughest part of writing.

Twyla Tharp, in her book “The Creative Habit” recommends collecting and maintaining Idea Boxes of possible projects. That’s one way to sort out the phials of blood and vital humors that you’ve collected. Most writers have some kind of Idea Box, a spawning ground for new stories. Grubby little idea-larvae wriggling about…never mind. To sort this stuff out, I ask myself three questions: 1. Do I want to write this story? 2. Am I capable of writing this story? 3. If I wrote it, would anyone want to read it? By question 3., most of the larvae have died.

Turning an idea into a project and then a story means writing, and herein lies the rub: whether to “pants” and endure the slings and antics of outrageous protagonists, or “plot” and endure, well, whatever it is that plotters endure. That is, write by the seat of your pants and let the story just take whatever path it takes, or plot it all out with outlines and character descriptions, so things converge where you want them to converge, when you want them to converge. In my experience, pantsing is much more fun for the author, but plotting makes a much better product for the reader.

Would you survive in your own fantasy world?

It would be tough, the archaic language and all. Medieval toilet habits too…sheesh (scene from Monty Python and the Holy Grail comes to mind). Aside from that, yeah, ‘cause like the stuff I know, engineering, health care, and well…I know what’s gonna happen. “Run, fools, the Mongols are coming!!”

What themes do you explore in your work?

Three words that would describe my writing would be: Experiential—I try to immerse the reader in the story setting; Focused—I like to get right down into the soul of my characters; and Complex—theme, plot, and action all have wheels-within-wheels, subtext, and conflicting motives.

My themes are simple and I usually establish them at the beginning of the writing process. “Half Sword,” the first of my Tapestry series, is centered about Self Discovery. Not only my protagonist, but my supporting characters must discover their own fears, strengths, limitations, and courage before they can overcome the barriers and adversaries they encounter.

Next (as yet untitled) book in the Tapestry series is all about Belonging…finding a people, a purpose, and ultimately, love in a world torn by war and dislocation. After that, Becoming. My protagonists must become who they were meant to be, who they must be in order to survive. Did I mention that my stories are character driven?

What do you consider to be your biggest influences as a writer?

As an author (and a reader), my Holy Trinity is Bradbury-Steinbeck-Eco (all dead, yes…I know). Ray Bradbury for his evocative story lines. His narrative is almost poetic, and his plot drivers hover between sci-fi, fantasy, and magical realism. “Something Wicked This Way Comes” is perhaps my fav.

Unarguably John Steinbeck is one of the greatest 20th Century American authors. I only wish I could write dialog and create characters like he did. His stories do not build high tension, or include much action, but still, reading them is like eating a warm scone with clotted cream on a lazy Sunday morning (yes I have. And for that, and for Benny Hill, I forgive the British their somewhat irrational spelling).

Umberto Eco was a phenomenon all unto himself. Professor of Italian Medieval Philosophy and Semiotics, among a gazillion other topics. He wrote faster than I can talk (which isn’t that fast…but) and his first novel, “Name of the Rose” went best-seller/movie-deal right off the presses. Eco was a Renaissance man, a true genius of words, symbols, and ideas. For the quintessential Historical Fantasy, I can strongly recommend “Baudolino.” Never could quite get into his “Kant and the Platypus,” however. But hey…he’s the genius, not me.

What’s the strangest thing you’ve had to research for your stories?

Ho boy! Do I get into some weird stuff researching the Byzantine world. Perhaps the strangest is the “Apocalypse of Methodius” that foretells the barbarian invasion of the late Roman empire. Right up there would be, “The Travels of Sir John de Mandeville.” I have a 1915 translation that describes (among many other weird things) blemmyes, gryphons, and monopods, all found east of Eden in the land of Nod (where good Sir John claimed to have visited).

What do you hope readers take away from your stories?

A sense of wonder…isn’t that what fantasy is all about? Wonder, and perhaps a sense of joy…when the story wraps, the characters reach their goals and their destinies, and you can’t wait for the next tale to unfold.

Would you rather have a pet dragon or a unicorn, why?

What—WHAT? A dragon, really? Like in my backyard? Maybe a little one that would light the charcoal in my grill and growl at the Amazon drivers. But I’ve got a dog that does that (no, she doesn’t light the grill, but she enjoys it when I do).

Of course a unicorn would be quite decorative and would just graze gently in the yard. I’m afraid riding it would be tough. My luck, the neighbor would choose a dragon, a big one, and it would eat my unicorn. That, and it would leave huge steaming mounds of dragon poop all over the yard. Maybe I’ll take a pass on the whole deal.

If you could have any magical ability, what would it be?

I’d want the power to create magical ancient worlds and people them with fascinating characters having amazing adventures…Wait, I already do that. Never mind.

If you were stuck on a deserted island with one of your characters, who would it be and why?

Eponia, the horse. ‘Cause I’d get hungry on a deserted island and I could always eat the horse…okay, never mind that one either.

Where is the best place to start reading your work?

The only place to start reading my Historical Fantasy is “Half Sword” on Amazon mybook.to/Half_Sword.

Author bio:

Let’s see… [ponders stuff to definitely leave out] I grew up on the California coast and ran away to sea when I was eighteen. Still got the Coastguard Mariners Certificate to prove it.

Since then, my rather checkered career included mining geologist, commercial fisherman, civil engineer, mess-hall cook, surveyor, and strategic planning consultant. My work has taken me to Africa, Latin America, Europe, the former Soviet Union, Middle East, India, and the Pacific Islands. These days, when I’m not writing, I enjoy hiking, tinkering, and “… simply messing about in boats.”

What inspired you to start writing in the fantasy genre?

Years ago, I started writing Science-Fiction/Fantasy because that was my primary read. It was all a pile of dreadful trash, written for my own enjoyment. Then I picked up “Name of the Rose” by Umberto Eco and found my Holy Grail, Historical Fantasy.

Not saying my stuff was happy Pulitzer ever after, or even worth reading, but I upped the action and developed my own approach to the genre. When Neil Stephenson put his Foreworld series out on Kindle Worlds, I jumped in and contributed three rather large Historical Fantasies.

Find C.B. Matson online

Website: https://www.cbmatson.com

Amazon Author page: https://amzn.to/3qEfQ65

Facebook: https://tinyurl.com/2h6fx4xe