Essential Nobledark Reads: Navigating the Shadows with Hope

Explore essential nobledark fantasy novels, featuring ‘The Greycoats’, ‘Riyria Revelations’, and more, where flawed heroes navigate grim, hopeful worlds.

In the enchanting world of nobledark fantasy, where the light of hope stubbornly persists in the darkest of realms, readers find themselves drawn to stories of characters grappling with moral ambiguity amidst grim realities.

For those eager to explore this intriguing sub-genre, here’s a list of essential nobledark reads that masterfully blend the bitter with the sweet, the dark with the light.

1. “The Greycoats” by Sebastien de Castell

Sebastien de Castell’s “The Greycoats” series is a quintessential nobledark fantasy.

It follows the story of Falcio val Mond and his companions, who are part of a once-respected order of knights.

In a world where their ideals seem outdated and almost naïve, these characters struggle to uphold justice and righteousness.

The series is a brilliant tapestry of swashbuckling action and moral dilemmas, perfect for those who appreciate a story where the lines between right and wrong are as blurred as a drunkard’s vision.

2. “Riyria Revelations” by Michael J. Sullivan

Michael J. Sullivan’s “Riyria Revelations” is a compelling series that encapsulates the essence of nobledark fantasy.

It follows the duo of Royce and Hadrian, a pair of skilled mercenaries who find themselves embroiled in conspiracies and ancient secrets.

This series stands out for its intricate plot, memorable characters, and the way it weaves a sense of hope into a world riddled with corruption and deceit.

3. “The Vagrant” by Peter Newman

“The Vagrant” by Peter Newman is an unconventional tale set in a world ravaged by demonic corruption.

The story’s protagonist is a mute, nameless wanderer accompanied by a baby and a goat.

This novel is a journey through desolation, yet it resonates with an undercurrent of resilience and the unyielding human spirit, making it a unique addition to the nobledark genre.

4. “The Demon Cycle” by Peter V. Brett

Peter V. Brett’s “The Demon Cycle” series introduces a world where humanity is on the brink of extinction, besieged by night demons.

The series is renowned for its detailed world-building and the depth of its characters, who battle not only external horrors but also their own internal conflicts.

It’s a tale that perfectly embodies the nobledark theme—a grim world where hope and heroism burn fiercely.

5. “The Farseer Trilogy” by Robin Hobb

Robin Hobb’s “The Farseer Trilogy” is a profound exploration of a royal bastard, FitzChivalry Farseer, who is trained as an assassin.

In this richly detailed world, Fitz navigates political intrigue, forbidden magic, and a complex web of relationships.

The series is a deep dive into the psyche of a hero who is far from perfect, yet constantly strives for what is right, embodying the nobledark ethos.

Each of these series offers a foray into the world of nobledark fantasy, where characters fight not just their enemies but their own moral battles.

They highlight the genre’s key feature: the presence of hope and a striving for good in a world that often seems to reject both.

For those venturing into the realms of nobledark fantasy, these reads are not just essential; they are a gateway to worlds where the light of heroism shines through the darkest of times.

So, are you ready to walk the fine line between shadow and light in these enthralling tales?

The Enduring Influence of The Riyria Revelations on Fantasy

Explore how Michael J. Sullivan’s “The Riyria Revelations” has left an indelible mark on modern fantasy. From character dynamics to moral complexity, discover its lasting impact.

Ah, The Riyria Revelations—a series that tiptoes between traditional fantasy tropes and contemporary storytelling like a ballerina on a knife’s edge.

It’s no secret that Michael J. Sullivan’s dynamic duo of Hadrian and Royce has garnered a dedicated fanbase.

But let’s discuss the larger influence this series has had on modern fantasy, shall we?

A Return to Simplicity: The Quest Narrative

At a time when fantasy was fast becoming a tapestry of intricate political manoeuvres, Sullivan took us back to basics: a quest.

Yes, that age-old formula of heroes embarking on a seemingly impossible mission. It’s not a step back, but a refreshing counter-narrative in an oversaturated market of complex plot lines.

The Duo Dynamic: Reimagining Character Relationships

Hadrian and Royce—the optimist and the cynic, the sword and the shadow.

This dynamic partnership doesn’t just entertain; it revises the age-old trope of the adventuring duo.

Their rapport explores the nuances of friendship, trust, and mutual respect, all while executing heists and slaying beasts.

In doing so, they set the bar for character-driven narratives, pushing modern fantasy to prioritise individuals over epic scopes.

Moral Ambiguity: No Black and White Here

One of the series’ most significant contributions is its approach to moral ambiguity.

Gone are the caricatures of unadulterated evil and untarnished good.

Instead, Sullivan presents a world where characters exist in shades of grey.

The “bad” guys have redeemable qualities, and the heroes are flawed.

This multi-dimensional approach to morality has set a precedent that resonates deeply within modern fantasy storytelling.

The Art of Accessibility: Who Said Fantasy Must Be Inaccessible?

Some modern fantasy reads like a philosophical treatise interspersed with sword fights.

Not Riyria.

Sullivan’s writing is accessible, giving newcomers a gateway into the genre.

Yet, for seasoned veterans, the series doesn’t lack in thematic depth or complex characters. It’s a delicate balance that makes the series appealing to a broad audience, further fuelling its influence.

Self-Publishing: Breaking the Norms

Sullivan was initially a self-published author, and his success story is a beacon for many aspiring writers.

He proved that you don’t need the backing of a corporate publishing house to succeed, inspiring a new generation of authors to take the indie route.

In essence, he’s helped democratise the realm of fantasy fiction.

The Lasting Legacy

The Riyria Revelations may not have reinvented the wheel, but it certainly added some much-needed flair.

Its influence is nuanced, manifesting in various aspects of modern fantasy—from character dynamics and moral ambiguity to accessibility and publication routes.

As Hadrian and Royce continue to capture imaginations, they also reflect the ever-changing landscape of fantasy literature, proving that sometimes, all you need to make an impact is a sword, a cloak, and a friendship for the ages.

The Ultimate Reading Quest: 10 Fantasy Books for Dungeons & Dragons Players

Discover ten fantasy books that capture the essence of Dungeons & Dragons (D&D), taking you on an epic literary journey filled with world-building, intricate plots, and captivating characters. Get ready for adventure and satisfy your D&D cravings with these must-reads.

If you’re an ardent player of Dungeons & Dragons (D&D), chances are you’re no stranger to expansive world-building, intricate plots, and fascinating characters.

To keep your adventure cravings satisfied, we’ve compiled a list of ten fantasy books that will make you feel like you’re right back at the gaming table.

So, dust off your reading glasses and prepare for a literary journey that reflects the essence of D&D.

1. Kings of the Wyld by Nicholas Eames

For fans of D&D who love the classic quest format, Kings of the Wyld is a must-read.

The story follows a group of washed-up mercenaries on a high-stakes rescue mission.

The tale is rich in humour and camaraderie and calls back to the classic idea of adventuring parties in D&D.

The author’s affectionate and amusing nods to D&D tropes make it a book that’s not just an entertaining read but a nostalgic one for veteran D&D players.

2. Traitor’s Blade by Sebastien de Castell

This novel brings you into the lives of the Greatcoats – a group of wandering duellists tasked with upholding justice, reminiscent of D&D’s Fighters or Paladins.

With a mix of swashbuckling action, an intriguing justice system, and characters that are charmingly flawed yet noble, Traitor’s Blade showcases a camaraderie between characters that you might recognize from your D&D party.

Its engaging storyline and tactical combat will resonate with those who love detailed combat in their D&D sessions.

3. Orconomics by J. Zachary Pike

A satirical and clever take on classic fantasy tropes, Orconomics is a perfect blend of comedy, economics, and high fantasy.

Pike crafts a world where adventuring is an industry and monsters are hunted for their loot, akin to a D&D campaign but through a cleverly corporate lens.

The economic system’s intricacy, diverse cast of characters, and the detailed world-building provide elements D&D enthusiasts will appreciate.

4. Six of Crows by Leigh Bardugo

Bardugo’s novel, set in the gritty underworld of Ketterdam, echoes D&D’s rogue-infested urban settings.

The narrative follows a band of six unlikely companions on an impossible heist, each with their unique skills and backstory, much like a D&D party.

The intricate heist plot will attract D&D players who love planning and strategizing their missions, and the immersive world-building makes it a compelling read for those who enjoy the depth of lore in their D&D campaigns.

5. The Final Empire (Mistborn Series) by Brandon Sanderson

The Final Empire offers a unique magic system that fans of D&D’s magic mechanics will enjoy.

The concept of Allomancy (using various metals to fuel magic) provides a fresh perspective on magical systems that D&D wizards or sorcerers might appreciate.

The book also explores themes of rebellion and revolution, set against a dystopian backdrop, offering intricate political manoeuvrings that may resonate with D&D campaigns full of intrigue and societal unrest.

6. Way of Shadows by Brent Weeks

In the grim city of Cenaria, the path of the assassin offers a potential, albeit brutal, escape.

Brent Weeks’ debut novel, Way of Shadows, focuses on Azoth, a guild rat who becomes an apprentice to Durzo Blint, the city’s most accomplished killer.

The extensive focus on the details of an assassin’s life and combat may particularly entice D&D players who favour the rogue or assassin archetype.

Its darker, grittier tone also makes it a great pick for fans of more intense, grimdark D&D campaigns.

7. Song of the Lioness by Tamora Pierce

This series is an excellent fit for fans of strong female characters and the Paladin class in D&D.

It follows Alanna of Trebond, who disguises herself as a boy to train as a knight.

Throughout her journey, she grapples with her identity, her magical abilities, and her duty to her kingdom.

The books are a fantastic exploration of courage, perseverance, and embracing one’s destiny, making them a great read for anyone who enjoys stories of heroic quests and overcoming great odds.

8. The Crown Conspiracy by Michael J. Sullivan

This novel introduces us to Royce Melborn, a skilled thief, and his sword-wielding companion, Hadrian Blackwater. Together, they form the notorious duo known as Riyria.

When the pair are falsely accused of killing the king, they must use their skills to prove their innocence and uncover a conspiracy.

Sullivan’s novel, full of witty banter, dynamic combat, and thrilling intrigue, makes it a joy to read for those D&D players who love the excitement of unexpected twists and plots within their campaigns.

9. Eye of Obscurance by Jeffrey L. Kohanek

Kohanek’s world is one where fate is mutable, and prophecies are a significant part of the narrative.

Eye of Obscurance presents an epic quest filled with magic, gods, and fate, sure to please D&D players who enjoy rich lore and divine intervention in their games.

Fans of the Sorcerer class might find a kindred spirit in the protagonist, an untrained sorcerer named Fate. His journey from novice to master is both engaging and inspiring, reflecting the growth D&D characters experience throughout their adventures.

10. Homeland by R.A. Salvatore

No D&D-themed book list would be complete without mentioning R.A. Salvatore, particularly his book, Homeland.

This novel is the start of the legend of Drizzt Do’Urden, one of the most iconic characters from the Forgotten Realms setting in D&D.

This tale of resilience, integrity, and self-discovery in a dark and unforgiving world will resonate with fans who’ve braved the Underdark and faced drow societies in their D&D campaigns.

The immersive descriptions and the unique combat style of Drizzt will also provide valuable inspiration for both players and DMs.

These novels each offer a unique perspective, with heroes and villains that could easily have stepped out of a D&D campaign.

If you’re looking for your next fantasy read or seeking inspiration for your upcoming D&D session, these books are a great place to start.

Now, grab your preferred beverage, find a comfy chair, and prepare to be transported to realms of high fantasy, thrilling adventure, and gripping intrigue.

Let me know in the comments what books you would recommend.

Happy reading!

Capers and Castles: A Guide to the 10 Must-Read Fantasy Novels Featuring Thieves

Discover the captivating world of thieves in fantasy novels. From daring heists to cunning schemes, these must-read books offer action, suspense, and thrilling twists. Explore the top picks that will keep you on the edge of your seat. #fantasybooks #thieves #mustreadnovels

Trial of Thieves by Jon Cronshaw

Fantasy novels often offer a unique twist to traditional crime stories, and tales about thieves are no exception.

Whether it’s a heist gone wrong, a daring escape, or a cunning scheme, these stories are full of action, suspense, and thrilling twists.

Here are ten must-read fantasy novels about thieves that will keep you on the edge of your seat:

1. “The Lies of Locke Lamora” by Scott Lynch.

Set in the city of Camorr, the Gentlemen Bastards series follows the adventures of Locke Lamora and his band of thieves. The books are filled with complex heists, daring escapes, and political machinations, and the characters are both lovable and deeply flawed. Lynch’s writing is sharp and witty, and the world of Camorr is a rich and fully realized setting.

2. “Thief of Time” by Terry Pratchett.

Set in Discworld, this novel follows the adventures of thief-turned-monk Lu-Tze and his journey to prevent Time itself from being stolen. Pratchett’s signature wit and humour shine in this book, making it a must-read for fans of his work.

3. “Six of Crows” by Leigh Bardugo.

Set in Bradugo’s Grishaverse, this story follows a group of six criminals hired for a nearly impossible heist. With a diverse cast of characters and fast-paced action, Six of Crows is a thrilling ride from start to finish.

4. “Farseer Trilogy” by Robin Hobb.

This classic fantasy series follows the story of FitzChivalry Farseer, an assassin and thief who is forced to navigate the dangerous world of the Six Duchies. Hobb’s writing is rich and descriptive, and the characters are complex and fully realized. Fitz is a compelling protagonist, and his adventures are both thrilling and thought-provoking.

5. “Riyria Revelations” by Michael J. Sullivan.

This six-book series follows the adventures of Royce and Hadrian, two thieves who find themselves caught up in a web of political intrigue and ancient magic. The witty banter between the two leads, combined with Sullivan’s intricate world-building and fast-paced action, make Riyria Revelations a must-read for fans of the genre.

6. “The Master Thief series” by Ben Hale.

A delightful romp through a world of thieves, con artists, and other unsavoury characters. The main character, Jute, is a street thief who finds himself drawn into a larger scheme that will test his skills and loyalty. The books are filled with twists and turns, and the writing is both witty and action-packed.

7. “Lightbringer series” by Brent Weeks.

This series follows the adventures of Gavin Guile, a powerful magician and master thief who must navigate the dangerous world of the Chromeria. Weeks’ writing is fast-paced and action-packed, and the world of the Chromeria is rich and complex. The characters are fully realized, and the twists and turns of the plot will keep you on the edge of your seat.

8. “Mistborn series” by Brandon Sanderson.

Set in the world of Scadrial, the Mistborn series follows the story of Vin, a young thief who discovers she has the ability to use magic. Sanderson’s writing is fast-paced and action-packed, and the world of Scadrial is rich and complex. Vin’s journey from street urchin to powerful Allomancer is both thrilling and heart-warming, and the twists and turns of the plot will keep you on the edge of your seat.

9. “Thief of Magic” by Trudi Canavan.

This second book in the Millennium’s Rule series follows the adventures of Rielle, a young thief who discovers she has a talent for magic.

10. “The Thief’s Gamble” by Juliet E. McKenna.

This book is the first in a series of novels that follow the adventures of Kaira, a young thief who finds herself caught up in a world of magic and political intrigue. With a strong and likable protagonist, fast-paced action, and intricate world-building, The Thief’s Gamble is a must-read.

If you love fantasy with thieves, you can get my novel Birth of Assassins for free as part of the Ravenglass Universe starter library.

Walk the Line of Morality: 10 Fantasy Novels with Thieving Protagonists

Dive into fantasy’s darker corners with our top 10 novels featuring cunning thief heroes, who prove that sometimes, moral ambiguity steals the show.

In the usual realm of swords, sorcery, dragons and direwolves, aren’t we all occasionally partial to a protagonist that’s a bit, well… shifty?

I’m not talking about the big muscle-bound, honour-bound heroes that are as predictable as the British weather, I’m talking about the sneak-thieves, the tricksters, the rogues!

There’s something devilishly enjoyable about a character that walks the line of morality, their pockets full of ill-gotten goods, their minds full of cunning plans, and their hearts (eventually, after some character development) full of the right intentions.

So, buckle up as we take a tour of fantasy’s ten finest novels where the heroes are thieves, and the morals are as loose as a poorly-fastened coin purse.

1. “The Lies of Locke Lamora” by Scott Lynch:

In the gloomy yet enthralling city of Camorr, young Locke Lamora isn’t just a thief—he’s a bloody artist, he is.

His plots aren’t petty pickpocketing, but intricate scams comparable to a masterpiece painting, each stroke of deceit layered carefully to create an overall image of bromance.

Picture an underworld Ocean’s Eleven, with a dash of Italian renaissance and a liberal helping of naughty words.

One might say it’s crime at its most entertainingly convoluted.

If you fancy your thieves with a bit of style and a whole lot of cunning, then Mr. Lynch’s work might be right up your crooked alley.

2. “Theft of Swords” by Michael J. Sullivan:

Ever seen a pair of thieves who can banter as smoothly as they can pilfer?

Meet Hadrian and Royce, the dynamic duo of larceny, the jesters of jeopardy, the… you get the idea.

These two might be the most likeable robbers you’ll ever read about.

Expect swordplay, sarcasm and situations so sticky they’d put a jar of Marmite to shame.

3. “Six of Crows” by Leigh Bardugo:

This ensemble cast of characters, led by the wily thief Kaz Brekker, are about as far from virtuous knights as you can get.

Bardugo creates a motley crew of criminals and misfits, each with their own set of unique skills, emotional baggage, and snappy one-liners.

The group’s mission? To infiltrate an impenetrable fortress, of course!

What could possibly go wrong?

4. “The Hobbit” by J.R.R. Tolkien:

Remember our good old friend Bilbo Baggins?

Yes, that cuddly, comfort-loving hobbit who got dragged on a journey by thirteen dwarves and a wizard with an apparent disregard for proper notice.

Hired as a burglar to reclaim the dwarves’ treasure from Smaug the dragon, Bilbo might be the most unlikely, and yet most endearing, thief in all of fantasy literature.

5. “The Queen’s Thief” series by Megan Whalen Turner:

If you’re a fan of political intrigue, clever schemes, and a thief who’s a touch more regal than your average cutpurse, then you’ll love Gen, the protagonist of this enthralling series.

Starting with “The Thief,” the series follows Gen’s evolution from a simple (if ridiculously talented) thief to a player in the highest echelons of power.

6. “Among Thieves” by Douglas Hulick:

What’s that? You want more thieves? Well, I hope you’re not tired of twisty alleyways and shadowy figures because that’s exactly what you’re getting in the form of Drothe, a Nose (information gatherer) for one of the criminal organizations in the city of Ildrecca.

With its gritty atmosphere and compelling plot, you’ll feel like you’re right there in the criminal underworld (without the risk of being pickpocketed).

7. “Mistborn: The Final Empire” by Brandon Sanderson:

Our next stop on the larceny express takes us to the heart of the “Mistborn” series.

The story begins in a city oppressed under the iron fist of the Lord Ruler, where our resourceful heroine Vin exists as part of a thieving crew.

But Vin isn’t just any common thief—she’s a Mistborn, able to consume metals and gain powers from them.

She’s soon embroiled in a plot to overthrow the tyrant, and you can bet your last bent copper that there will be heists, intrigue, and a fair amount of metal-fuelled mayhem.

8. “The Blacktongue Thief” by Christopher Buehlman:

This is a tale with a fresh and compelling voice that might just swipe the top spot on your favourite thieves list.

Our main character, Kinch Na Shannack, is a thief trained by the Takers Guild (so he’s got a professional edge, you see).

He owes the guild an awful lot of money (or ‘guilders’ as they call it), so he’s trying to earn… or, let’s be honest, steal, his way out of debt.

He’s sardonic, rough around the edges, and utterly captivating.

This book is a wild, action-packed ride filled with danger, dark humour, and a dash of magic.every.

9. “The Palace Job” by Patrick Weekes:

Want some audacious heists with a side of snappy dialogue and a diverse cast of characters?

Look no further than “The Palace Job.”

This tale follows Loch and her eccentric crew (which includes a death priestess and a unicorn, among others) as they attempt to steal from the most secure building in the Republic.

It’s Ocean’s Eleven meets high fantasy, and it’s every bit as delightful as that sounds.

10. “Master Thief” series by Ben Hale:

Rounding off our list, we have Ben Hale’s “Master Thief” series.

Here, we follow the (mis)adventures of Jack Myst, the titular master thief who’s so adept at his craft that he’s practically an artist.

Well, an artist in stealing everything from precious gems to tightly guarded secrets.

The story is a delightful romp of thievery set against a backdrop of a richly built world.

And Jack? Well, he’s as charismatic a rogue as they come.

So, go ahead, immerse yourself in these fascinating worlds of fantasy where the thieves reign supreme.

Remember, though—stealing is wrong.

But reading about it? Now that’s a crime I’m willing to commit.

Scott Lynch’s Revolutionary Impact on Fantasy Literature: The Influence of ‘The Lies of Locke Lamora’

Exploring Scott Lynch’s monumental impact on modern fantasy literature through his ‘Gentleman Bastard’ series, shaping characters, world-building & narrative style.

Scott Lynch’s tour de force, ‘The Lies of Locke Lamora’ burst onto the fantasy scene in 2006, marking a significant turning point in the genre’s evolution.

The book, and its subsequent sequels in the ‘Gentleman Bastard’ series, introduced readers to a unique and innovative world of fantasy that has since greatly influenced countless authors and contributed to the development of modern fantasy literature.

The Influence of Lynch’s World-Building

Perhaps the most substantial impact of ‘The Lies of Locke Lamora’ lies in Lynch’s innovative world-building.

Lynch breathes life into the city of Camorr, imbued with a Renaissance Venice-like setting, complete with a network of canals, grand structures, and a dark underworld.

This type of detailed and vivid cityscape, one that is both fantastical and grounded in historical reality, has inspired subsequent authors to create rich, detailed, and believable fantasy worlds of their own.

The city of Camorr, much like a character itself, is layered, flawed, and complex.

Its distinct districts, culture, social structure, and even food, craft an immersive and palpable atmosphere.

Lynch’s approach to world-building has changed how modern authors perceive and depict their settings, encouraging them to create worlds that extend far beyond generic kingdoms and forests.

The Significance of Realistic Characters

Lynch has also made his mark on the fantasy genre through his complex, flawed, and deeply human characters.

Locke Lamora, the eponymous protagonist, is no stereotypical hero.

Instead, he’s a crafty thief with his own set of morals, which don’t always align with societal expectations.

The novel’s emphasis on character development, relationships, and moral dilemmas has encouraged authors to break away from traditional, archetypical fantasy characters, forging instead more relatable, complex, and morally grey personas.

Further, the use of camaraderie and brotherhood as a central theme adds depth to the narrative.

The characters in ‘The Lies of Locke Lamora’ are tied together by bonds of friendship and loyalty, rather than destiny or prophecy, which was previously a common trope in fantasy literature.

This has pushed authors (include myself) to explore the themes of loyalty, love, and friendship in more profound and nuanced ways.

The Impact of Lynch’s Narrative Style

Lynch’s narrative style, rich in its use of suspense, humour, and shocking plot twists, represents a departure from the more traditional, linear storytelling techniques previously prevalent in the genre.

This approach adds a level of unpredictability and dynamism to the story, compelling readers to stay engaged and constantly guess what might happen next.

‘The Lies of Locke Lamora’ also excels in its fusion of elements from different genres.

The book blends fantasy with crime, mystery, and thriller elements, creating a diverse and captivating narrative.

This cross-genre style has inspired many contemporary authors to experiment with genre boundaries, resulting in a new breed of hybrid fantasy books.

The Legacy of ‘The Lies of Locke Lamora’

Lynch’s narrative introduced a vibrant blend of genres and a distinctive approach to character and world-building that many subsequent authors have embraced.

Notably, Michael J. Sullivan’s ‘Riyria Revelations,’ Fonda Lee’s ‘Green Bone Saga,’ and Leigh Bardugo’s ‘Six of Crows’ exhibit the profound influence of Lynch’s work.

‘Riyria Revelations’ and the Bromance Blueprint

One of the distinctive qualities of Lynch’s novel is the comradery and complex relationship between Locke Lamora and his partner-in-crime, Jean Tannen.

The bonds of brotherhood that tie these characters together have created a blueprint for ‘bromance’ that is apparent in Michael J. Sullivan’s ‘Riyria Revelations.’

The protagonists of Sullivan’s series, Royce Melborn and Hadrian Blackwater, mirror the friendship and loyalty seen in ‘The Lies of Locke Lamora’.

Sullivan, like Lynch, establishes a balance of humour, camaraderie, and dark pasts in the dynamic between his characters, showing that deep, platonic relationships can serve as a strong backbone for a compelling narrative.

‘Green Bone Saga’ and the Reflection of Realism

Fonda Lee’s ‘Green Bone Saga’ series reflects Lynch’s commitment to grounding a fantasy world in realism.

Much like Camorr, Lee’s city of Janloon is a well-structured, believable world.

Lee’s decision to focus on crime families and their struggles for power within a fantastical setting mirrors the gritty underworld and realistic socio-political structures found in ‘The Lies of Locke Lamora.’

The emphasis on gang wars, politics, and crime within a fantastical setting, strongly resonates with Lynch’s Camorr and the criminal activities of the Gentleman Bastards.

‘Six of Crows’ and the Band of Misfits

Leigh Bardugo’s ‘Six of Crows’ bears the undeniable mark of Scott Lynch’s influence.

Bardugo’s story revolves around a band of misfits who undertake a seemingly impossible heist, much like Locke and his band of thieves.

Kaz Brekker, the leader of the gang in Bardugo’s novel, shares Locke’s cunning and tactical mind, coupled with a moral compass that isn’t always aligned with the law.

Bardugo’s knack for intricate planning, multiple point-of-view storytelling, and the unexpected plot twists strongly echo Lynch’s narrative style, as she takes readers through a thrilling journey full of surprises.

Each of these works, while unique and inventive in their own right, owe a certain level of their approach to the trail blazed by Scott Lynch.

From the strong bonds of friendship, detailed world-building and the intricate blend of crime and fantasy elements, Lynch’s influence is apparent in these modern fantasy sagas.

Lynch’s masterpiece has not only altered the way we perceive fantasy literature but has also served as a stepping stone for other authors to push the boundaries of their own creativity.

As such, ‘The Lies of Locke Lamora’ continues to shape the landscape of fantasy literature through its lasting influence on contemporary works.

Recommended Fantasy Reads for Fans of Scott Lynch’s Gentleman Bastard Series”

If you have been captivated by the charm and intrigue of Scott Lynch’s Gentleman Bastard series, then you’re likely seeking more fantasy books that echo its rich world-building, morally complex characters, and intricate plots.

Below is a selection of excellent fantasy novels that should satiate your craving for more such fascinating stories.

‘The First Law’ Series by Joe Abercrombie

Joe Abercrombie’s grimdark fantasy series ‘The First Law’ offers a realistic portrayal of a fantastical world, much like Lynch’s Camorr. Its morally grey characters and ruthless political machinations will appeal to fans of Lynch’s dark and complex narratives.

‘The Broken Empire’ Trilogy by Mark Lawrence

This trilogy, starting with ‘Prince of Thorns’, introduces readers to Jorg Ancrath, a character whose morally grey persona echoes that of Locke Lamora. The series is filled with complex characters, clever plots, and a dark, gritty world that fans of Lynch’s work will appreciate.

‘The Powder Mage’ Trilogy by Brian McClellan

Brian McClellan’s series is set in a world transitioning from a monarchy to a republic, and like Lynch’s work, it features a richly detailed world, complicated political intrigue, and characters with dubious morality. Its unique blend of gunpowder-era technology and magic adds a distinctive flair to the narrative.

‘Mistborn’ Series by Brandon Sanderson

For readers who enjoy Lynch’s intricate heists and complex magic system, Sanderson’s ‘Mistborn’ series is an excellent choice. The protagonist, Vin, is a young woman adept at allomancy – a magic system involving the manipulation of metals – and her journey is filled with intriguing twists and turns that will appeal to fans of the Gentleman Bastard series.

‘The Night Angel’ Trilogy by Brent Weeks

A dark, gritty fantasy series about a young street rat who becomes an apprentice to the city’s top assassin. Fans of the ‘Gentleman Bastard’ series will appreciate the dark atmosphere and layered characters.

‘The Dagger and the Coin’ Series by Daniel Abraham

This series stands out for its intricate politics and economics, as well as a diverse cast of characters. Its blend of fantasy and political intrigue is reminiscent of the power struggles in Camorr.

‘Low Town’ Series by Daniel Polansky

This series centres on a former intelligence agent turned drug dealer navigating through the criminal underworld. Its noir style and focus on the seedy underbelly of society will appeal to fans of Scott Lynch.

‘The City of Stairs’ by Robert Jackson Bennett

This standalone novel is renowned for its innovative world-building, something Scott Lynch’s fans would be familiar with. The novel’s main character, a spy tasked with solving a murder in a city where gods once lived, will resonate with fans of complex, morally ambiguous characters.

‘The Gutter Prayer’ by Gareth Ryder-Hanrahan

This book is the first in ‘The Black Iron Legacy’ series, and it takes readers into a world of gods, monsters, and thieves. Its mix of horror and fantasy elements, along with its rich world-building and focus on the criminal underworld, should appeal to fans of Scott Lynch.

If you enjoy reading about thieves and assassins, you might also enjoy my Dawn of Assassins series.

You can get the prequel novel Birth of Assassins as part of the Ravenglass Universe starter library.  

From Game of Thrones to Skyrim: Are We in a Golden Age of Epic Fantasy?

Explore the rise of epic fantasy across literature, TV, film, video games, and music. Discover how this genre has revolutionized popular culture.

We’re about to embark on a thrilling ride through the expansive realms of epic fantasy.

It’s been said that we’re living in a golden age of this grand genre, and as we venture from literature and video games, to television and film, it’s hard to disagree.

The past decade or so has brought with it a resurgence of epic fantasy that would make even the most hardened orc shed a tear of joy.

This period, brimming with magical creatures, intricate world-building, and complex characters, has heralded a revolution in how we consume and perceive this genre.

No longer confined to dusty tomes enjoyed in candle-lit, wizard-themed bedrooms, epic fantasy has soared on dragon wings, spreading its influence far and wide across popular culture.

Today, it’s as common to hear chatter about the latest dragon-slaying escapade on the commute as it is to discuss the weather.

In this thrilling expedition, we’ll delve into the staggering impact of epic fantasy on our books, TV shows, films, video games, and music.

So, pull up a chair, summon your beverage of choice, and join us as we embark on this fantastical journey.

An Explosion of Fantasy on the Bookshelves

First, let’s pay a visit to the realm of literature. It’s hard to talk about epic fantasy without tipping our hats to the unstoppable force that is Brandon Sanderson.

Sanderson churns out novels with the same speed that a poorly trained wizard casts fireballs (and with far less collateral damage). His “Stormlight Archive” series has given us a world so epic it makes the Himalayas look like a minor inconvenience.

Then we have the fantastical work of N.K. Jemisin and her ‘Broken Earth’ trilogy. Her powerful prose and intricate plotting rocked the literary world. Not only did she bag the prestigious Hugo Award for each book in the trilogy, a first for any author, but she also managed to subtly weave poignant social commentary into her lore. She has, quite literally, redefined the landscape of fantasy.

And, of course, there’s George R. R. Martin. His ‘A Song of Ice and Fire’ series, a veritable ‘War and Peace’ of Westeros, continues to delight and horrify us in equal measure. (Of course, this mention is contingent upon the long-awaited sixth book ‘The Winds of Winter’ ever seeing the light of day. No pressure, George, but the kettle’s been on for a while now).

And Sarah J. Maas burst onto the scene like a unicorn on roller-skates with her ‘Throne of Glass’ and ‘A Court of Thorns and Roses’ series. (I always want to see what A Court of Guns and Roses might look like, but after this year’s Glastonbury performance it might not be the best idea). Maas’s enticing mix of fantasy, romance, and strong female leads has inspired a new generation of readers to pick up the mantle and read past their bedtime.

A New Chapter: Indie Heroes of the Epic Fantasy Realm

If the corporate publishing landscape is akin to a neatly trimmed English garden, then indie publishing is the wild, untamed forest just beyond, rife with the unknown and bursting with possibilities.

With the rise of the digital age, an ever-growing crop of talented wordsmiths have bravely ventured into this wilderness, bestowing upon us a treasure trove of self-published epic fantasies.

Leading the charge is none other than Michael J. Sullivan with his ‘Riyria Revelations’. If you’ve not had the pleasure, Sullivan’s series offers a refreshing brew of classic high fantasy with a generous dash of modern sensibility. His dynamic duo, Royce and Hadrian, steal more than just gold.

Then there’s Anthony Ryan, who exploded onto the scene with ‘Blood Song,’ the first book in the ‘Raven’s Shadow’ series. Ryan’s tale, as gritty as a winter’s day in Grimsby, is proof positive that you don’t need corporate backing to win over fans. His success caught the attention of Penguin Books, who re-published his work, thus transforming this self-published gem into a mainstream marvel.

We mustn’t overlook Will Wight’s ‘Cradle’ series, an ingenious blend of epic fantasy and xianxia (a Chinese genre focusing on cultivation of moral and spiritual virtues). As innovative as a solar-powered teapot, Wight demonstrates the creative liberties of indie publishing, delivering tales unfettered by conventional genre expectations and marketing executives.

Amanda Hocking, the queen of paranormal romance, took a leap into the epic fantasy genre with her ‘Trylle Trilogy.’ Hocking proves that when it comes to indie publishing, not even the sky’s the limit. Why stop at the sky when there are entirely new worlds to explore?

Of course, indie publishing isn’t as easy as a Sunday morning lie-in. It requires the tenacity of a determined terrier and the entrepreneurial spirit of Richard Branson.

These authors aren’t just writing, they’re also acting as their marketers, and, on occasion, therapists.

 It’s a challenging path, but as our highlighted authors prove, it can lead to rewards as satisfying as the perfect biscuit dunk.

A Feast for Our Telly Boxes

Shifting our gaze from ink and paper, let’s flick on the telly and cast our eyes towards the fantasy genre’s successful infiltration of the small screen.

Let’s start with the behemoth in the room, or rather, the dragon on the screen. ‘Game of Thrones’ gave fantasy television a jolt stronger than a double espresso on a Monday morning. George R. R. Martin’s deliciously intricate storylines, coupled with HBO’s willingness to shell out more gold coins than Smaug’s treasure hoard, resulted in a series that captivated a global audience and redefined fantasy on television.

Not to be outdone, Netflix threw its hat in the ring with ‘The Witcher,’ based on Andrzej Sapkowski’s series of novels. Henry Cavill’s portrayal of the grizzled Geralt of Rivia became an overnight sensation, as did his catchy tune, ‘Toss a Coin to Your Witcher.’ Who knew monster hunting could have such a rousing soundtrack? The series adeptly balanced monster-of-the-week plots with a grand overarching narrative, and the production value was higher than a gentleman’s top hat.

Amazon, too, is keen on joining this magical melee with its ‘Lord of the Rings’ prequel series and the adaptation of Robert Jordan’s ‘The Wheel of Time’. Between you, me, and the lamppost, these ambitious projects are about as secretive as the Queen’s pudding recipe. Yet, the mere whiff of these beloved epics getting the screen treatment has fans twitching with excitement.

Fantasy TV has indeed proven itself as popular as a dog in a park full of squirrels, much to the delight of book lovers everywhere. The magic of these sprawling epics, replete with dragons, witches, and an alarming number of medieval political squabbles, has found a comfortable new home in our living rooms. Just be sure to keep your remote handy – there are endless worlds to explore, all from the comfort of your favourite armchair. What an age to be a fantasy lover, indeed!

A Silver Screen Spectacle

Just as the heartiest English breakfast isn’t complete without a slather of HP sauce, our tour of the golden age of epic fantasy wouldn’t be whole without a tip of the hat to its cinematic counterparts.

With bated breath, we’ve watched our favourite realms spring to life, one painstakingly rendered CGI dragon at a time.

First off, we must pay our respects to the grand-daddy of them all – ‘The Lord of the Rings’. Peter Jackson’s masterful adaptation of J.R.R. Tolkien’s epic saga broke records, hearts, and the established notion that “those fantasy tomes are unfilmable, old chap.”

Following in Bilbo’s furry footsteps, the ‘Harry Potter’ series proved that fantasy wasn’t just for us old-timers. J.K. Rowling’s charming blend of magic and quintessentially British boarding school life bewitched a generation, and the movies broadened that spell. Hogwarts, with its shifting staircases and genial ghosts, became as real as Buckingham Palace, just with fewer corgis and more house-elves.

Of course, not every cinematic expedition into fantasy is a skip through the Shire. Take the ‘Eragon’ film, for instance. As the saying goes, “the book was better,” and never have truer words been spoken. The film was about as well-received as a fox in a henhouse, proving that bringing an epic fantasy to life requires more than a few spells and a CGI dragon.

In recent years, Guillermo del Toro’s ‘Hellboy’ films and Duncan Jones’s ‘Warcraft’ have shown us that fantasy films can wear many hats, from dark comedy to high-stakes action. ‘Warcraft,’ though it didn’t charm critics, nevertheless proved a hit with the fans. After all, who could resist the lure of oversized armour and epic griffin flights?

These days, we fantasy buffs are spoilt for choice. Between the magic-infused majesty of ‘Fantastic Beasts and Where to Find Them’ and the whimsical journey of ‘Stardust,’ it’s clear that epic fantasy is alive and well in the cineplex.

Video Games: An Interactive Epic

As we continue our magical mystery tour of the golden age of epic fantasy, it’s only proper we take a side quest into the vibrant realm of video games.

First, we must traverse the snowy landscapes of Bethesda’s ‘The Elder Scrolls V: Skyrim’. With its stunning open-world design and dragon-shouting (Fus Ro Dah, anyone?), it’s been as big a hit as the Beatles. Players find themselves immersed in a world teeming with lore, dragons, and an alarming number of cheese wheels. Whether you’re bashing trolls or simply enjoying a breathtaking aurora over the mountains, ‘Skyrim’ offers an epic fantasy adventure as expansive as the London Underground, but with fewer delays.

Then there’s ‘The Witcher 3: Wild Hunt’, CD Projekt Red’s gloriously gritty adaptation of Andrzej Sapkowski’s novels. As Geralt of Rivia, players navigate a beautifully crafted world, grappling with beasties and moral conundrums in equal measure. The game’s rich narrative, engaging side quests, and dynamic combat system have been lauded as more satisfying than a perfectly brewed cup of English tea. A tip for the uninitiated: Beware the drowners and always – always – play Gwent.

Let’s not overlook ‘World of Warcraft’, an online universe so compelling, it’s been the cause of many a missed social engagement. Even after several years, its allure remains as potent as a nicely matured Stilton. The intricate lore, the sprawling world, the sense of community — it’s as thrilling as a surprise holiday, but with dragons.

For those with a penchant for intricate strategy, there’s ‘Dragon Age: Inquisition’. BioWare’s gem presents a world where player choices shape the narrative. Do you save the village from a marauding horde, or let it burn? It’s like being in your very own epic fantasy novel but without the risk of paper cuts.

Indeed, the appeal of these games extends beyond their fantastic visuals and engaging gameplay. They offer an immersive, interactive experience that’s as close as one can get to actually living in a fantasy realm, without the inconvenience of having to polish one’s own armour.

A Song of Ice and Fire: Epic Fantasy’s Influence on Popular Music

No grand journey through the golden age of epic fantasy would be complete without an exploration of its influence on the music scene.

The modern metal scene has been particularly bewitched by epic fantasy. Bands like Blind Guardian have entire albums dedicated to Tolkien’s Middle-earth, while others, like Burzum and Summoning, delve into the darker aspects of the genre. Their music is as grandiose and dramatic as the tales that inspired them, perfect for those moments when life calls for a bit more oomph.

And, of course, who could forget the hit TV show soundtracks? Ramin Djawadi’s ‘Game of Thrones’ score, haunting and heroic in equal measure, not only enhances the on-screen action but has found a life of its own in popular culture. You can’t swing a direwolf these days without hearing someone humming ‘The Rains of Castamere’ or ‘Light of the Seven.’

Music artists, just like authors, have seized upon the imagery, themes and mythology of epic fantasy to infuse their work with a sense of grandeur and adventure. Be it through lyrics, album artwork, or sonically through the music itself, the influence of epic fantasy reverberates throughout today’s music landscape.

And let’s face it, there’s something utterly epic about belting out a power ballad infused with references to dragon-fire and elven lore.

Beyond the Realms of Fantasy: Epic Fantasy’s Impact on Popular Culture

As our journey through the golden age of epic fantasy draws to a close, it’s time to take a step back and admire the spectacular view.

From the bound pages of a well-worn tome to the digital reaches of a role-playing game, it’s clear that epic fantasy has permeated more than just our bookshelves, TV screens, cinemas, and consoles. It has, in fact, seeped into the very fabric of our popular culture.

The surge of interest in epic fantasy has had a profound impact, like a truly magnificent cup of tea on a rainy afternoon.

Suddenly, it’s no longer the preserve of the niche and the nerdy. The age-old stereotypes associated with fantasy enthusiasts—you know, the image of a bespectacled recluse in a dragon-emblazoned T-shirt—have been banished to the shadowy corners of ignorance.

Nowadays, confessing your love for fantastical realms is as normal as complaining about the weather.

TV series like ‘Game of Thrones’ have transformed fantasy into a hot topic at the water cooler, with office chat just as likely to revolve around the latest dragon sighting as last night’s football match.

 Harry Potter, that bespectacled wizard boy, has charmed our language, adding phrases like ‘Muggle’ and ‘Quidditch’ to our lexicon as easily as a ‘please’ and ‘thank you’.

On the fashion front, elven jewellery and wizarding robes have sashayed from the realms of cosplay into everyday street wear.

Don’t be surprised if your next date shows up sporting a T-shirt emblazoned with a witty Game of Thrones pun or if your local fast-fashion store showcases a line of Witcher-inspired accessories.

Even our food hasn’t escaped the fantasy influence. From Butterbeer to lembas bread, we’ve developed a taste for fictional fare.

Suddenly, hosting a ‘Hobbit’-themed dinner party seems as reasonable as a Sunday roast.

And who among us hasn’t yearned to sample a flagon of ale at The Prancing Pony or indulge in a Witcher-style feast?

What this all boils down to is this: epic fantasy has transformed from a secluded genre into a cultural powerhouse.

It has become a shared language, a social glue that binds us together in our quest for the magical, the mythical, the marvellous.

The golden age of epic fantasy has spun tales that entertain, yes, but it has also fostered communities, sparking connections across borders and cultures. It’s made the world a touch more magical and a whole lot more fun.

So, whether you’re a reader, a viewer, a gamer, a self-published author or simply someone who enjoys wearing a Gandalf-inspired hat, let’s raise a glass (or rather, a goblet) to the golden age of epic fantasy.

Its influence has made our reality a little more fantastical.

The Unbreakable Bonds: A Look at Bromances in Fantasy Literature

Embark on a journey through fantasy literature’s memorable bromances, from Gentleman Bastards to the unforgettable duo in Stormlight Archive.

As avid readers of fantasy literature will attest, there’s little in this genre that captures our hearts and imaginations quite like a good bromance.

These intimate friendships, often between two (occasionally more) men, present an opportunity for deep character development, exhilarating adventures, and emotional resonance that many of us can relate to.

But fear not, this isn’t a dissertation on the sociological aspects of male bonding in fiction.

Think of it as a merry skip through the flowering fields of fantasy bromances, occasionally stopping to point and exclaim, “Look at those guys, aren’t they just great together!”

Locke and Jean

First up, let’s pop in to visit the Gentleman Bastards.

If ever there was a tale that warmed the cockles of your heart with its hearty bromance, it’s Scott Lynch’s series.

Locke Lamora and Jean Tannen have the kind of bond that makes you want to cry into your ale.

They’re thieves, con-artists, and brothers in all but blood.

They banter, they bicker, and they save each other’s backsides with alarming regularity.

That’s the thing about Locke and Jean—it’s not just about fighting the baddies together, it’s about saving each other from their own worst habits.

Hadrian and Royce

In a similar vein, we have the unforgettable duo of Hadrian and Royce from Michael J. Sullivan’s Riyria Revelations.

What starts as a business partnership between a kind-hearted warrior and a cynical thief eventually blossoms into an unshakable friendship that’s full of witty banter and nail-biting escapades.

It’s quite like if you took a shilling for every time they save each other, you’d be as rich as the king in no time.

The Greatcoats

Now let’s take a detour through Sebastien de Castell‘s ‘Greatcoats’ series.

The Greatcoats themselves—Falcio, Kest, and Brasti—have a friendship that can only be described as…well, coat of arms deep.

They squabble like schoolboys one moment and are ready to take a sword for each other the next.

Not to mention their synchronised cloak-swirling—that’s some real friend goals there.

Clay and Gabriel

But hold your horses…or should I say wyverns?

Nicholas Eames’ ‘Kings of the Wyld’ series boasts Clay Cooper and Gabriel.

These two old warriors come out of retirement for one last hurrah, enduring all manner of beasts and bedlam.

Their banter will have you chuckling like a goblin on giggleweed, but at the same time, their loyalty will make you sob like a heartbroken dragon.

An emotional rollercoaster, isn’t it?

Jon and Samwell

Next stop is at the frosty wall of Westeros.

If you listen closely, you might just hear the sound of Jon Snow and Samwell Tarley’s friendship, a heartwarming chord that rings true even amidst the incessant chill.

In George R.R. Martin’s ‘A Song of Ice and Fire,’ Jon and Sam start as green boys at the Night’s Watch but soon develop an enduring friendship that weathers both White Walkers and the politics of the realm.

Jon, the brooding bastard, and Sam, the self-deprecating scholar, are as different as ice and fire, but they stick together like two wights in a snowstorm.

Kaladin and Adolin

Our next bromance takes us to the ‘Stormlight Archive’ by Brandon Sanderson, where we meet the mighty Kaladin and the charismatic Adolin Kholin.

Although their friendship starts on rocky grounds (and who can blame them—class tensions, haunted pasts, and all that), they grow to rely on each other.

Adolin might be the charming prince, and Kaladin a brooding ex-slave, but their friendship shines brighter than a Shardblade in battle.

Plus, nothing says ‘bromance’ quite like fighting an ancient, desolate evil together, does it?

Harry and Ron

Harry Potter and Ron Weasley from J.K. Rowling’s ‘Harry Potter’ series undoubtedly deserve a mention.

Despite the magic and mayhem of Hogwarts, these two chaps stick together through thick and thin (and troll encounters).

0They’re the epitome of childhood friends turned lifelong companions.

It’s a true bromance when your mate is willing to face down You-Know-Who and play life-threatening chess for you.

Kvothe and Simmon

Turning the pages to Patrick Rothfuss’s ‘The Kingkiller Chronicle,’ we find the bond between Kvothe and Simmon.

Kvothe might be the protagonist, the dramatic hero with a tragic past, but it’s Simmon’s steady loyalty that lights up their friendship.

Sim is there through Kvothe’s ups, downs, and frequent tavern brawls.

Sure, Simmon might not be a legendary hero or a magical prodigy, but he’s a bloody good made, and isn’t that what counts?

Kennit and Wintrow

Next, we whisk ourselves to the high seas of Robin Hobb’s ‘Liveship Traders.’

Here, we witness the understated, deeply emotional bond between Captain Kennit and his shipmate Wintrow Vestrit.

Their relationship may start with coercion, but it evolves into an unexpected friendship full of emotional depth.

It’s a rare bromance, crafted masterfully by Hobb, and one that’s hard to forget.

Frodo and Sam

And of course, how can any discussion about bromances in fantasy literature be complete without mentioning Samwise Gamgee and Frodo Baggins from ‘The Lord of the Rings?’

Their enduring, pure, and simple friendship as they journey through Middle Earth is stuff of legends. Sam carrying Frodo up Mount Doom is nothing short of bromance in its most epic form.

“I can’t carry it for you, but I can carry you.”

If you’re not a tad teary after that, well, I’m afraid you might just be a stone troll.

Honourable mention: FitzChivalry and Nighteyes

Our exploration of bromances in fantasy literature would be woefully incomplete without delving into the peculiar, profound relationship that transcends the barriers of species: FitzChivalry Farseer and Nighteyes from Robin Hobb’s ‘Farseer Trilogy.’

You see, the ‘bromance’ that Fitz, the royal bastard, shares with Nighteyes, his wolf companion, is quite unlike any other we’ve discussed so far.

It’s not just friendship, it’s a ‘soulship’ if you will, a bond of minds and spirits.

Through the Wit (a form of magic that allows telepathic and empathic bonds with animals), these two are bound together in ways that redefine the traditional concepts of friendship.

Nighteyes isn’t just Fitz’s pet or even his sidekick—he’s his confidant, his moral compass, and quite frankly, the sensible one in the pair (and yes, we’re talking about a wolf here).

When you have a wolf advising you on your love life, you know you’ve got something unique.

Their banter (if you can call telepathic wolf-human conversations that) is full of playful humour and wisdom.

It’s touching how Nighteyes, the wolf, often ends up being the one teaching Fitz about loyalty, courage, and living in the moment.

One might even say he’s the real hero of the story—Fitz certainly wouldn’t be the same without him.

But it’s not all sunshine and howls—their bond carries a profound sense of melancholy too.

As readers, we’re reminded of the fleeting nature of Nighteyes’ life compared to Fitz’s, a fact that lends an additional depth to their relationship.

It’s this blend of love, wisdom, and impending heartbreak that makes their bond feel so real and resonates with readers even after they close the book.

And in the echoing words of Nighteyes, “We are pack.”

It’s friendships like these that teach us the true magic in fantasy isn’t always about casting spells or slaying monsters—sometimes, it’s about having someone who’ll stand by your side, laugh at your bad jokes, and help you pick yourself up when you’ve had one too many pints of dwarven ale.

And aren’t those just the best types of friendships?

If you love a good bromance in fantasy, you might enjoy my Dawn of Assassins series which centres around the friendship of Fedor and Lev.

Read the prequel novel Birth of Assassins for free as part of your starter library.

Crucible of Shadows – chapter one (excerpt)

Experience the thrilling world of assassins and dark fantasy in Jon Cronshaw’s “Crucible of Shadows.” Fast-paced action, witty banter, and a dangerous gang await in this gripping installment of the “Dawn of Assassins” series. Perfect for fans of roguish fantasy.

Greasy sweat coated Fedor’s back and neck as he stared half-focused at the Rusty Sail’s back room wall. Peeling gloss revealed bare pine beneath, the wood’s knots and whorls shifting and expanding in time with his heartbeat.

His eyelids drooped again and the top of his head pressed against the wall behind him as a wave of pleasure washed up from the base of his spine, triggering sparks inside his skull, bliss mushrooming in his mind.

He breathed in another mouthful of smoke, its metallic tang setting his teeth on edge and unmooring his thoughts.

His muscles softened.

Burning flooded his lungs, the heat melting him to wax.

The pipe slipped from his fingers and his head flopped down onto the cushion, his eyes flickering shut, his breaths shuddering.

Something like liquid hands enclosed him, soft and warm and comforting and endless. The edges of memory caressed him—his mother holding him close to her chest, her cheek resting on the top of his head as she rocked him to sleep.

He floated in a pool of yellow light for a long time as colours danced around him, splashing him with love and beauty, every wish fulfilled, every problem, every worry, every anxiety no more than a distant contained dot, no more than an ant trapped under a jar.

The images subsided, melting into yellow warmth, dislocated from time…from everything.

His limbs disappeared, allowing him to drift—a formless self in the endless yellow nothing.

He became aware of another sensation, a sensation beyond his body, beyond the yellow.

A hand, a real hand, two hands. It gripped his shoulder, both shoulders, and shook him away from that place.

His eyes snapped open.

He focused on a familiar face for a second, tried to form a curse, and closed his eyes again.

Words struck his ears as if heard through deep water.

A slap to the face shifted his awareness.

Pain. Stinging. Heat.

He opened his eyes slowly, his hand drifting up to his throbbing cheek, and he met Lev’s glare with one of his own.

“Mate, what the fuck? How many times?” Lev’s features came in and out of focus. “Get up.”

Fedor’s head wobbled to the side and he mumbled something half-formed in his mouth. He just wanted to drift, to return to that place of bliss. If he closed his eyes for long enough, it would all go away—the memories, the pain—all of it would seep into nothing, become one with the endless yellow.

The shakes came again, this time harder.

He looked around the room at the other men and women staring at him and he met Lev’s gaze.

Lev reached down and hoisted him to his feet.

For a moment, he feared he might continue up through the ceiling, and float off through the lower city and into the clouds, joining the balloons and wyverns and seagulls as they glided on the breeze.

“Mate. Look at me. Mate.”

His attention latched onto Lev.

“No. Keep bloody focused on me.”

Fedor closed his eyes and sank back to the cushion.

Another slap came to his face.

He found himself standing again and tried to wriggle out of Lev’s tight grip. But his arms did not move in the way he wanted. “Leave me alone,” he slurred. “Leave me here.”

“No. You’re coming with me.” Lev cupped Fedor’s face in his hands and held his gaze steady, those dark pupils burrowing into him. “You can’t stay here.”

Fedor stared at nothing.

The slap came again and his focus shifted back to Lev and his breath, tinged with whisky.

“Look at me, you fucking dickhead.”

“Huh?”

“I said, look at me. You need to focus.” Lev gestured to the door, his words slow and clear. “I am taking you home. Do you understand?”

Fedor gazed longingly at the cushion, his focus catching the play of light down the length of the pipe.

Lev jerked him in a twist and marched him from the back room and into the main bar.

A thin man in a robe blocked Lev’s path and offered him a chequerboard smile. “Brother, your friend shouldn’t be taken like this.”

Lev drew his club and held it out with one hand, his hold on Fedor remaining firm. “You going to fucking stop me, mate? You want me to knock a few more of those teeth out for you?”

The man stepped forward, reaching for Fedor.

Lev shoved him back against the bar.

“Thirty-three, mate. This is a fucking thirty-three.”

“Wha—”

“I’m taking you home.”

Unable to protest, Fedor gave a weak nod, and allowed Lev to lead him away.

Available from February 1 on Kindle and paperback.

Click HERE to order your copy now.

Dawn of Assassins – chapter one (excerpt)

Embark on a thrilling journey with Jon Cronshaw’s dark fantasy novel, Dawn of Assassins. Join Fedor, a reluctant apprentice to a master assassin, as he navigates a dangerous world of life and death. With captivating characters and heart-pounding action, this is a must-read for fans of gritty fantasy adventures. Start reading now and get ready for an unforgettable tale that will keep you on the edge of your seat.

Dawn of Assassin by Jon Cronshaw

Gaslamps illuminated the flagstones with dull light, bringing with them the constant hiss of the Nordturm night. Fedor raced across Kathryn Square when a pair of patrolling constables disappeared from view.

He knew their route well, their timings, their patterns, their habit of doling out violence before asking questions. He’d been at the receiving end more times than he could count, but nothing left deeper bruises than a beating from the watch.

His gaze shifted to his crewmates, Yorik and Onwyth, their forms barely visible against the night, their whistles signalling the all-clear.

He gestured for Lev to follow him around the Mercer’s Company building, its walls glowing white against the moonlight, and positioned himself below the drainpipe. He’d worked hundreds of jobs as Lev’s second—sneaks, snatches, scams—all with the hope that one day they would score big.

Lev squeezed his shoulder. “You ready, mate?”

Fedor glanced up at the roof, his stomach muscles clenching. “You sure this thing’s legit?”

“Lita said so.” Lev pulled his hat down. “Who am I to argue?”

“I just don’t get why no one else has bothered before.”

Lev let out a sigh. “Let’s just focus on the payoff.”

“Right.” Fedor began to climb, his teeth gritted as he heaved himself up three storeys.

Cold wind blew in from the Braun Sea, muffling the sounds of the city below. If Yorik or Onwyth whistled the signal to abandon the job, would he hear?

When he reached the roof, he flexed his fingers and took a moment to catch his breath as Lev slowly made his way up the pipe.

Upper Nordturm’s rooftops glistened with the day’s earlier rainfall, reflecting the light from hundreds of dotted gas lamps, and the full moon staring down from the blackness.

“It’s higher up here than you’d think.” Lev stretched and gazed across the city. “You can see for miles.”

Taking care not to slip, Fedor clambered up the slate tiles. When he reached the roof’s apex, his eyes latched onto the weathervane.

It stood just over half his height—a black wyvern cast in wrought iron, its wings thrust back, no doubt to create the illusion of flight and a flat surface to catch the wind.

“You sure this is—” He spotted the weathervane’s ravenglass eyes, deep endless black orbs swallowing the shadows. “Wow.”

Lev rubbed his hands together and elbowed Fedor aside. “Look at the size of those beauties.”

“I still don’t get why people pay so much for these things. It’s not like they do stuff.”

“You could say that about anything, mate.” Lev cracked his knuckles, crouched next to the weathervane, and groped around the eye sockets. “They’re in pretty tight.”

“You got the bag of tools?”

“You’re a bag of tools.”

Fedor sighed. “Have you got them?”

“Yeah.” Lev reached inside his coat and pulled out a crowbar. “Just be ready if this thing pops out.”

Fedor listened out for warning calls from the others and stood behind Lev in an awkward half-crouch, his hands spread, ready to catch.

“This thing isn’t shifting.” Lev pulled off his flat cap, revealing curls of black hair matted with sweat, and dragged a sleeve across his brow.

“Maybe you need to cut round it.” He stiffened at an owl call—a signal from Yorik. “Shit.”

“Ignore it.”

Fedor glanced back over his shoulder as a pair of constables joined the square below. “The watch are about. They shouldn’t be here.” A breath caught in his throat. “Shit.”

“Screw the watch, mate.” Lev waved a hand. “They won’t see us up here.”

“They could. The moon’s pretty bright.” He glanced up at the moon and licked his lips. “I don’t know…maybe we should call a thirty-three?”

“Sack that.” Lev shot him a glare. “Mate, we’re here. No way they can see us.”

Fedor swallowed.

“And even if they did, who knows these rooftops better than us? Those waddling bastards don’t stand a chance.”

Lev was right.

Fedor just had to hold his nerve. He’d chosen his hooded tunic and leggings to match the tone of the slates. They were as good as invisible. But, still, the prospect of a beating and a night in the cells didn’t appeal to him. “Can’t you work any faster?”

“You want to try?” He offered Fedor the crowbar and cocked an eyebrow.

“No. It’s just—”

“It’s just nothing, mate. The quicker I can get these things out, the quicker we can do one.” He jammed the crowbar around the left eye socket, straining as he levered it back and forth. “I can do this.”

“It’s no good. You got any cutters?”

“Not here.”

“How about a saw?”

“Saw would be good. But, no.”

“Damn it.” Fedor tracked the constables as they strode towards him. “They’re headed this way.”

“Settle down.” Lev gestured to the square. “They’re not even looking around. They’re just walking and talking, mate. Probably not even on duty.”

“Right.” Fedor’s heart raced. His chest burned. Every part of him had to run, his instincts crying out for them to abandon the job.

“Yes!”

“You got it?” Fedor leant forward, ready to catch.

“No. But I think I felt something shift.”

“This is taking too long.” He started at the sound of flapping leather and spun to face a grey wyvern, its black eyes staring back at him. “Erm…thirty-three.”

“Mate. We’re not—” Lev fumbled his crowbar and shot to his feet. “Shit.” He charged past Fedor, shimmied towards the bottom of the roof, and slid down the drainpipe.

Fedor went next, a bolt of pain streaking up his feet and legs as he landed.

Lev let out something like a bird call, letting the others know they had abandoned the job, and led the gang back towards the lower city.

The crew reconvened when they crossed the Kusten Road. The priests had told Fedor the ancient road was built during the early days of the Ostreich Empire and cut a straight line along to the eastern coastline, stretching from Gottsisle to the north, to Wiete’s capital Welttor to the south.

During the day, carts and taxis crowded the road, but at night it stood silent, no doubt all in fear of thieves and bandits lying in ambush between Nordturm and Hafendorf.

Fedor followed the slope down to Lower Nordturm’s entrance. Wide enough for two people, its stone maw was smoothed by wind and time. The oldest part of the city stood beneath the looming Great Tower, the city’s interior carved from the cliff overlooking the Braun Sea.

Some say the city was carved from stone by Wiete’s earliest settlers, or shaped by Creation herself. Others believe it was once a great nest for hundreds of wyverns in the days when the creatures were as broad as ships and enslaved humanity.

Fedor was never sure where the truth lay, and if he was being honest, it didn’t matter. He had a roof over his head and a bed he could call his own, which was more than could be said for the countless street kids and beggars that made their homes around the city.

The maze of caves, canals and tunnels had been Fedor’s home since he’d been brought there as a young child to live with the priests of Creation.

Constables eyed them when they stepped inside. The familiar smells of damp stone and sulphur mingled with the ever-changing aromas drifting from docked ships.

Fedor’s skin prickled at the rising temperature as they passed through the hive of tunnels.

The others didn’t speak as they passed through the docks, its cavernous roof enclosing scores of moored ships.

Wind howled in through the sea gate, the giant portcullis structure catching light from alchemical globes hanging from the rocky ceiling.

Fedor followed a path between empty crates and fishing nets and turned into the tunnels.

He traipsed along the canal, trying to ignore the haunted waters, dark and black and stinking.

Nothing lived beneath that surface, though many things died.

He glanced back over his shoulder, checking they hadn’t been followed, and stopped at the den’s entrance.

Lev stepped forward and rapped on the door in his usual rhythm.

Yorik and Onwyth huddled together, their breath like clouds. Yorik’s broad shoulders and thick arms reminded Fedor of an ice bear he had once seen fighting a man in the arena.

An eye appeared through a peephole and the door opened.

Fedor acknowledged the crew’s boss with a smile. Melita, tall and slender with long red hair and bright green eyes, returned the gesture. His gaze drifted to the gold coin hanging from her necklace as she held the door open.

“Any luck?” she asked.

“Had to call a thirty-three,” Lev said.

“Oh?” She raised an eyebrow and gestured them inside. Yorik and Onwyth went on ahead.

“We were spotted. Had to be done.”

Her hand briefly clenched. “The watch?”

“Wyvern,” Fedor said.

Melita bolted the door and turned to Fedor. “Same one as before?”

“Yeah.”

Lev sighed. “You don’t know that, mate. It was dark.”

“It was the same one. I know it was.”

He followed Lev and Melita through the vestibule and along a winding tunnel to the common room.

No more than ten paces across, its walls curved into the ceiling. The glow from an alchemical tube cast crooked shadows along the rock.

A pair of sofas pressed against the opposite wall.

A gaming table stood to the door’s right.

Fedor flopped down onto the nearest sofa and forced a smile at the others. He hated returning from a job empty-handed.

Yorik leant back on the other sofa, his skin pale, his thick red beard a stark contrast to his thinning brown hair. “What happened?” He spoke in a clipped Molotok accent. “Why thirty-three?”

“I saw that wyvern again.”

Yorik folded his arms and leant back, his top lip curling. “Is not good.”

Fedor shrugged. “What am I supposed to do?”

“You keep seeing wyvern. How do you know it is same?”

“I just do.”

Onwyth sniffed and turned from her seat at the gaming table. She bore the dark tones of the Southern Isles and wore her ash-dyed saltlocks loose down her back. She held Fedor’s gaze. “How many times has that been now?”

Fedor glanced down at his hands and shrugged. “I don’t know.”

“What does it want? It’s like every time we do a job, you keep seeing that…that thing.”

“It’s not every job.” His voice came out higher than he would have liked. “It’s just been a few lately.”

“It’s too many.” Onwyth scrunched her nose. “Don’t you just hate wyverns?”

“I don’t know why it keeps following us.” Fedor blinked up at the ceiling and let out a sigh. “But what can we do? It just appears from nowhere.”

“You should turn the tables.” Onwyth leant forward, her right hand closing into a fist. “You should go after it. Let the hunter become the hunted. I bet you could get a pistol or a harpoon, and then next time you see it, you could shoot it, and then you won’t have any excuse to call thirty-threes all the time. You’d probably even get a few coin for a wyvern skin.”

Fedor glared at her. “I’m a thief, not a killer.”

“Wyverns aren’t people.” She waved a hand. “You’d kill a rat, wouldn’t you?”

“Not really.”

“I would.” She grinned. “I love killing rats. I see them all the time by the canal.” She gestured towards the den’s entrance. “If you grab one of the big ones by the tail, you can smash it against a wall. It makes a great noise. Bit like a squashy kind of thud.”

“I think rats are a bit different to wyverns.”

“They’re basically just flying rats.”

“With scales,” Fedor said.

“More like flying bats, then.”

“Bats can already fly.”

A deep crease set along Onwyth’s brow. “All I know is that they’re horrible slimy creatures that fly around costing us coin.”

“I don’t think they’re slimy.”

“They’re scaled. Scales are slimy.”

Fedor shook his head. “I don’t think they are.”

“Who cares? You’re missing my point. All I’m saying is that doing a wyvern in is no different to playing splat-the-rat.”

Fedor’s eyes widened. “You’ve got a name for it?”

Onwyth sniffed. “Tell me how it’s any different?”

“They’re sentient creatures.” Fedor shrugged and met Lev’s gaze, hoping he’d speak up. “They, erm…they think and feel.”

“How would you know?”

“They talk for one thing.”

She rolled her eyes and scoffed. “Parrots talk.”

“Parrots parrot.”

She gave him a confused look. “Huh?”

“They don’t really talk, do they?”

“I heard a parrot the other day at the docks. It kept swearing and begging for crackers.” She jabbed a forefinger down on the table. “That’s talking.”

“It’s not though, is it?” Fedor tried not to sigh. “Parrots just copy whatever they’ve been taught. Wyverns are just like people.”

Onwyth snorted out a laugh. “Yeah, slimy reptile people, maybe. How many people have you seen with wings?”

“That’s not what I mean.”

“They’re no better than rats. They’re getting in the way of our jobs. I say you get yourself a sack and a club and take that thing out once and for all.”

Fedor sighed. “I repeat, I’m not a killer.”

“Perhaps you trap it in net,” Yorik said. “Not kill it, but give it beating.”

“Or smash its wings.” Onwyth jumped to her feet. “Or snap its legs.”

Fedor shook his head. “I’m not going to do that.”

Lev grinned and drummed a rhythm on the sofa’s arm. “You know he’d only find something else to blame if he did.”

“Yeah.” Onwyth pointed at him. “Oh, no. There’s a rat. Thirty-three. Thirty-three. I don’t like how that parrot’s looking at me. Thirty-three.”

Fedor huffed and folded his arms. “That’s not fair.”

“Whatever.” Lev removed his cap and pursed his lips. “You’ve got to take risks in this line of work, mate. It’s almost like I didn’t teach you shit.”

“There’s risks and then there’s risks. I’m not taking unnecessary ones. They’re unnecessary for a reason.”

“Risk nothing and you risk everything, mate.”

Fedor glared at him. “You were down that drainpipe before I’d even had chance to move.”

“Yeah.” Lev raised a finger. “But only because you called a thirty-three.”

Yorik raked a hand down his beard. “And it was necessary call, huh?”

Melita cleared her throat from the doorway and raised her chin. “If he called a thirty-three, he called a thirty-three.” She narrowed her eyes at Yorik. “Do you understand?”

“Yes, boss. I just—”

“That’s the beginning and end of the discussion.” She stepped into the common room and sat on the sofa to Fedor’s left. “If we don’t keep that as a sacred part of our code, then we may as well walk away.”

“I agree.” Yorik’s head rocked from side to side. “But there are other things to consider—”

“No. There aren’t.” She held Yorik’s gaze. “We need to trust each other’s judgement.”

Yorik’s neck stiffened. “Fedor should toughen up. He calls most thirty-threes.”

Fedor’s mouth dropped open. “That’s only because I’m usually Lev’s second.”

“That’s enough.” Melita glared at Yorik and Fedor before relaxing into an easy smile and turning to Lev. “What did we learn from the job?”

“There’s two ravenglass orbs up there, each as big as a fist.”

“So, they’re real?”

“Yeah.”

“What went wrong?”

“Apart from the wyvern?”

She gave a slight nod.

“I don’t know.” Lev shrugged one shoulder. “That was it, really. Wyvern scuppered our game…again.”

“Tools,” Fedor said. “We need something better to cut the eyes out.”

“What did you use?”

“Crowbar,” Lev said

“To prise wrought iron?”

His gaze dropped. “Yeah.”

“And you thought that would work?”

“I don’t know. Yeah. Maybe.”

“On wrought iron?”

He rolled his eyes. “Fine. We need something better.”

Melita rose to her feet. “Good idea. I suggest you get another plan together—a better one—and try again tomorrow.”

Lev frowned. “Tomorrow?”

“You got something better on?”

“No. But—”

“We need the coin.”

Lev dipped his head. “Right, boss.”

“Good.” She strode from the common room.

Onwyth and Yorik followed, closing the door behind them.

Lev let out a long sigh.

“What’s up?” Fedor asked.

“I’m just sick of these shitty jobs.”

“Two ravenglass orbs. I’d say that’s at least, what, five hundred krones?”

“What’s that halved and split between five? We need something bigger, mate. Much bigger.” He banged his head back against the sofa. “How long we been doing this?”

Fedor shrugged. “Dunno. Four years, maybe.”

“And where we at?” His fists curled tight.

“We’ve got a lot more than some out there.”

“All I’ve got to my name is what’s in my purse. How are we supposed to get out of this shit-hole if we keep doing small-time jobs?” He ran a hand back through his hair. “Every time one of us calls a thirty-three, it’s like everything gets shoved back another day. I’m just sick of it, mate.”

“So, what? We get caught by the watch? I don’t know about you, but I’m not really interested in the mines or the gibbet.”

“That’s not what I mean. I just think…I just think we deserve better.”

“It’s alright here. At least we’ve got a roof over our heads. We never go hungry.”

“That’s just surviving, mate. I don’t know about you, but I want more.”

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